points out that directing a film is like a signature which shows individualism of a person‚ just like a fingerprint. Tim Burton is a film director that excels at his own whacky and gothic style; due to these distinct features he has made his own clear cut imprint onto the film world attracting many curious people towards his
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time. Only Gruber and one of his men remain and they are in the company’s vault‚ stealing money and bonds along with they’re last hostage: McClane’s wife. In this scene‚ McTiernan expertly uses lighting‚ sound‚ and camera to bring this film’s climax to its highest potential. One element which McTiernan uses well in this scene
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Born in Burbank California in 1958‚ director Tim Burton grew up with a fascination for Roald Dahl and Edgar Allen Poe works. He enjoyed how these authors were able to blend humor and horror to create a work of art that viewers were both disgusted‚ and intrigued by. The effect of these influences were eventually reflected in his remarkable films. From Edward Scissorhands‚ where the main character has scissors for hands instead of real hands‚ to Alice in Wonderland‚ where the main character is thrown
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Fury‚ was directed by David Ayer‚ in 2014. It is a movie that depicts a seemingly realistic view of how tank warfare would have occurred in World War II. Fury uses many different aspects to create a very immersive feeling while watching the movie. The director chose time accurate hairstyles‚ costumes‚ vehicles‚ firearms‚ and colors of the outfits worn. Fury shows multiple different battles in multiple views and camera angles to keep the audience drawn in. The guise used in Fury are very precise
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How does a good movie director like Tim Burton create such good movies? Tim Burton was born in august 25 of 1958 and grew up living with his grandmother. Tim burton joined Disney and helped create some of the best-selling animated movies of all time. All though working for Disney‚ Tim burton was interested in making movies on his own for example Frankenweenie. All though the movie was rejected because some of the content was rather scary‚ Tim burton later became the director of many other movies
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and contrast the cinematic techniques each film uses to persuade the audience that they are witnessing real story The films I have chosen are based on the favelas (slums) of Rio de Janeiro. The first being the cinematic film “City of God‚” 2002‚ directed by Fernando Mierelles and Katia Lund1 and “Dancing with the Devil‚” 2009‚ a film documentary by Jon Blair2. The two films are intended to be an insight into the violence in the favelas of Rio de Janeiro. Both films employ techniques to try to engage
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Perhaps a slightly less readily recognizable theme in Burton’s work than some of his visual styles and story patterns‚ the 1950s horror films is nevertheless a prime source of material for all of his work. The monster movie is especially relevant in discussing Burton’s themes and recurring preoccupations. That which is perceived as monstrous is never associated with evil in Burton’s films; his "monsters" are always misunderstood creatures looking for forms of love and acceptance. Even the repulsive
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If you seen Tim Burton films you was probably a little freaked out at first. His movies has a weird kind of message. In all his movies the main chacater is always the one learning the lesson. All his movies are very dark but has a happy theme to the message A element used in Burton’s films is the element of distinctive characters. Characters that don’t fit in to society and are frowned open in a way. Characters outside the norm. We see the use of this element in most of Burton’s films‚ for example
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performances‚ cinematic and narrative techniques and experimental innovations in editing‚ photography and sound. In viewing the “Love Nest Confrontation” scene‚ Welles and Toland used a combination of different techniques that include deep focus cinematography and exotic camera angles to give the audience an in-depth view/perspective of the exchanges and dialogue going on between characters; the leveraging of character’s movements to control who and where the audience focused on; and the use of both triangular
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Techniques used in Citizen Kane In film class this past week‚ we learned that there are many cinematic techniques used in films that contribute to the way a film is portrayed by an audience. We had the pleasure of watching a film directed by Orson Wells In 1941 called “Citizen Kane”. I am glad that this particular film was the film of choice to demonstrate some of these techniques. The movie “Citizen Kane” uses each cinematic technique in a way that is obvious to the viewer. I have chosen five
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