"Alfred Hitchcock" Essays and Research Papers

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    Alfred Adler

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    Alfred Adler Neo Freudian Opposition to Freud’s deterministic view of human nature and importance he placed on sex Opposition to emphasis on instincts as primary motivator for human behaviour Opposition to Freud’s negative view of human nature Was never a disciple of Freud One of Freud’s colleagues said that Adler did not have the ability to probe the unconscious mind and psychoanalyze people – interesting to speculate whether this supposed lack led Adler to base his theories around the conscious

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    performance– and cinematography – such as filters‚ framing‚ shot duration‚ depth of field‚ camera position‚ and focal length of lens – to convey meaning beyond the dialogue (Bordwell). In the opening sequence of Strangers on a Train‚ director Alfred Hitchcock masterfully manipulates the visual methods of costume‚ framing‚ and performance to reveal Bruno’s character and to foreshadow the plot. Costume is used in the opening scene to reveal the peculiarity of Bruno’s character‚ who is later revealed

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    obviously the victim here. When the $40‚000 is no longer what we see from Marion Crane‚ it is because she was murdered‚ she is now the victim. Robert Ebert‚ from the Chicago Sun Times states “Marion Crane does steal $40‚000‚ but still she fits the Hitchcock mold of an innocent to crime.” She was originally at fault here‚ and then she is brutally murdered for no reason by Norman Bates‚ who now becomes the center of attention. We must now figure him out! “Marion has overheard the voice of Norman’s mother

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    Motifs in Movie Psycho

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    Motifs in Psycho In the film Psycho there are many reoccurring motifs such as birds‚ mirrors‚ and voyeurism‚ which are implemented by Hitchcock and often may be unnoticed by the viewer. Mirrors frequently appear throughout the movie‚ for example when the bathroom mirror reflects on the money Marion has taken. Probably the most noticed use of mirror is when Marion’s sister sees her reflection in two mirrors and is startled because she thinks someone is behind her. Voyeurism is also a reoccurring

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    there is a scene with the hotel’s disturbing proprietor Norman Bates that challenges gender roles and shows the weak positions of power that Hitchcock gives each character in the film. Marion begins the scene by listening in as Norman fights with his mother. She peers out her window at the menacing house and hears the loud voices coming from it. Afterwards Norman brings some food down to Marion. They settle in his parlor‚ surrounded by a collection of stuffed birds. Norman alludes to the connection

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    performance: The performance I went to see was "The 39 Steps" on the 25th of March‚ at the Criterion Theatre in London‚ it’s produced by Gaumont British. The original 39 steps was an action spy novel written by John Buchan in 1915. Then Alfred Hitchcock produced a film‚ then the play was written and when I first saw the play it was a bit of a shock seeing as the book and film are set as thrillers and the play is very much a comedy. The play is set in 1914 and Europe is on the brink of war.

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    Oxford dictionary‚ is a state or feeling of excited or anxious uncertainty about what may happen. Quentin Tarantino’s manipulation of suspense and tension in a scene is unmatched in today’s world. Like the former "Master of Suspense" himself‚ Alfred Hitchcock‚ Quentin Tarantino leads the audience to a the point of near exhaustion‚ through the pent up pressure in his trademark lengthy scenes. These scenes serve to focus every ounce of mental and emotional energy on the situation‚ instead of cutting

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    Rear Window

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    Lauren Riley Professor Piana February 26‚ 2012 Rear Window Last class we viewed the film called Rear Window. The main plot behind this film is the main character‚ Jefferies‚ has a broken leg therefore he has to spend 6 weeks in a wheelchair in his apartment. The one form of entertainment he has is to window watch all his neighbors. Jefferies has a girlfriend named Lisa but tells his nurse that he does not want to marry her. After a few weeks Jefferies catches onto his neighbors business. He

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    Rear Window (1954) is an intriguing‚ brilliant‚ macabre Hitchcockian visual study of obsessive human curiosity and voyeurism. John Michael Hayes’ screenplay was based on Cornell Woolrich’s (with pen-name William Irish) original 1942 short story or novelette‚ It Had to Be Murder. This film masterpiece was made entirely on one confined set built at Paramount Studios - a realistic courtyard composed of 32 apartments (12 completely furnished) - at a non-existent address in Manhattan (125 W. 9th Street)

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    The film I chose to watch is the original Psycho‚ filmed in 1960 and directed by Alfred Hitchcock. The stars of the cast included Anthony Perkins‚ Janet Leigh‚ Vera Miles‚ John Gavin‚ and Martin Balsam. (IMDB.com‚ 2006) The story begins about a young woman named Marion Crane from Arizona who is fed up with her life and longs to marry her boyfriend‚ Sam. Unfortunately‚ the couple has little money and cannot marry. One Friday afternoon‚ she is asked to deposit forty-thousand dollars for her boss. Seeing

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