Every artist has a story behind his/her painting. I believe every person sees a painting with different view and experience it differently. Each color the artist choose in every painting has message that he or she is trying to send to the viewers. One of the common color in my ten art work is gray. Gray is seen by people as unemotional‚ cold‚ and boring color because it is neither black nor white. I believe gray can deliver many emotions and not just depressed feeling. In each one of my painting
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The elements most abundant in this piece are that of color‚ light and shadow‚ and space. These are the primary elements most apparent‚ though other elements are present in the painting as well. This particular piece is not so concerned with incorporating background into telling the story‚ as it is blurred and somewhat distorted. The concentration of the piece is directed to the figures presented in the painting and the story being depicted. The use of light and shadow are what catches the viewer’s
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ANALYSIS ‘The African Beggar’ Author: Raymond Tong The poem ‘The African Beggar’ by Raymond Tong explores the despondency of humanity’s existence and our complete helplessness when faced with the adversity of ourselves and others through the distinctively visual description of an African beggar and his experience as an outcast to society. In the first stanza of the poem‚ the heterodiegetic narrator (considered to be Tong)‚ introduces the beggar as a repulsive outcast. The description of the persona
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In the artwork The Immaculate Conception (Figure 1) painted by Antonio de Palomino y Velasco‚ the viewer is immediately drawn towards the most prominent figure in the painting. The features of Palomino’s work all direct the viewer towards the illuminated woman and the bird flying overhead in the center of the canvas. This painting utilizes creative elements such as perspective‚ lighting and colors‚ and shapes to accentuate the significance of the central characters in the foreground of the artwork
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Name 3simplicity of an African ritual mask. The gaze of the black deformed eyes is directed into the distance or deeply inside of herself. The strange asymmetry of her eyes hints to some painful disharmony in her soul. The sharp geometry of the eyes‚ nose‚ mouth‚ and the unrefined ear iscontrasted with a more rounded outline of her broad body that leans forward. The bulkiness of her silhouette is emphasized with a loose coat and the large hands that rest heavily on the folds of her baggy skirt. The
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Gabriel Connor Shaw Mr. valentin English 10R 8 June 2012 The black and white world of 1984 seen through dark eyes The café scene by Salvador Dali was painted in the mid 1900’s and it depicts two people sitting down for a drink is the primary image but there is a secondary image of a skull that is created by the first image of the people. The paintings beauty and story can be related to George Orwell’s novel 1984 which is a love story about a
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X Compare the ways the distinctively visual is created in Crouching Tiger‚ Hidden Dragon and in one other related text of your choosing. The use of distinctively visual images allows an audience to perceive and distinguish the composer’s specific representation. From these distinctive visuals‚ the audience’s perceptions force them to respond in a particular way. In ‘Crouching Tiger‚ Hidden Dragon’‚ Ang Lee utilises a range of film techniques to position his audience through a combination of quiet
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Professor Ferris Williams Art History 2 December 2013 For my Formal Analysis I decided to choose the painting that Fridah Kahlo did in 1946 entitled “The Little Deer”. When examining this piece of work I see the deer jumping and running through the forest in action. The deer has a female human style face which is somewhat interesting because Kahlo uses the same type face when doing self-portraits of herself. When viewing this piece I see the arrows striking the deer and blood running out and the
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In what ways are people and their experiences brought to life through the distinctively visual? People and their experiences are brought to life in a number of unique ways. Goldsworthy brings to life Paul’s experiences of new places and relationships using a variety of narrative techniques in Maestro. The Wachowski’s also do this in their short Anamatrix film “A detective Story” but employ visual and colour features instead. Paul’s initial Darwin experience is brought to life by Goldsworthy.
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are transmitted generation by generation. We also can find that in all myths‚ a fearful character with mysterious atmosphere is necessary‚ such as Satan in Bible‚ Nian-sho (a year monster) in the Chinese-new-year-story‚ or Misshepeshu (a monster) in Track: “Even though she was good-looking‚ nobody dared to court her because it was clear that Misshepechu‚ the water man‚ the monster‚ wanted her for himself. He’s a devil‚ that one‚ love hungry with desire and maddened for the touch of young girls‚ the
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