The Present and Forward Fate of the Elgin Marbles The Parthenon marbles are works of art taken from the Acropolis of Athens by Lord Elgin and brought to England while Greece was under the control of the Ottoman Empire.. Lord Elgin received permission from the Sultan to remove the statues at a price less than what it takes to transport them. Money was not the main motive for Elgin in acquiring them‚ there were wealthy bidders who attempted to buy them from him but he refused. Once in England many
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thousands of years ago. This essay will examine the function as well as the style of two of those archaic buildings in both the Parthenon of ancient Athens and the Pantheon of ancient Rome. Furthermore‚ it will put them side by side to compare and contrast the two. From 447-432 BCE during the golden era a great temple was constructed on the Acropolis of Athens‚ the Parthenon (Sakoulas‚ 2002). It’s construction was ordered by the Athenian political leader Pericles following the end of the Peloponnesian
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continues to this day. This is obvious in that the design of the Parthenon and Pantheon for example‚ continue to be used in the construction of official buildings in the west in modern times. Discussion 1. Similarities: Both the Parthenon and the Pantheon are ancient temples. They look similar in that they both illustrate geometric precision yet there are distinctions in their styles which reflects the culture that produced each one. The Parthenon was built in ancient Greece
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Walter C. Gwin Sr. HUMN-B21 Elgin Marbles I will take the position that the Elgin Marbles should remain in the British museum. Ancient artifacts are a means of understanding a culture’s value system‚ their beliefs and their worldview. It is important that these artifacts be preserved as much as possible. The Parthenon is “the greatest of all Greek temples. It was built in the old Doric order‚ even though it was built in the middle of the classical age when the Ionic style was coming into vogue”
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The Elgin Marble is a collection of ancient Greek stone sculpture and architecture. Lord Elgin was the first person who acquired in Athens in between 1801 to 1805. The temple was built for dedication to goddess Athena and it also represents the beginning of democracy. Lord Elgin carried out the work by acquiring 21 figures depicting battles and decoration of the Parthenon. He also acquired the treasures‚ architectural features and objects from other buildings. However‚ the Elgin Marble was illegally
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Jenifer Neils’s article “Reconfiguring the Gods on the Parthenon Frieze” analyzes the interpretations of the Parthenon frieze in terms of its iconography‚ meaning‚ the use of space‚ time‚ and future influence. Neils’s analyzes very important components of the frieze‚ but those that stood most out to me is the use of space and the influence of the monument. Neils’s highlights of the main components of the meaning behind the frieze‚ arguing that some of the gods were chosen on the basis of proximity
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1. Parthenon Sculpture The Parthenon‚ or the Temple of Athena Perthenos‚ sits at the top of the Acropolis in Greece‚ dating 447-438 BCE‚ and can be viewed as an ideal Greek temple in the Doric design. Designed by Iktinos and Kallikrates‚ the proportions of the temple are considered perfect‚ and the Parthenon was decorated more extravagantly than any other Greek temple (Gardner‚ 70)‚ adorned with sculpture and friezes along both pediments‚ and all 92 Doric metopes‚ presenting many classic elements
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purchased the Parthenon Marbles‚ also known as the Elgin Marbles‚ from Lord Elgin on July 11‚ 1816 through an Act of Parliament (1). The Parthenon marbles consist of 115 panels of frieze and 92 mesotopes of which the British Museum owns 56 panels of the frieze and 15 mesotopes. The museum also owns 17 pedimental figures‚ and thus houses about half of surviving sculptures of the Parthenon while the other half is in Athens (2). The legal circumstances surrounding Lord Elgin’s removal of the marbles is questionable
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The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion‚ Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato’s view of science and mathematics are categorized as forms in the Intelligible
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the Parthenon‚ is one such of these examples. It brings into form the three principal ideas of humanism‚ rationalism‚ and idealism of the 5th century Greek people through not only its structure‚ but its ornamentation and sculpture as well. The basis of humanism can be summed up in the words of Protagoras‚ "Man is the measure of all things." Humanism is the idea that human beings are the yardstick by with to measure all things in the universe‚ including Greek gods and goddesses. The Parthenon stands
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