Art Under Napoleon
ART UNDER NAPOLEON
Brenda Tidwell
Art Appreciation 101
Jamie Cooper
October 31, 2011
ART UNDER NAPOLEON In 1794 Jacques-Louis David barely escapes death, due to his connections in the revolutionary war. He stood trial and went to prison. After his release he worked hard to reconstitute his career. The highlight of his career is when Napoleon asked Jacques-Louis David to work for him. Of course David accepted. Napoleon knew that David was a very accomplished artist, whom style was Neoclassical-Idealist painter. Napoleon favored painting of the classical times and of the Roman renaissance masters (Kleiner 2006). In reading, we will compare paintings by David, The Oath of Horatti and the Coronation of Napoleon. He also conquered enlightenment, so each subject matter to be of a moral, noble standing and conflict. David was born in Paris on August 30, 1748. His well to do parents sent him to school with the rococo manner, his eminent painter Francois Boucher, to whom David was apparently distantly related. Perhaps because of his own advancement David study under Joseph Vien, a painter who had been attracted by the new wave of interest in antiquity while study in Rome. In 1771 David won second place in the Prix de Rome completion. It was not until 3 years later and after some severe mental frustrations that he won the first prize for the painting Antiochus Dying for Love of Stratonice (Anonymous, 2011). David went to Rome in 1775 in the company of Vien; David studied the ancient architectural monuments, marble reliefs and freestanding statues. In addition, he strove for a clearer understanding of the classical principles under laying the styles of the Renaissance and baroque masters Raphael, the Carracci, Domenichino, and Guido Reni. He was admitted to the French academy in1783 with his painting, Andromache by the Hector (Anonymous, 2011). When the French war broke out in 1789, David threw in his lot with the Jacobins, the radical
Brenda Tidwell
Art Appreciation 101
Jamie Cooper
October 31, 2011
ART UNDER NAPOLEON In 1794 Jacques-Louis David barely escapes death, due to his connections in the revolutionary war. He stood trial and went to prison. After his release he worked hard to reconstitute his career. The highlight of his career is when Napoleon asked Jacques-Louis David to work for him. Of course David accepted. Napoleon knew that David was a very accomplished artist, whom style was Neoclassical-Idealist painter. Napoleon favored painting of the classical times and of the Roman renaissance masters (Kleiner 2006). In reading, we will compare paintings by David, The Oath of Horatti and the Coronation of Napoleon. He also conquered enlightenment, so each subject matter to be of a moral, noble standing and conflict. David was born in Paris on August 30, 1748. His well to do parents sent him to school with the rococo manner, his eminent painter Francois Boucher, to whom David was apparently distantly related. Perhaps because of his own advancement David study under Joseph Vien, a painter who had been attracted by the new wave of interest in antiquity while study in Rome. In 1771 David won second place in the Prix de Rome completion. It was not until 3 years later and after some severe mental frustrations that he won the first prize for the painting Antiochus Dying for Love of Stratonice (Anonymous, 2011). David went to Rome in 1775 in the company of Vien; David studied the ancient architectural monuments, marble reliefs and freestanding statues. In addition, he strove for a clearer understanding of the classical principles under laying the styles of the Renaissance and baroque masters Raphael, the Carracci, Domenichino, and Guido Reni. He was admitted to the French academy in1783 with his painting, Andromache by the Hector (Anonymous, 2011). When the French war broke out in 1789, David threw in his lot with the Jacobins, the radical
References: Anonymous (2011) Paris Muse Napoleon’s Coronation Art News Retrieved From: http://www.parismuse.com Epstein, D. (2004) The Wall Street Journal Napoleon, David, and the French Paradox Retrieved From: http://proquest.umi.com Fiero, G. (2009) The Humanistic Tradition; Faith, Reason and Power the Early American Retrieved From: http://bwstar2.hubpages.com Galitz, K. (2004) Heilbrunn Timeline of Art History The Legacy of Jacques-Louis David Retrieved From: http://www.metmusemum.org Haggo, R. (2010) Grand Gestures in the Limelight the Spectator retrieved from: http://proquest.umi.com Kleiner, F. (2006) Gardner’s Art throughout the Ages the Western Perspective 13th edition Vol. II Ashford University Tate, B. (2011) The Oath of Horatti Retrieved From http://bwstar2.hubpaged.com