THE BIRTHDAY PARTY . HAROLD PINTER

Theatrical features of the birthday party The birthday party considered as one of the greatest Pinter’s work which reflect his own rules and features of his own drama. Perhaps Pinter is very different from other absurdist writers as the Irish Samuel Becket and Inesco.but in anyhow I can assume that the theatre of the absurd as called by Martin Essllin has witnessed some other themes and set of ideas that makes it relevant .This is partly as a results of Pinter’s style of writing ; he does not preach lecture or categorical statement ,but instead present his audience with incident ,characters ,language that suggest that something of great significance is taking place ,without ever being specific about what is it . So that the birthday party is an exploratory work that stimulate the audience into a wide range of topic , and perhaps the most vital thing to remember it is at one and the same time a play about the status of the artist in society , and how people fail to communicate, and about people need for security . Language is a tool to articulate and express opinions, but in the birthday party people used language in other aims. we have the undesirability of communication characters do not want to talk with each other they use language as an escape from truth we do not know whether the word they said are true or false and that is related to lack of verification and unverifiability which is between truth and falsehood cannot be detected. In the opening of the play we have a talkative woman that speaks a lot with her husband in an absurd manner communicating things with no real value. Pinter suggesting that people are too frightened of real communication to use language for this purpose, because real communication may reveal other weakness and deficiencies thus much language in the play is an attempt to cover up and evade the truth. Goldberg’s memories of youth as an example used in order to remove from Goldberg the