Tammy Moran Art History 225 05/17/2014 All the David’s Peter Paul Rubens 1577-1640 David Slaying Goliath Oil on Canvas 123x99 cm ca. 1616 Norton Simon Museum‚ Pasadena CA Ruben’s work is by far the most colorful and vibrant of the nine pieces selected. It is most similar to Michelangelo’s painting (9). Showing David about to decapitate a defeated Goliath. Ruben’s Goliath is not nearly as daunting inn size as Michelangelo’s. David is stepping on the head of Goliath after stoning
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The experience Parks speaks of is ultimately different for every person who attempts to recreate or translate a work of literature. This explains why there are sometimes several different versions of the same story. Charles Martin and Gianlorenzo Bernini have their own original experience and interpretation of Ovid’s “Apollo and Daphne” in The Metamorphoses. Their translations contain several similarities and differences which can make
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Germany. Northern Renaissance. 21-1 Albrecht Dürer. Self-Portrait. 1500. Germany. Northern Renaissance. 21-A. Pieter Bruegel the Elder. The Return of the Hunters. 1565. Flanders. Northern Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque
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Baroque is associated with strange‚ bizarre‚ and spectacle. The biggest contributions to Baroque art were made by its greatest sculptor‚ Gianlorenzo Bernini (1598-1680). Born the son of an Italian sculptor‚ Pietro‚ he worked with his father and produced a bust at the age of ten. He was a child prodigy much like Dali and Michelangelo. Bernini enjoyed immense popularity and networked with the powerful elite of Europe‚ contributing important works of architecture and sculpture‚ especially for the
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The Harvesters – at the Met) Hans Holbein the Younger Baroque (four questions) Rubens (excluding the “Allegory of Sight”) (see Smarthistory and Met essay on Rubens and Van Dyke) Caravaggio. (see Met essay on Caravaggio) Bernini (see Met essays on Bernini and on Baroque Rome) Borromini Velazquez (Las Meninas – see Smarthistory – and Juan de Pareja‚ at the Met) See also Met essay on Velazquez. Nicholas Poussin and Claude Lorrain (both French‚ working in Italy) Dutch painting:
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OLD SAINT PETER’S BASILICA‚ ROME‚ C. 330 FORM In terms of form and meaning‚ we can say that the path is much more dramatically concretized than S. Sabina. By not using bulky Roman construction methods‚ the striving for dematerialization and spiritualization becomes evident‚ which is continued in S. Sabina. It emphasized the new orientation towards a spiritual rather than physical world. By emphasizing the richly decorated and glowing aspects of the interior space and neglecting the exterior‚ Old
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David. The statue forces the observer to look past the actual subject and focus more on the surroundings. He seems to have very muscular legs‚ and appears to be ready to turn and throw a stone from his sling. This is the most dramatic pose that Bernini could have picked and was chosen because it shows a sudden burst of energy and a moment of suspense as well. Bernini’s David is different from that of other artists because there is an expression of concentration that makes the statue a more imposing
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characterized by dramatic movement and heavenly inspiration. David was depicted bent over in mid-action preparing to sling a stone giving the sense of climax. The implied diagonal lines of this marble sculpture further induce the feeling of movement; Bernini juxtaposes the concrete media of stone with the visual of an arching‚ flexing figure. The realism portrayed persuades the viewer that this is an average sized man that shouldn’t weigh more than one either‚ but we know different—mass is an illusion
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that “baroque is neither a rise nor a decline from classic‚ but a totally different art.” Baroque art encompasses vast regional distinctions. It may seem confusing‚ for example‚ to label two such different artists as Rembrandt and Gianlorenzo Bernini as baroque; yet despite differences‚ they shared certain baroque elements‚ such as a preoccupation with the dramatic potential of light. A Historical Background
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Date 15.01.2011 To‚ 1. Sh.Ramandeep singh Anand‚ Director‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 2. Sh. Kamaldeep Singh Anand‚ Director‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 3. Smt. Gurleen Kaur Anand‚ Director‚ W/O Sh. Kamaldeep Singh Anand‚ S/o Harminder Singh A-50‚ Sector 31 Noida ( UP) 4. Smt. Avneet Kaur Anand W/O Sh. Ramandeep Singh Anand A-50‚ Sector 31 Noida
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