ABSTRACT Most research in Machine translation is about having the computers completely bear the load of translating one human language into another. This paper looks at the machine translation problem afresh and observes that there is a need to share the load between man and machine‚ distinguish ‘reliable’ knowledge from the ‘heuristics’‚ provide a spectrum of outputs to serve different strata of people‚ and finally make use of existing resources instead of reinventing the wheel. This paper describes
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Gender and Translation Accuracy Salar Manafi Anari[1] (Professor‚ Allameh Tabataba ’i University) Maliheh Ghodrati[2] (M.A. Graudate from Science and Research Campus‚ Islamic Azad University) Abstract The aim of this study was to identify the role of the gender of the translator on the accuracy of the translation‚ and to determine whether there is any difference between the translations done by female and male translators in terms of translation accuracy. Two English novels and
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3 THE THEORY OF TRANSLATION OF A DRAMATIC TEXT In general‚ translation is “rendering the meaning of a text into another language in the way that the author intended the text.” (Newmark 1988‚ p.5) However‚ the mission of a translator of a dramatic work is slightly different from any other literary piece. A dramatic text is written in order to be performed on stage. The translator of such a text has therefore to bear in mind that the readers (i.e. the audience in this case) shall not
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http://www.translationdirectory.com/article301.htm Literary Translation: Recent Theoretical Developments By Sachin Ketkar Lecturer in English SB Garda College‚ Navsari www.geocities.com/sachinketkar sachinketkar@yahoo.com Literary studies have always‚ explicitly or implicitly‚ presupposed a certain notion of `literariness ’ with which it has been able to delimit its domain‚ specify‚ and sanction its methodologies and approaches to its subject. This notion of `literariness ’ is crucial
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A Comparative Study of the Translation of Image Metaphors of Color in the Shahnameh of Ferdowsi By Anousheh Shabani‚ Isfahan University‚ Iran Become a member of TranslationDirectory.com at just 6 EUR/month (paid per year) Advertisements: | | Abstract Metaphors are taken to be the most fundamental form of figurative language‚ carrying the assumption that terms literally connected with one object can be transferred to another object. A writer/speaker uses metaphor more often than
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Translation Techniques Direct Translation Techniques :- Direct Translation Techniques are used when structural and conceptual elements of the source language can be transposed into the target language. Direct translation techniques include: Borrowing Calque Literal Translation Borrowing Borrowing is the taking of words directly from one language into another without translation. Borrowed words are often printed in italics when they are considered to be "foreign". E.g. Cafeteria كافيتريا - supermarket
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THE PROJECT OF ambiguity in translation PROFESSOR : DR jabbari STUDENT: SAEID JEDI In the name of the most compassionate Abstract This paper deals with translation ambiguity and target polysemy problems together. many Words have more than one translation across languages. Such translation ambiguous words are generally translated more slowly and less Accurately than their unambiguous counterparts. Additionally‚ there are multiple source of translation ambiguity including within language
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Equivalence in Translation Introduction Dynamic equivalence‚ as a respectable principle of translation‚ has been around in the translation sector for a long time. It is the method whereby the translator ’s purpose is not to give a literal‚ word-for-word rendition but to transfer the meaning of the text as would be best expressed in the words of the receptor (native) language. In this paper‚ we will focus on the criteria necessary to qualify dynamic equivalence with special reference to Eugene
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content and the form of the ST in a way that conforms to the rules of the language and culture in the TL community. In general‚ this procedure is used as an effective way to deal with culturally-bound words/expressions‚ metaphors and images in translation. That is‚ the translator resorts to rewriting the SLT according to the characteristics of the TLT. Monia Bayar (2007)[16] argues that adaptation is based on three main procedures: cultural substitution‚ paraphrase and omission. Cultural substitution
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On Drama Translation Like their contemporary prose translators who were introducing Western fiction to China‚ budding dramatists were enthusiastic about bringing Western plays to the Chinese stage. The first play was staged in Japan from an adaptation of Lin Shu ’s translation of Uncle Tom ’s Cabin. A Chinese student in Japan named Li Shutong adapted the script. The play was put on by members of the Chun Liu (Spring Willow) Drama Society. Their performance marked a complete break from traditional
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