Shakespeare portrayed John of Gaunt and King Richard III the way he did because of the political issues and constraints presented to him during his time period. When writing Queen Margaret of Anjou’s role in Richard III‚ however‚ Shakespeare degraded her political influence and public figure because of the social norms and superstitions that confined women under during the Elizabethan era. Yet‚ according to modern-day historian Jacob Abbott‚ there was more to Margaret than Shakespeare told his readers
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about Richard III as a person and the Richard III as a killer. He is honestly one of those people I love to hate but also hate to love. But like I said I honestly really do love him even if he is as vile and horrible as he can be. I guess I have a thing for loving some of the worst people in literature. But Shakespeare really does a great job making a character you feel that you should absolutely despise but gives him traits that make you question it. As a person I honestly pity Richard because
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setting of King Richard III‚ the power of political language is no different than today. Royals and nobles will do whatever they can with their tongue to get what they want‚ often with success. The language utilized in the play serves as a powerful political tool for Richard of Gloucester. Richard uses his language skills for persuading key figures‚ accusing innocent adversaries of crimes and for spreading false prophecies for his competitors. The power of persuasion is Richard of Gloucester’s
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ways to control a society‚ yet it impacts the society in a negative way when it comes to distributing rights and opportunities. That is‚ since it involves the worst issues within the government known as corruption. In William Shakespeare’s play‚ Richard III‚ and Aristophanes’ play‚ Lysistrata‚ both authors employ the major role and concept of power. Both Shakespeare’s and Aristophanes’ approach to power has influenced the understanding of power and through their examples; one can employ their ideas
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In December 1483 the bodies of Prince Richard and Prince Henry‚ only 12 and 9‚ were found murdered in the Tower of London. The mystery of who killed the boys is still a mystery to this day‚ however many suspect their uncle Richard III of York. Many historians who recorded the event explicitly express that they’re certain Richard III is responsible‚ and there’s many valid reasons to support their assumption. Richard III grew up with many siblings which included three older brothers. He was the runt
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Evil - Richard III appears to be almost the personification of evil - physically deformed and with no redeeming qualities. He is very intelligent‚ but outrageous and‚ at times‚ amusing to read. He is a classic villain‚ mocking traditions‚ sadistic‚ untrustworthy and with a lack of conscience. Ambition - again‚ mainly seen in Richard as he sacrifices and kills without mercy in order to gain the throne. He also proposes to marry Lady Anne in the hope of producing heirs and building his dynasty‚ making
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"An honest tale speeds best‚ being plainly told.” This quote from William Shakespeare’s King Richard III is a seed from which Al Pacino’s docu-drama Looking For Richard grows‚ both texts demonstrating the intrinsic relationship between contexts and the composition of texts. As 21st century students‚ we see Pacino’s creative reshaping emphasise inherent values within the original text‚ from dynamic perspectives to interpretational understandings‚ presented in an ‘honest’ and ‘plainly told’ composition
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Richard the III: Shakespeare’s Frankenstein or History’s victim By: Joshua Mastin Shakespeare‚ English 233 Dr. Malkiel Choseed 5/17/12 Joshua Mastin Dr. Malkiel Choseed English 233 May 17‚ 2012 Richard the III: Shakespeare’s Frankenstein or History’s victim We’ve all heard this famous quote before “History is written by the victors” (Winston Churchill). These words are no truer than in Shakespeare’s play Richard III. In Shakespeare’s rendition he has created a character of
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Henry V and Richard III depicted how two very different men rose to power and assumed the throne of England. Henry was an intelligent‚ driven young man who sought to reconstruct the civil war ravaged kingdom after the death of his father. Shakespeare presented Richard as a corrupt‚ sadistic villain who cared nothing for the English people except that they knew and feared his absolute authority. Both men‚ though‚ possessed the same focus and determination‚ which made the comparison and contrast of
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CONCERNING THE USE OF THE SUPERNATURAL IN FURTHERING THE PLOT OF RICHARD III On a technical level‚ Richard III is considered a historical play; it relates the events‚ if dramatized and romanticized‚ following the War of the Roses and the birth of the Tudor dynasty. However‚ Shakespeare’s use of supernatural themes and motifs in furthering the plot is somewhat out of character in its use in such a type of play; usually such themes and motifs form an unconscious backdrop from which the author
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