scenes of both. (50/50) Due: Thursday 16th Shakespeare’s play King Richard III and Al Pacino’s documentary Looking for Richard are two text composed more than 400 years apart that can be linked through their themes and techniques. The influence of these themes or values however‚ is subject to the context of the audience. Both texts explore the characterisation of the main character Richard and how he is presented. They explore the craft of performance‚ presenting two different
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compositions of texts. King Richard III and Looking For Richard directly relate to historical and social contexts respectively‚ social drawing on historical’s challenge to the context in which it was written. Shakespeare’s play was crafted in a difficult time of political and religious adherence. Shakespeare’s portrayal of Richard focuses on his devilish and Machiavellian nature. Machiavelli’s The Prince teaches that an adept ruler should aim to achieve power at any cost. Richard is a Machiavel; he calls
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understanding of context and values Examinations of Shakespeare’s play ’King Richard III’ and Pacino’s docu-drama ’Looking for Richard’ reveals relationships between the texts and their respective audience. The fifteenth century and twentieth century contexts demonstrates the values of each text and enables understanding of how the film enriches the ideas presented in the play. ’King Richard III’ portrays a hateful‚ corrupted Richard exploring divine justice and the notion of appearance versus reality in
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Shakespeare: Richard III Shakespeare successfully portrays (his purpose in relation to the values and expectations of the Elizabethan context) through stage play techniques such as‚ use of soliloquy‚ dramatic irony‚ and humour. He also uses language techniques such as visual imagery and sound imagery throughout his play to explore the villainous role and character of Richard which leads to the development of the key themes in his play‚ Richard III. The first soliloquy informs the audience of Richard’s
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Shakespeare’s ‘Richard III’ and Pacino’s ‘Looking for Richard’ ground the evil of Richard differently in their respective texts. Shakespeare’s Richard is not merely an ambitious villain‚ but the personification of a metaphysical evil – a Machiavellian prince whose vice-like character is derived from the medieval morality play. Broad contextual shifts have resulted in Pacino recreating a villain for our times‚ emphasising mainly the political characteristics of a tyrant-king rendered recognisable
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Shakespeare’s 1592 play ‘King Richard III’ and Pacino’s 1996 docudrama‚ ‘Looking for Richard’. Despite the different contexts of the Elizabethan Era and the post-modern world respectively‚ the texts share the universal themes of Richard’s pursuit of power and the effect of political power on one’s morality which broadens our understanding of the adverse effect of power. “The ends justifying the means” is a principle in ‘King Richard III’ where the protagonist Richard‚ a Machiavellian leader‚ lusts
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Shakespeare’s epic‚ Richard III‚ there is a clear theme showing the power of word choice. Richard uses words to gain power‚ woo Lady Anne‚ motivate his army‚ and to trick Hastings in putting himself to death. Throughout Richard III‚ Shakespeare shows the power of diction in getting what one wants. The first evidence of the power of diction is evident when Richard wins over Lady
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The attack of "conscience" that King Richard suffers in Act 5‚ Scene 5 of Shakespeare’s Richard III (133-157) can be seen as the psychological climax of the drama‚ one that is critical to both Richard’s development as a character and the play’s ultimate success. Richard’s struggle to reconcile the many different roles he attempts to play into one unified self‚ reflected in the tone and composition of his speech‚ adds depth and humanity to his character; at the same time‚ his ultimate failure to maintain
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realities f power politics: what individual and social life is like under a despotic and brutal king ruling a deeply corrupt state. Exploiting the divisions cause by feuding political factions‚ and manipulating individuals and the system the cakculating Richard seizes the opportunity to make himself king. He is a Machiavellian figure who will stop at nothing to gain and maintain power. Richard’s extraordinary facility with words enable him to manipulate‚ confuse‚control and corrupt those around him → Woows
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How does Shakespeare present the character of Richard in Act 1 of Richard III ? Richard III is a tale of the rise and fall of tyrannical power. Shakespeare uses many classical references and adopts the five act pattern from Roman comedy. What makes Richard a fascinating character is his skill as an actor. Like Falstaff and Hamlet‚ he is constantly playing a part and enjoying it. In Richard III‚ Richard’s soliloquies show his true vindictive nature-whereas when he is interacting with other characters
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