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    Pulp Fiction Modernism

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    Pulp Fiction‚ is considered by many to be a key example of post modernist cinema. Its use of non-linear narration‚ copious references to other movies and its off beat dialogue‚ combined with Tarantino’s unique style make the viewer aware that there is something different about this movie from most Hollywood blockbusters. George Ritzer said that "in the modern world everything seems pretty clear-cut‚ (but) on the cusp of the postmodern world many things seem quite hazy." This is the case with regard

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    Pulp Fiction Analysis

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    Pulp Fiction is a movie that almost everyone today has seen. However‚ it can be a difficult movie to understand if one is only looking for a straight story. Pulp fiction seems to have multiple stories being told almost simultaneously. Some will say it is about two hit men or a boxer‚ but the truth is there is no story behind the film. The whole purpose of the film is to parody every type of film movement created. From documentary as a style to Surrealism‚ this film leaves no movement out. The

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    Pulp Fiction Analysis

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    indie film movement with his earlier film Reservoir Dogs. Subsequently‚ Tarantino followed up with his well-received movie Pulp Fiction. Both Movies are similar plot-wise; they deal with gangsters coping with unexpected events. Quentin Tarantino uses camera placement and editing‚ themes‚ dialogue‚ and different movie genres to tell the story literally and cinematically in Pulp Fiction and Reservoir Dogs. Although both films deal with gangsters and criminals‚ they have different themes. In Reservoir Dogs

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    Pulp Fiction Narrative

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    Pulp Fiction is a controversial film‚ written and directed by Quentin Tarantino‚ in 1994. It has almost everything you could wish for in a movie; drama‚ hilarity‚ intensity‚ action‚ thrills‚ fun‚ intelligence‚ romance‚ intimacy‚ over-the-top bravado‚ vulgarity‚ sweetness‚ humor‚ and soul-searching. The film is very raw and brutal‚ but has a unique sense of style that keeps the viewers entertained. It will build its way up gradually to an incredibly intense scene‚ before dropping down to a relatively

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    Pulp Fiction Analysis

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    Taylor Rogers 4/8/12 O’Neal Paper 3 ENGL 1023 Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about

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    Conflicting Perspectives

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    Every individual has a perspective on things in life and their personal idea of the truth. These are universal concepts and are widely seen in ted Hughes poems “birthday Letters”. Birthday letters is a set of poems‚ said to have been written by Hughes for six years prior to his death‚ on his ex wife’s birthday each year this the selection of poems being called birthday letters. The selection on poems surrounds his problematic marital issues between himself and his wife Sylvia Plath. It is also

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    Tarantino In Pulp Fiction

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    One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing

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    Conflicting Perspectives

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    To what extent has textual form shaped your understanding of conflicting perspectives? In your response‚ make detailed reference to your prescribed text and at least ONE other related text of your own choosing. Interpretations are merely influenced by one’s personal beliefs‚ experiences and the way the situation is presented. William Shakespeare’s play‚ “Julius Caesar”‚ and David Deane’s news article‚ “Cop’s Visa Denied over Autistic Daughter”‚ present these interpretations by cleverly embedding

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    Conflicting Perspectives

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    Conflicting perspectives are the result of individual desires. Manipulation and distortion are used in the attempt to achieve a desired end.’ The notion of “Conflicting Perspectives” embodies a clash of opposing viewpoints and accepts that different people will always have different perspectives of themselves‚ others and the world around them. A clash of viewpoints‚ stemming from individuals seeking to affirm the correctness of their perspective over those put forward by others regardless of their

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    Conflicting Perspectives

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    really exist‚ or does the truth depend on one’s perspective? The relationship between truth and perspectives is a key concept in Ted Hughes’ Birthday Letters‚ this idea is supported in the film Vantage Point and the Scientific American’s report on the social perspectives of the death of Bin Laden‚ “What Bin Laden’s death means to us and society?” Essentially Vantage Point is a film about one event seen through eight different perspectives. As each perspective is revealed‚ more about the event is understood

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