PARRHESIA NUMBER 1 • 2006 • 1 – 12 Thinking between disciplines: an aesthetics of knowledge1 Jacques Rancière Translated by Jon Roffe What should be understood by the invocation of an ‘aesthetics of knowledge’? It is clearly not a matter of saying that the forms of knowledge must take on an aesthetic dimension. The expression presupposes that such a dimension does not have to be added as a supplementary ornament‚ that it is there in every sense as an immanent given of knowledge. It
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10. Aesthetic Value I have found it impossible (though not for want of trying) to find a way of avoiding commitment to a concept of aesthetic value. The general theory of value remains in an unsatisfactory state; and aesthetic value in particular presents various unsettled questions. But‚ as in the first edition‚ I find myself always driven back to the idea that in calling an artwork a good one -- or a good poem or good choreography -- we must be ascribing some form of (nonmoral) value to it‚ and
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Art and Aesthetics at Work Edited by Adrian Carr and Philip Hancock Art and Aesthetics at Work This page intentionally left blank Art and Aesthetics at Work Edited by Adrian Carr University of Western Sydney and Philip Hancock University of Warwick Editorial matter‚ selection and Chapters 1‚ 5 and 9 © Adrian Carr and Philip Hancock 2003 Other chapters (in order) © Adrian Carr; George Cairns and Tamar Jeffers; Mary-Ellen Boyle; Catrina Alferoff and David Knights; Nick
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to person and those definitions can be more characterized as aesthetics. Aesthetics is known one way as the outward experience of how something looks‚ and how pleasing it is. This pleasing feeling of how something may look is the psychological responses to beauty and artistic expressions. A word that can be used as a noun‚ verb or adjective is a philosophy to some. The philosophical view of aesthetics is to study beauty and its aesthetic values. It also deals with the nature and expression of beauty
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hidden traits of nature .In fact he got at first awed by the very qualities of it and then he tried to reason out the secret behind such a happening. The same holds true for CLOUD. In fact I would like to tackle this topic at first from purely aesthetic view point .If we turn back the pages of history we will find various bards independent of language and topographic barriers churning out exquisite pieces in praise of that apparently looming shadow of ominous doom. Such an ironic treatment was
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Representationalism and Aesthetics If one were to be provided a spectator’s view of visitors of an art museum‚ they would witness a microcosm of the appreciation of art in its entirety. Some observers of art might simply glance at a piece of artwork and shrug it off for its unaesthetic appearance‚ others might try to delve deeper into what it’s standing for. Multiple factors would possibly come into play; the audiences’ reaction‚ the inquisition into the artist’s original intention‚ and perhaps
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Aesthetic Domain The domain that interests me the most is the aesthetic domain. The aesthetic domain is the appreciation of the arts and enjoyment of sensory experiences. I believe art is an important part to learning and expands the imagination and creation of a child. Art allows children to express feelings‚ thoughts and creativity. Although every domain is imperative to a child’s education‚ I believe the aesthetic domain ranks as one of the most important domains. When the aesthetic domain
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Art and Aesthetics Everything that we see around us is piece of art‚ but not everyone is able to notice it. Main thing that distinguish art and not art is only our attitude‚ the way we look at object that we are observing and the way artist present the art work to his audience. Personally I think that everything might be an art if you use your creativity‚ include your imagination and release all your potential‚ which was inherent in you by nature many years ago‚ while you are looking at
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Aesthetics and Architecture of 1929 - 1949 Design is not always about aesthetic values anymore‚ but rather the orchestra of how the buildings and environments fit into the city fabric‚ how they achieve goals in terms of city regulations and how the numbers work to fulfill the developments of the project. Architects and urban designers are in the side that should satisfy these whole aspects - so not only the buildings are beautiful in the drawing plans or in the computer screen‚
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subscription information: http://www.tandfonline.com/loi/fsij20 Aesthetic Labour in Interactive Service Work: Some Case Study Evidence from the ‘New’ Glasgow a a Chris Warhurst ‚ DENNIS NICKSON ‚ ANNE a WITZ & ANNE MARIE CULLEN a a Department of Human Resource Management ‚ University of Strathclyde ‚ Glasgow‚ G1 1XT Published online: 20 Aug 2006. To cite this article: Chris Warhurst ‚ DENNIS NICKSON ‚ ANNE WITZ & ANNE MARIE CULLEN (2000) Aesthetic Labour in Interactive Service Work: Some Case Study Evidence
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