"Modernism" Essays and Research Papers

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    Visual culture The meaning of a work of art‚ media or design is not fixed‚ whatever the intetions of the maker. Choose a specific example and discuss: How it’s meaning might change depending on where it is seen and by whom. Introduction; The meaning of a work of art‚ media or design may or may not change depending on the audience viewing the object. The object will not change in appearance‚ but will the perception? Throughout this essay I will explore whether the meaning could actually

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    ROBERT FROST (1874-1963) The Road Not Taken Edvard Munch Norwegian‚ 1863-1944 Two Beings (The Lonely Ones)‚ 1899-1917 woodcut‚ three colors. Two roads diverged in a yellow wood‚ And sorry I could not travel both And be one traveler‚ long I stood And looked down one as far as I could To where it bent in the undergrowth. Then took the other‚ as just as fair‚ And having perhaps the better claim‚ Because it was grassy and wanted wear; Though as for that the passing there Had worn them

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    Jasper Johns

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    objects presented as complete artworks. In the opinion of Wallace (2002)‚ Johns’ painting “According to What” has an noticeable relation to Duchamp’s “Tu m’” (1918). Additionally‚ his famous hallmark‚ Flag‚ also revealed that “the story of high-modernism had always been the story of the readymade”. Strongly drawn to the subversive legacy of Marcel Duchamp‚ Johns revolutionized the art world with a series of everyday items in the mid-1950s and became generally recognized as a key progenitor of Pop

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    An analysis of Le Corbusier

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    An analysis of Le Corbusier’s “Le Villa La Roche-Jeanneret” ! Le Corbusier’s modernist residence which was built in Paris‚ 1923‚ has become one of the most widely recognized examples of what could be argued as a residential home‚ a project often considered as the pivotal point of an architect’s career. Designing and building a personal dwelling allows the architects freedom to manifest their sense of individuality‚ and in Corbusier’s case‚ the opportunity to build the ultimate modernist home with

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    Conger Goodyear was invited by Abby Aldrich‚ to become the president of the new museum‚ while Abby became its treasurer. It opened as the first American museum to be exclusively devoted to modern art and the first in Manhattan to feature European modernism. With Goodyear at the helm‚ Paul J. Sachs and Frank Crowninshield were enlisted to become founding trustees. Sachs‚ at that time‚ was associate director and curator of prints in Harvard University’s Fogg Art Museum. It was Sachs who suggested Alfred

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    Easter 1916‚ Wild Swans at Coole and Second Coming The timeless essence and the ambivalence in Yeats’ poems urge the reader’s response to relevant themes in society today. This enduring power of Yeats’ poetry‚ influenced by the Mystic and pagan influences is embedded within the textual integrity drawn from poetic techniques and structure when discussing relevant contextual concerns. “Wild Swans at Coole”‚ “Easter 1916” and “The Second Coming” encapsulate the romanticism in his early poetry

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    explore the marvels that they contained. However‚ some artists remained in the rural areas of Europe and some lived in more suburban areas. The Milwaukee Art Museum has a specific gallery that deals with this issue of the dichotomy of increasing modernism and continuing ruralism through the eyes of German Expressionist artists. All of the artists in this gallery were associated with a German Expressionist movement‚ mostly die brücke and der blaue reiter‚ and the pieces curated together show a gradient

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    Q) What philosophy do Ezra Pound‚ William Carlos Williams and Marianne Moore share? A) Ezra Pound‚ William Carlos Williams and Marianne Moore were all modernist poets. Modernist poetry deals with experiment and innovation. All three were imagists‚ though at a later stage‚ William Carlos Williams started disagreeing with Ezra Pound. Ezra Pound Ezra Pound was the most aggressive of the modernist poets‚ who made “Make it new!” his battle cry. He turned to classical Chinese poetry as his

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    Pop Art Research Paper

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    mid 1950’s. Sometime from the late 1950’s‚ through the 1960’s it made its way into America and flourished throughout the 1970’s. This art was known as "fun" art because of the sense of humor portrayed in the art. This art period marked the end of modernism and was at the beginning of the postmodern era. “With respect to pop art‚ an artist would select required material fro‚ its source‚ isolate the entities that it is composed of and combine them with others extracted in a similar manner for consideration

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    Traditional and postmodern indigenous art practice Traditional Explain how traditional indigenous art reflects a spiritual connection to the land. Why is this important? (Cultural Frame). Select an artwork by this artist‚ examine the signs and symbols used-what do they mean? (Structural Frame) Land means different things to non-indigenous and Aboriginal people. Non-Indigenous people and landowners might consider land as something they own‚ a commodity to be bought and sold. For Aboriginal

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