Monologue of Tybalt the Capulet I am Tybalt‚ a Capulet and cousin of Juliet. I am known as short-tempered‚ impulsive‚ and a vengeful person‚ I draw my sword anytime I can. However I am loyal beyond words and honour the family rivalry between the Capulets and the Montagues with great heart. I will never betray the Capulets. On the day of Capulets’ party Romeo showed up. I recognised Romeo through his disguise at the Capulets’ ball. I can’t remember that we invited him to our party. Why is Romeo
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The Evolution of a Director’s style: Baz Luhrmann Topic 1‚ by Chrysoula Soteriades Baz Luhrmann who is well known for his flamboyant and extravagant cinematic techniques‚ his contract with story telling by making audiences feel apart of his movies and his philosophy of not using naturalism all come together to make him one of the most well known directors of all time‚ in my opinion he has not completely evolved from his Red Curtain Trilogy up until The Great Gatsby because he is still as exaggerated
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How has Baz Luhrmann made Shakespeare’s play ‘Romeo & Juliet’ accessible to a modern audience? Baz Luhrmann has made a cinematic adaptation of Shakespeare’s play “Romeo & Juliet” to make the original play easily understandable for modern audiences. He has made it more accessible by incorporating familiar locations and scenes‚ references to other works‚ genre’s and styles‚ marketing it to a teenage audience‚ the use of clever sound techniques‚ characterisation‚ and through the use of clever camerawork
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Shakespeare‚ Benvolio and Tybalt are considered a dramatic foil. Benvolio is a peacemaker. Tybalt is one who looks for fights. Tybalt and Benvolio are complete opposites. In the opening scene‚ Benvolio and Mercutio are out in the town when Tybalt approaches them. Benvolio tries to stop a fight to break out but draws his sword out of sheer protection as stated‚ “I do but keep the peace. Put up thy sword‚ or manage it to part these men with me.” (1.1.61-62). When Benvolio said this‚ Tybalt is fired and won’t
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help of sound effects‚ costumes‚ and visual movements. Undoubtedly‚ both Zeffirelli and luhrmann have majorly had the sound effects of their movies to support their conflict scenes. Zeffirelli had used the orchestra to create a dramatic tension for the viewers or the clanks of the swords as they clashed together moments before the death of Tybalt as he fought with Romeo‚ similarly the sound effects luhrmann had used were the rap music to give off the gangster vibe of danger or the gunshots between
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inventiveness and cleverness in The Great Gatsby was reconstructed into a film in the year of 2013 directed by Baz Luhrmann. Although Luhmann took the great writer’s words and transformed them wonderfully into a motion picture‚ he added his own ideas to it to make it seem more modern. Luhrmann’s changes are most recognizable in his choice of details‚ music‚ and the scene concepts. Nevertheless‚ Luhrmann was still able to bring Fitzgerald’s novel to life through his own replica of each character and the important
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who have fallen in love with each other but sacrificed themselves due to family feud. Baz Luhrmann produced a movie called ’Romeo + Juliet’ in 1996‚ which follows the plot of the original play but converted into modern settings by the use of modern elements‚ characterisation‚ theatrical techniques‚ symbolism and a few suitable alterations. Hence‚ Baz Luhrmann’s modern adaptation is successful. Baz Luhrmann accentuates the modern settings by laying the scenes in L.A.‚ while Shakespeare’s play
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Of Being a virgin viewer of Baz Luhrmann’s Romeo and Juliet‚ I found myself dissatisfied as I began to see the famous balcony scene reveal itself on the courtyard floor. “Where is the barrier‚ the ‘stony limits’ that separates the lovers from each other?” I inquired. How could the most renowned scene of William Shakespeare’s most popular play be missing? I continued to watch in astonishment as the daring scene developed into a masterpiece. Baz Luhrmann and Franco Zeffirelli both achieved
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irony> Romeo’s death by Tybalt> Romeo kill Tybalt> Mercutio describes his death. * M&BV‚ Biased to Romeo (NOT) Tybalt better fighter. * (L8) “Challenge”> Dramatic irony‚ Tybalt can’t move on (Act 1 Scene 5) * (L12-16) M(extended metaphor) > “Romeo is already dead”(Romeo will be killed by Tybalt) (Heartbroken Rosaline ‘Crippled by cupids arrow’ * T “Prince of cats”> 9 lives/immortal> Familiar(Witches devils etc) “Prince” * Tybalt there to fight Romeo‚ but
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William Shakespeare‚ has appeared in many mediums of art throughout the years. Nearly every artist who has sunk their teeth into this classical piece of literature has added their own twist to change the effect the piece has on the viewer; in 1996 Baz Luhrmann came out with his own film version of the classic tale. Like most recreated versions he made many impactful changes that overall added to the drama at the end of the play. For example he chooses to show that the law is chasing Romeo‚ takes out
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