Rogier Van der Weyden was a Flemish painter of the mid-15th century. Rogier was chiefly influenced by his first teacher‚ Robert Campin. Although details of his early training are sketchy‚ it is generally accepted that he entered the workshop of Robert Campin‚ the foremost painter in Tournai and dean of the painters’ guild‚ in 1427 at the age of 27 (http://www.belgium.be). Rogier remained in Campin’s studio for five years‚ becoming an independent master of the guild on August 1‚ 1432. Van der Weyden
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arts and the renowned Italian Renaissance artists. Many of the same themes and subject matters were depicted throughout Western Europe. One such subject matter‚ the Annunciation‚ was portrayed by Jan van Eyck‚ a Flemish panel painter‚ as well as‚ Fra Angelico‚ an Italian fresco painter. In short‚ the Annunciation occurred when God sends the angel‚ Gabriel to deliver the message to Mary that she will give birth to his only son. Although both artists had the same understanding of the biblical account
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Patronage in northern Europe is different from the one in Italy. In the early renaissance‚ main patron in Italy is the Medici family. This big merchant family benefits a lot from the fast development of Italian economy. They spent a large number of funds on art region‚ promoting the renaissance to expand. However‚ in the Northern Europe‚ English and France still fought each other in the Hundred-Year war. Two competing Popes still resided in Rome and Avigon. These conflicts influenced the economic
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leading to the Anglican Church Dante Alighieri Italian poet wrote "Divine Comedy" exiled from Florence for political reasons Giovanni Boccaccio wrote "The Decameron" in Italian vernacular supporter of Petrarch Sandro Botticelli Florentine painter "Birth of Venus‚" "Primavera" Filippo Brunelleschi Florentine architect designed duomo of Florence cathedral‚ chapel of Pazzi family Michelangelo sculptor by nature‚ painted but hated it; incredible realism introvert‚ hated but thrived on competition
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many affect the making & meaning of the artwork. It is used to examine how changing the context of works can influence the interpretation of the artwork overall. In other words‚ it could be described as taking something old and making it new. Flemish still life’s were some of the earliest recorded still life paintings. The
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Petrus Christus‚ Virgin and Child in Domestic Interior‚ c. 1410 - 1475‚ currently resides in the Nelson Atkins Museum of Art‚ one of Christus more famous works that exhibit his Flemish painting style which reputedly introduced geometric perspective into the Netherlands. Centuries later Joachim Anthonisz Wtewael who represented a more extreme version of Northern Mannerism in the late 16th Century painted‚ The Martyrdom of Saint Sebastian‚ c.1600 also on exhibit in the Nelson Atkins. In 1444 Christus
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Robert Campin‚ who was considered a great master of Flemish painting‚ painted the Merode Altarpiece within the time period of 1425-1428. Robert Campin was one of the first artists of his time to experiment with oil-based colors in his work and inspired other artists to do the same. Robert Campin was considered a very strong artist because of his close attention to details and realistic paintings. Whether Robert Campin was the true master of Flemish painting was a topic that many scholars debated for
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Still Life – Theory Task Jan Davidsz De Heem Jan Davidsz De Heem Was Dutch still-life painter. He was born at Utrecht and his rare early pictures are in the style of Balthasar van der Ast‚ who taught him there. Later he worked in Leiden and showed that he had studied the restrained and simple works of the Haarlem still-life artists Claesz. and Heda. In 1636 he moved to Antwerp‚ became a citizen of that city in 1637‚ and spent most of his very productive life there. The paintings he did in Flanders
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Baroque Art and Architecture I INTRODUCTION Baroque Art and Architecture‚ the style dominating the art and architecture of Europe and certain European colonies in the Americas throughout the 1600s‚ and in some places‚ until 1750. A number of its characteristics continue in the art and architecture of the first half of the 18th century‚ although this period is generally termed rococo (see Rococo Style) and corresponds roughly with King Louis XV of France. Manifestations of baroque art appear
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1. Italian Renaissance - earliest form of the general European Renaissance‚ a period of great cultural change and achievement that began in Italy. 2. Jacob Burkhart - historian of art and culture‚ and an influential figure in the historiography of each field 3. Oligarchies – small group that ruled a city and its surrounding countryside 4. Condotierri - the mercenary soldier leaders (warlords) of the professional‚ military free companies contracted by the Italian city-states and the Papacy from
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