more. I most enjoyed the extremely emotional movements because they drew me in and made me ponder the underlying meaning of the dance. This dance was by far the most expressive one presented all semester. The frantic and sudden movements that interchanged with the soft and gentle movements flowed together and portrayed a frantic‚ yet elegant message. The type of mixed emotional energies and variation of movements is probably what drew the audience in most because of the sudden changes in mood. This
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Being Smart enough to take a hint from the lesson plan‚ Raymond Carver disguises some very subliminal sexual innuendos in a few different places throughout the story of Cathedrals. On the surface it’s a story about a man losing his social misgivings for the blind by coming to understand what it is like to be in that person’s shoes‚ so to speak. If a few scenes are looked at in a different light though‚ they bring on a completely different meaning for what the narrator experiences. The first clue
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Cast Away Report Abraham Maslow believed that all human beings need certain things in their lives. Maslow’s hierarchy of needs include fundamental needs‚ psychological needs‚ and self-actualization needs. His hierarchy of needs is composed of five stages. There are two stages to fundamental needs. All people need water to satisfy their thirst‚ and food to satisfy their hunger. If you can’t find food or water‚ you will die. People also need shelter to feel safe and secure. Everyone wants to buy
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clearly knew how to shoot and edit a flashy action sequence (and he loves those long takes)‚ and it had a nice assemblage of colorful heroes (Drew Barrymore‚ Cameron Diaz‚ and Lucy Liu) and colorful villains (Sam Rockwell‚ Kelly Lynch‚ and Crispin Glover) with a Tim Curry cameo to boot. The film is lively‚ colorful‚ and clearly a labor of love for producer Drew Barrymore (who insisted that her angels not use guns). Despite a troubled production (among other things‚ Bill Murray and Lucy Liu didn’t get
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LUNCHEON ON THE GRASS‚ BY EDOUARD MANET The painting I have chosen is Luncheon on the grass‚ by Édouard Manet. It was painted in 1863. At the beginning this painting received the name The Bath‚ but it was changed four years later. It was rejected by the Salon Jury‚ so it was shown for the first time in the Salon des Refusés (Salon of the Rejected‚ created by Napoleon III due to the indignation of all those who admired Manet) the same year it was painted. At the moment it is exhibited in the Museum
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hours getting ready‚ straightening her long‚ dark‚ wavy hair. She’d congratulated herself on her choice of a tasteful red dress”(Erdly). What really happened to Jackie was that she was a freshman in UVA and she was going on a date with a guy named Drew at a fraternity party‚ but she did not know that Drew’s friends were going to be there. Imagine if she got raped with a gang of fraternity boys who raped Jackie and pushed her into a glass table; which left her face beaten up; and with a
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Andrea Rosales American History /Donat Position paper Block 1 History and researchers of medicine during WWll Within in the “chain of evacuation” established by the army medical department during the war‚ nurses served under fire in the field hospitals and evacuation hospitals‚ on hospital trains and hospital ships‚ and as flight nurses on medical transport planes. The skill and dedication of these nurses contributed to the extremely low post-injury mortality rate among
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heart‚ and the screams vanish. This is all done within twenty seconds of the film. Craven has already played on the viewer’s senses. There’s the apprehension that something bad is going to happen. Another example of sound is in the beginning‚ when Drew Barrymore’s character hangs up the phone for a second time from the mysterious caller. The scene changes to the outside of the house where the camera is focused on some tree branches. There’s the sound of some crickets‚ frogs‚ etc. In those noises
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Soy Chai Latte “Soy Chai Latte please” I push the sugar jar along the table from one hand to the other like my own personal game of ping-pong. Every afternoon it’s the same story my like is a series of repetition‚ bouncing back and forth like the sugar jar. I wake up every morning‚ catch the old worn out 692 bus‚ school‚ lunch‚ period four and my soy chai latte at La Cantina. The same conversations I have every day. If any conversation at all. The same people‚ same teachers‚ same classes and
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Being released just a mere three years apart‚ both Harry Brown (Dir. by Daniel Barber‚ 2009) and Ill Manors (Dir. by Ben Drew‚ 2012) provide a thought provoking insight to twenty-first century Britain. Such ‘crime action dramas’ have long been a part of British film culture‚ from Hitchcock’s 1929 picture Blackmail to 1996’s Trainspotting (Dir. by Danny Boyle)‚ they all aim portray the lives of those ‘living with crime’ as well as their inevitable consequences. The two aforementioned contemporary
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