Preview

aesthetics

Powerful Essays
Open Document
Open Document
4720 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
aesthetics
PARRHESIA

NUMBER 1 • 2006 • 1 – 12

Thinking between disciplines: an aesthetics of knowledge1
Jacques Rancière
Translated by Jon Roffe

What should be understood by the invocation of an ‘aesthetics of knowledge’? It is clearly not a matter of saying that the forms of knowledge must take on an aesthetic dimension. The expression presupposes that such a dimension does not have to be added as a supplementary ornament, that it is there in every sense as an immanent given of knowledge. It remains to be seen what this implies. The thesis that I would like to present is simple: to speak of an aesthetic dimension of knowledge is to speak of a dimension of ignorance which divides the idea and the practise of knowledge themselves.
This proposition evidently implies a presupposition concerning the meaning of
aesthetics’. The thesis is the following: aesthetics is not the theory of the beautiful or of art; nor is it the theory of sensibility. Aesthetics is an historically determined concept which designates a specific regime of visibility and intelligibility of art, which is inscribed in a reconfiguration of the categories of sensible experience and its interpretation. It is the new type of experience that Kant systematised in the Critique of
Judgement. For Kant, aesthetic experience implies a certain disconnection from the habitual conditions of sensible experience. This is what he summarises as a double negation. The object of aesthetic apprehension is characterised as that which is neither an object of knowledge nor an object of desire. Aesthetic appreciation of a form is without concept. An artist does not give form to a given matter according to a function of knowledge [savoir].
The reasons of the beautiful are thus separate from those of art. They are also separate, though, from the reasons which render an object desirable or offensive. Now, this double

THINKING BETWEEN DISCIPLIINES

negation is not only defined by the new conditions

You May Also Find These Documents Helpful

  • Good Essays

    People often toss around the notion that “art is subjective.” We have heard the phrase “beauty is in the eye of the beholder” one too many times growing up. We all understand that everyone holds different perspectives, but maybe we have become numb to the actual meanings behind these words. We are the ones who succumb to the aesthetics of art without truly understanding the contexts in which it arises from. We seem to think we know all about a culture once we possess or even create a certain “stereotypical” work of art. We get so caught up in the beauty of it all, but we need to question what exactly aesthetic values do in creating a false sense of reality. Writers like Teju Cole understand this urge and give us a wake-up call that we are living…

    • 1107 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Conceptual Art

    • 685 Words
    • 3 Pages

    Conceptual Art maybe defined as a concept or art movement that came about the 1960’s as a reaction towards formalism. Where in art theory, formalism is a concept where an artwork or piece’s entire artistic value is based purely on its form and visual aspects. For example, American essayist/art critic, Clement Greenberg suggested the notion that art should examine its own nature and was already a potent aspect of vision of Modern art during the 1950’s. However with the mergence of conceptual artists such as Joseph Kossuth, Lawrence Weiner and many more, a far more radical interrogation of art than was previously done began. One of the first and most important things they questioned was the common assumption that the role of the artist was to create special kinds of material objects (Osborne 2002, 232). This essay will discuss as to why and how did Conceptual artists disagreed with the statement of formalism and set out to destroy or undermine the value of physical pleasure in art’s making and reception.…

    • 685 Words
    • 3 Pages
    Good Essays
  • Good Essays

    While the theories on the artist intent are of plenty, there is no mistaking that this piece provokes deeper contemplation on the depiction of beauty and the power of “ugly” imagery in this painting. One can argue that over vast time periods and amongst culture the defined interpretation of beauty has seen many profound depictions and interpretations displayed in infinite works of “beautiful” art. We must ask ourselves, can only works of “beauty” be aesthetically pleasing to the eye or can we find it in a variety of work through…

    • 627 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Art appreciation is the understanding of the timeless qualities that characterise all great art, and personally i feel is a subjective matter; what I find aesthetically pleasing may not apply to everyone else. There are many reasons why we value art; because it informs us, because of its expressive quality, and because of its artistic quality. In this case, the latter is being discussed, that good art is good because of aesthetic enjoyment of form, the balance and structure and proportion. Its argued that content is not important, just the formal qualities make it good art, for example Jackson Pollock, his work is based on lines and colours and is valued very highly, therefore content is irellevant.…

    • 437 Words
    • 2 Pages
    Good Essays
  • Good Essays

    It is an innate part of the activity to expect others to agree with us. We may say, “Beauty is in the eye of the beholder”, but instead we debate and argue about works of art and think something can actually achieve something from this. Kant insists that necessity and universality are product features of the human mind and labels this ‘common sense’, and that there is no objective property of an object that makes it beautiful. (Douglas Burnham)…

    • 1125 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Art is, not as the metaphysicians say, the manifestation of some mysterious idea of beauty…

    • 940 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Concept Analysis Process

    • 411 Words
    • 2 Pages

    Aesthetical knowing is allied to creativity; transforming the intangible to tangible. Example: Aesthetical knowing was in play during this assignment. After reading our assignments, research, discussions; understanding of subject while transform into reality via the end product, the…

    • 411 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Max Nordau creates an well written and interesting essay asking the question: what makes art appealing? What is considered beautiful, and what is considered heinous?…

    • 506 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Cultural Paper

    • 487 Words
    • 2 Pages

    As I walked around and looked carefully at each piece of art, I had thought about where the artist’s inspiration came from and how well their work of art had represented their feelings. I am not a creative person and I do not know too much about art and humanities unless it was from a textbook. I do not understand these feelings the artist has experienced and I do not view the work of art as the same way they do. However, I do appreciate creativity of art and sculptures.…

    • 487 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    means the inherent nature of the aesthetic object. Anything may be painted, or expressed in poetry, and…

    • 386 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    Assignment Submitted By Yours Name here Submitted To Yours Instructor Name here To Meet the Needs of the Course May, 2016. I have selected two movies Double Indemnity and Crossfire.…

    • 2386 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    Knowledge must have as its object that which is genuinely real as contrasted with that which is an appearance only, that which is fully real must be fixed, permanent and unchanging- in the realm of being as opposed to that which is in the realm of becoming(physical)…

    • 1441 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Throughout the history of our world "man" has always tried to describe or define knowledge in regards to its knower. During the age of Greek dominance, a philosopher who went by the name of Plato decided that the knowledge that surrounds everything and ever person is a mysterious kind of union between a knower and his knowledge. At times he compares knowledge to a type of love that human beings should embrace in every mystical way. John Dewey, describes his idea of mans' relationship with knowledge: "when a man gets to know something, the process is in more mysterious than when he gets to eat something."(Abel: Man is the Measure) In a simpler approach, the definition of knowledge…

    • 932 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    The writer basically introduced the traditional account of knowledge which states that knowledge is Justified True Belief (J T B).Thus he emphasized that there are three senses of the word “knows”(that is Knowledge), they are; First, Propositional knowledge (a relationship that exists between a subject and a true proposition). Second, Acquaintance knowledge. And third, “How to” knowledge.…

    • 290 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    “The knower’s perspective is essential in the pursuit of knowledge.” To what extent do you agree?…

    • 1584 Words
    • 7 Pages
    Better Essays