Modernism vs Neo-Traditionalism: A debate on the merits and failures of two major competing paradigms in architecture and urban planning. Beyond the term modernism underlies one of the greatest ideas in architectural development. Modernism was meant to provide more green areas‚ cheaper housing and more efficient use of space. This was to be accomplished by creating vertically dense spaces with the use of the new inventions of the nineteenth century‚ such as steel‚ glass‚ electricity
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France Georges Seurat Paintings made of small‚ distinct dots of pure paint. Dots of unmixed colour are juxtaposed on a white ground so that from a distance they fuse in the viewer’s eye into appropriate intermediate tones Also called divisionism. Post Impressionism 1880 - 1905 France Van Gogh Henri Rousseau A late 19th-century reaction to Impressionism‚ Emphasizing on one hand the emotional aspect of painting and on the other a return to formal structure The first led to Expressionism;
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T.S. Elliot’s “The Wasteland” and Modernism. Elliot was both influenced by modernism and a reference of it. The dramatic change in form and content in literature (and human beliefs) of the last nineteenth century and the early twentieth century is noticeable in the poem. The Wasteland is also a reflection of the between wars years and also a prophecy for all that were to come. Elliot masters the form in the poem to create a sense of pessimism‚ decadence and fugacity. It is often said that his
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Modernism in Earnest Hemingway’s Literature “The Old Man and the Sea” Introduction: 1. The definition of Modernism 2. The definition of Realism 3. The definition of terms 4. The significance of the study Chapter one: 1. The theory of Modernism 2.1. Stream of consciousness 2.2. Internal monologue 2. Realism as a literary technique 3.3. Internal realism Chapter two: 1. the implication of American modernism through the main characters
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GEOFFREY SCOTT AND ARCHITECTURAL MODERNISM 2 3 Introduction In Geoffrey Scott’s book The Architecture of Humanism (1914) formulates a series of arguments against a number of theoretical positions. Scott identifies these theoretical positions as fallacies underlying architectural theory which is not proper to architecture. The four types of fallacy he distinguishes are the ‘Romantic Fallacy’‚ the ‘Mechanical Fallacy’‚ the ‘Ethical Fallacy’ and the ‘Biological Fallacy’. This paper is to
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Formalist Approach: Characteristics: Theory of high art‚ focus on quality‚ retrospective specialisation (flatness)‚ self-definition. Key Terms: Flatness‚ surface‚ self-criticism‚ depth‚ medium specificity. For Greenberg‚ the key motivating force within modern art was the pursuit of quality (Art is a matter strictly of experience‚ not of principles‚ and what counts first and last in art is quality) By experience‚ he meant the practical aspect of making art and the artist’s attention
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ideologies and unbridled optimism for society and mankind made way for departures from Romanticism towards a new movement; Modernism. Thomson Gale writes that Modernism can be "defined by its rejection of the literary conventions of the nineteenth century and by its opposition to conventional morality‚ taste‚ traditions‚ and economic values." (Thompson Gale). Literary modernism focuses on breaking away from traditional rules and conventions; to search for new perspectives and points of view while experimenting
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MODERNISM: The Aesthetics of Abstract Expressionism Project Prepared for Donald McIntyre Professor‚ DeVry University Project Prepared by Colleen Mitchell Student‚ DeVry University June 7‚ 2009 Modernism is one of the cultural movements which took place in the nineteenth to the twentieth century. This movement was sure to draw attention to the artists’ work of art mainly because of the complexity of the artist’s creativity and breaking away from the more traditional works. Abstract
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Gio Ponti and Italian modernism "Love architecture‚ be it ancient or modern. Love it for its fantastic‚ adventurous and solemn creations; for its inventions; for the abstract‚ allusive and figurative forms that enchant our spirit and enrapture our thoughts. Love architecture‚ the stage and support of our lives." These are the words of one of the most famous and renown architects and designers of Italian Modernism‚ Gio Ponti. He was born in Milan‚ where
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Maren Tova Linett ‚ Modernism‚ Feminism‚ and Jewishness Modernism‚ Feminism‚ and Jewishness by Maren Tova Linett Review by: Maeera Y. Shreiber Modern Philology‚ Vol. 109‚ No. 1 (August 2011)‚ pp. E67-E69 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/660813 . Accessed: 17/11/2013 02:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp
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