"Comparison of david s painting the oath of the horatii and the coronation of napoleon" Essays and Research Papers

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    Art Under Napoleon

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    ART UNDER NAPOLEON Brenda Tidwell Art Appreciation 101 Jamie Cooper October 31‚ 2011 ART UNDER NAPOLEON In 1794 Jacques-Louis David barely escapes death‚ due to his connections in the revolutionary war. He stood trial and went to prison. After his release he worked hard to reconstitute his career. The highlight of his career is when Napoleon asked Jacques-Louis David to work for him. Of course David accepted. Napoleon knew that David was a very accomplished artist‚ whom style was

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    Charlemagne Coronation

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    the Coronation of Charlemagne By Monica Fleener Western Oregon University HST 499: Senior Seminar Professor Kimberly Jensen Spring 2005 Primary Thesis Advisor: Dr. Benedict Lowe Secondary Thesis Advisor: Dr. Narasingha Sil I. On Christmas Day in the year 800 A.D. Charlemagne‚ king of the Franks and part of the Carolingian line‚ 1 was crowned Holy Roman Emperor by Pope Leo III (795 - 816). The coronation took

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    Louis David’s work Oath of the Horatii and Theodore Gericault’s Raft of the Medusa exemplify this. David’s Oath of the Horatii‚ painted in 1794‚ was one of the first paintings that broke from the idea of illustration and provided ideals that helped influence the public. The scene is of three brothers swearing an oath to their father before they are sent to battle‚ a story from a Roman play. The painting added to the public’s tension that came with the beginning of

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    The Hippocratic Oath

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    The Hippocratic Oath (Original Version) I SWEAR by Apollo the physician‚ AEsculapius‚ and Health‚ and All-heal‚ and all the gods and goddesses‚ that‚ according to my ability and judgement‚ I will keep this Oath and this stipulation. TO RECHON him who taught me this Art equally dear to me as my parents‚ to share my substance with him‚ and relieve his necessities if required; to look up his offspring in the same footing as my own brothers‚ and to teach them this art‚ if they shall wish to learn

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    respected in their reigns. They are the sculptures of Napoleon Bonaparte‚ also known as Napoleon one‚ who was a French emperor. The second sculpture is that of Thutmose III‚ the sixth pharaoh of Egypt. There are several artifacts crafted for these two leaders‚ but this work focuses on two. The Napoleon 1 sculpture is kept at the Auckland Art Gallery. It was crafted by an artist called Bertel Thorvaldsen‚ in approximately 1830 ("Image: Napoleon I; Bertel Thorvaldsen; circa 1830; 1927/2/11 - Auckland

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    Artist in his Studio Two paintings‚ produced about three hundred years apart‚ of two artists in their respective studios can make for an interesting comparison which could be assumed to have quite a few similarities. However‚ this is not always the case and these two paintings serve as a good example of differences between pieces that might as well share a title. Firstly‚ the time periods of the paintings have a definitive impact on their style. Also‚ one painting was made by a Dutchman‚ by the

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    CORONATION NIGHT

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    CORONATION NIGHT March 30‚2011 INTRODUCTION Good evening Camalanda-an! Sa aton mga bisita halin sa nagkalainlain nga sitio kag barangay‚ members of the barangay council‚ fellow teachers‚ distinguished guests‚ friends mayong gab-I sa inyo tanan. Welcome to the HilayHilay Festival Coronation Night 2011. Tonight is the celebration of thanksgiving for the natures gift of bountiful harvest‚ for the blessings of wellness to all camalanda-anons and to the human empowerment brought by love‚ unity and

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    Religion in the early Medieval West’ ‘Who planned Charlemagne’s imperial coronation and why?’ The imperial coronation of Charlemagne has been a source of dispute between scholars of this era for a period of time‚ perhaps due to the fact that the sources available are often biased and the historical information‚ often vague. Historians have argued that perhaps it had been Charlemagne himself who instigated the coronation possibly as a means to consolidate his power and place himself and the Frankish

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    Michelangelo s David

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    masterpieces‚ the David was created by Michelangelo in Florence between 1501 and 1504. It is made of marble‚ measuring 5.17 meters tall. It depicts a male nude figure that represents David‚ a biblical hero. Traditionally‚ David was portrayed after his victorious triumph over Goliath. Looking back at both Verrochio’s and Donatello’s Davids‚ the sculpture was depicted standing over Goliath’s severed head. However‚ Michelangelo depicted David before the battle. Michelangelo’s David will become one of

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    difficulties Florence encountered by this time explain the heavy influence of gothic style in architecture and the elegance found in every artwork created in this era. Florence was one of the top European cities when it came to painting‚ because it had the greatest school of painting where many important artists assisted. Florence‚ throughout the years‚ has always been an important influence in history and art. Even though many artists have a vast aspiration for art‚ each artist possesses his own criteria

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