lives. They were interested in the nature of beauty‚ art‚ and taste and with the creation and appreciation of beauty. Although there are examples of pre-historic art‚ they are rare and the guidelines that they followed are not so clear‚ Thus the aesthetic doctrines that guided their production and interpretation one mostly unknown. However‚ recently designer notice what happing to the world such as global worming due to human action. Then they set some laws in designing for the environment benefit
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An explicit concept since the late 1950s‚ aesthetic education first developed to provide a strong philosophical foundation for music education and continues to evolve as a solid theoretical orientation for current effective practices. Bennett Reimer has contributed much to the discussion and development of the value of aesthetic education for the teaching and learning of music. Others in music education also support and promote these ideals and focus on developing an improved understanding for music
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‘‘THE AESTHETIC POINT OF VIEW’’ the world of artistic expressions has traveled many theories and philosophies regarding the beauty in our cognition of the art world. Art theories and philosophies still grows exponentially in inclusion of all the elements the twenty-first century’s technologically advanced progress brings. So when a creation is judged‚ how is the assessment of aesthetics justly endorsed as a valuable addition to the art world or as a figment of artistic attempt? The quest
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Criticism in architecture: does aesthetics matter in architecture? „Urgent questions which confront the architect are indeed philosophical questions‟ (Scruton 1979). In the letter of Goldberg (2003)‚ criticism in architecture is considered as an audience guide to appreciate good design: The purpose of architecture criticism in the general media is to create a better educated more critically aware‚ more visually literate constituency for architecture… In contrast‚ Baird mentioned: Today criticality
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Animal Protection Decision-Making Based on Aesthetic Value is Undermined by Subjectivity In “Why Do Species Matter?”‚ Lilly-Marlene Russow argues that humans have a moral obligation to protect and to ensure the continued existence of things of aesthetic value which includes some but not necessarily all animals. In this paper‚ I will argue that the subjectivity involved in determining aesthetic value makes it an insufficient element for determining moral obligation to the protection and preservation
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Review on a Research Report for Aesthetic Sensitivity in Patients of Body Dysmorphic Disorder Amber Farmer Rio Salado College In the article I selected for review‚ the author chose to test whether or not those with BDD actually have a higher level of aesthetic sensitivity rather than a distortion in their self awareness of physical appearance (Lambrou‚ 2011). I reviewed this article and its varying components‚ specifically focussing on the research strategy implemented to
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Student Name Professor Ikegami Japanese 425 23 February 2011 Bridging the Time Gap: An Analysis of the Commonalities and Divergences between Heian-era Japanese and Modern Western Aesthetics. The dichotomy of Eastern and Western in terms of global geography is something that has been examined on many levels‚ as the culture of the two hemispheres contrast in a very blatant manner. Ideology about social interactions to the value of education‚ food‚ music‚ art‚ religion‚ etc. all play a key
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How does Keats express his aesthetic vision in ‘Ode on a Grecian Urn’? John Keats once said regarding Lord Byron that “he (Byron) describes what he sees‚ I describe what I imagine”. Keats is a typically Romantic poet in the way in which he uses the fluid boundaries of imagination within his poem to formulate his aesthetic vision which is projected in ‘Ode on a Grecian Urn’. Pope notes that the etymology of ‘aesthetics’ derives from the Greek meaning ‘things perceptible to the sense’ and ‘sensory
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Poetry is often considered a form of art; while poems appeal to the intellect by presenting various values‚ attitudes and ideas‚ they simultaneously convey aesthetic beauty and reflect the emotive power of language. A poem’s aesthetic and affective features are vital to the communication of its intellectual messages‚ and all three play a role in shaping the reader’s response. Two particular examples of this are the poems ‘Personal Helicon’ (from Death of a Naturalist‚ 1966) and ‘Punishment’ (from
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Aesthetics is important in films; the basic yet complicating task when producing one‚ along with directing‚ acting‚ editing and post production process. In fact it is the complete puzzle piece that a film needs‚ which determines the quality of the film itself. Every single detail is essentially important to the film‚ from the bold dialogue to the small detailed movement‚ from the frayed clothes to the thick oblivious make-up‚ everything has to be well done for a film to be qualified for excellence
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