"Arnolfini Portrait" Essays and Research Papers

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    Art Gallery

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    Paul Wilson wanted to see how good their security was while everyone was at the show; so he called up a couple of his friends‚ Jason‚ Lisa‚ and Jennifer‚ and they mapped out a plan so they could steal someone’s painting while replacing it with a portrait that looks the same. So they ended up catering the event‚ serving food and drinks to people that were at the show; then they would put everyone in a different room across the other room and that’s where they would have a toast from the main artist

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    the Mona Lisa As Donald Sassoon emphasizes in Becoming Mona Lisa‚ the Mona Lisa has managed to maintain its status as the world’s most recognizable work of art. The author notes that many who visit the portrait find themselves wondering just what makes it so special. The lady in the portrait is not particularly beautiful and the painting itself is beginning to look its age. Yet despite all this‚ art historians continue to write and argue over the painting‚ and tourists continue to visit it in

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    Mona Lisa

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    believe. The painting standing only 30 inches by 21 inches is a portrait of a woman‚ on poplar panels done with oil acrylic. This piece created a lot of ground breaking techniques for the period in which it was painted for the art world. It was said that there was a possibility this piece was at first a commission piece of Lisa Gherardini who was the wife of a famous businessman in Florence. Some also believe it was a self portrait of the painter himself as feminine. He supposedly never finished

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    Sargent caught my eye with its beautiful poised portraits of mostly sisters‚ wives‚ and daughters. He seemed to enjoy capturing family relationships. Coming across this particular painting‚ I noticed its differences from the rest of the gallery. This was intended to be a family portrait of Boit’s four young daughters‚ however it became an interpretation of what Sargent saw the girls’ personalities as‚ contrasting from many of his other works of portraits. I interpreted his strategic placement of the

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    photographs taken by Lorraine Field. These pieces are categorized into self portraits‚ portraitures of landscapes and interior. Internal Differences 1 And 2 are the only pieces in this exhibition that depict a scenario indoors. Internal Differences 1 features Roger Field’s arm chair; internal Difference 2 features the bed Roger Field and Lorraine Field shared. The works Levelled Years 1-4 is another series of self portraits Fields took through the first year after the death of her husband (2013) to

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    Broken Eggs

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    century was dominated by the Rococo style that was aristocratic in nature‚ sensual and elegant. From stylistic point of view‚ it had soft colors in its palette‚ free brushstrokes and complex surfaces. Created for rich patrons‚ Rococo concentrated on portraits of aristocrats and mythological themes‚ often performed in a plyful and erotic manner. Greuze’s moral dramas (one of which is the Broken eggs) reacted against Rococo. By pronouncing feelings and emotion they were also opposed by the rational and

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    The Two Fridas

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    her use of it to communicate intense personal emotions. The first step in any art criticism is to observe and analyze the visual facts. The visual facts‚ in this particular case‚ are in the actual painting The Two Fridas. The painting is a self-portrait containing two women that are symbolic of Frida Kahlo. The women have completely different appearances‚ but are linked in this picture. The women are sitting side-by-side in identical sitting formation. The two are also physically connected through

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    methods of painting. As a portrait-painter‚ he began studying anatomy by dissecting horses and some dogs (Stubbs 12). He had an early curiosity in science and made extensive studies in both human and animal anatomy. He also began teaching anatomy with the surgeon‚ Charles Atkinson at York Hospital as well as perspective at Health Academy (Warner‚

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    Representational Essay

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    painting and its meaning with me until the day I graduate. Unlike Orozco’s “Gods of the Modern World” that is abstract with symbolic meaning‚ Rembrandt Van Rijn’s “Self-Portrait” on page 341 is representational. He painted himself as he saw himself. I think it takes a great amount of emotional strength to do a self-portrait. We are our own worst critic. No one sees our flaws as clearly as we do. I admire Rembrandt for including the bags under his eyes‚ the wrinkles on his

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    Mona Lisa

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    John Doe Professor Jeffrey Oderlin English 1B 22 September 2011 The Enigmatic Meaning They call her “The Enigmatic Woman‚” yet the painting at first glance is quite banal. It looks a lot like any run of the mill portrait with the subject positioned in the center while she sits facing and staring directly at the viewer. Even the colors are boring in this painting with its abundance of earth tones with different mellow shades of faded green‚ brown‚ blue‚ and burnt orange. The picture itself

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