One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing
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Quentin Tarantino has established himself as the quintessential neo-noir film maker since the passing of Stanley Kubrick. Kubrick’s specialty was creating surrealist imagery through limited dialogue and scenes filmed in “real time”. Tarantino has transposed the film making ideologies of Kubrick by adding complex dialogue and grotesque violence. Both men captured the film making styles of their era’s with postmodern neo-noir visuals as well as dialogue that spoke to the culture of their audience.
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Taylor Rogers 4/8/12 O’Neal Paper 3 ENGL 1023 Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about
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first lesbian pulps to depict real incidences of homosexual love affairs between women in the army during World War II. Tereska Torres’s publication of personal experiences during the war in Women’s Barracks‚ led to the rise of lesbian pulp fiction popularity across America. These novels could be found in drug stores or news stands‚ and were read by a variety of people including men‚ women‚ homosexuals and heterosexuals. Due to a diverse amount of people reading lesbian pulp fictions‚ the word and
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In the movie Pulp Fiction‚ the overarching theme of the movie goes to say that without a higher framework or power one doesn’t see their actions to have any consequences‚ morally speaking. Morality controls the initial reasoning behind deciding whether to commit a crime or not. In this context‚ the concept of not having any morals is based on not having meaning in one’s life or seeing one’s life at the same worth as anyone else’s. This doesn’t allow for one to make any criteria in which to conduct
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(Tim Roth) are intertwined in Quentin Tarantino’s three fables of crime and redemption (Pulp Fiction). Pulp Fiction is a movie of immorality and wit. The hitmen’s boss‚ Marsellus Wallace‚ is a king of crime‚ however continuously gets played by those doing business with him‚ leaving Vincent and Jules to clean up the mess. Which in turn causes these unrelated lives to weave together. During the film‚ Pulp Fiction‚ many situations may be deemed unrealistic‚ though through Quentin Tarantino’s
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Fiction: Pulp or No Pulp? Directed by Quentin Tarantino‚ Pulp Fiction (1994) follows the stories of four groups of people associated with the mob‚ led by Marsellus Wallace (Ving Rhames)‚ and their struggles with faith‚ loyalty‚ and morality. As Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) do the dirty work for the mob‚ they come across all sorts of moral dilemmas. The story‚ told in four different points of view‚ is about the characters everyday lives‚ leading up to each of
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Image Analysis Pulp Fiction Introduction to Study Higher Education Fashion Retail Branding and Visual Merchandising Maria Emilia Aguilar Lopez / AGU13395725 2 DESCRIPTION The poster shown above corresponds to the Pulp Fiction film released in 1994. The image shows a dark haired and blue-eyed woman lying on a bed wearing red lipstick and a black outfit. She is wearing a black top‚ a pair of black trousers‚ a pair of black-heeled shoes and a necklace similar to a locket. She has a
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Barr‚ Kevin. "Narrative Structure in Film: ’Pulp Fiction’ & ’Citizen Kane’" Suite101.com. N.p.‚ 8 Feb. 2011. Web. 27 Oct. 2012. . Summary: The article "Narrative Structure in Film: ’Pulp Fiction’ & ’Citizen Kane’” from Suite101.com by Kevin Barr evaluates the directing style of Quentin Tarantino in Pulp Fiction by delving into the reasons behind the unconventional narrative style (linear vs. fractured narrative). As such with how Vincent is shot dead by Butch‚ but returns on-screen a few scenes
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Themes of Pulp Fiction Wesley Donald ENG225 There are arguably many themes within the film ‘Pulp Fiction’‚ but one theme sticks out above all of the others. No matter how far down the rabbit hole you may venture‚ redemption is still attainable if only you are willing to reach out and take it. Quention Terantino has a unique way of storytelling. He has a way of taking people that are outcasts‚ living on the very fringe of society and somehow making his audience like them. He can take
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