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    Stylistic Variation

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    that is theoretically maintained unchanged In recent years considerable attention has been paid to stylistic variation in linguistic description. Variation which used to be described as free has lately been described as fitting within identifiable linguistic or social parameters. Studying stylistic variation is the main focus of this project which is based on the observation that language variation depends not only on the social

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    Stylistic Analysis: Hamlet Soliloquy Shakespeare’s Hamlet is full of misdirection and mysterious happenings that are only explained to the audience through various soliloquies and hidden actions. Hamlet’s soliloquy in act 3‚ scene 2‚ is crucial for the audience to understand the mental struggle and inconsistent characteristics of the play’s eponymous protagonist. Hamlet incorporates dark‚ sinister-like images‚ to portray his future course of action towards his mother‚ Gertrude. Hamlet’s soliloquy

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    marketing itself as anything but. We’re in TVLand‚ where problems are solved in half an hour and everyone is nice and swell. It gives us one outdated ideal of life‚ and it shows us the conflict that arises as we try to change and evolve and form a new ideal of

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    A Stylistic Analysis of Death of a Pig In the article Death of a Pig‚ the author E. B. White recorded the last few days he spent with his young pig. This article was inspired by his real experience. After reading the whole article‚ readers can feel strongly that E. B. White didn’t treat his young pig as an animal‚ but a human‚ like a child‚ a friend or a relative. His various and accurate descriptions of the death of his young pig make readers feel that one of his family members pass away

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    History of Stylistic

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    (psychological aspects in readers)***  Practical Criticism In the early in the twentieth century: text > authors 2. Practical Criticism is matched by a similar critical movement: New Criticism (almostly exclusively on the description of literary – as independent aesthetic objects) Practical Criticism (Britian‚ UK) New Criticism (the USA) Similarities 1. emphasis on language of the text rather than its author 2. assume that criticism needs the accounts of important literature works based on the intuitional

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    Headline: Skin trauma – Bruises in children Reference: Bruises https://www.ncjrs.gov/html/ojjdp/portable_guides/abuse/bruises.html Accessed February 13‚ 2017 Bruises in Children: Normal or Child Abuse? http://www.medscape.com/viewarticle/726507_2 Accessed February 13‚ 2017 Cuts‚ Scrapes or Bruises (Skin Injury) http://www.seattlechildrens.org/medical-conditions/symptom-index/skin-injury/ Accessed February 13‚ 2017 Written by: Hai Anh Nguyen Ngoc Reviewed by: Body text starts here: Opening: The

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    and the captives of thy raid. Come back to me‚ Beloved‚ or I die! My father’s wife is old and harsh with years‚ And drudge of all my father’s house am I-- My bread is sorrow and my drink is tears. Come back to me‚ Beloved‚ or I die!  Stylistic Analysis of the Poem "Meeting at night" “Meeting at Night” Robert Browning The gray sea and the long black land; And the yellow half-moon large and row; And the startled little waves that leap In fiery ringlets from their sleep‚ As I gain the

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    upon their language comprehension and are able to go from cooing to structured sentences is a talented skill. There are many theories that argue the different elements that allow children to acquire language. One being the Syntactic Model of language development. The Syntactic Model‚ or what is often referred to as the nativist approach‚ is the belief that all children are born with innate rules that are guidelines for what appropriate language structures should be. Because children are constantly

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    Exercise 1 The Things They Carried EXCERPT ① 1. How is the term common secret typical of the phrasing of this whole passage? How is run or freeze or hide also typical of the excerpt’s phrasing? In which sentences does O’Brien’s phrasing seem especially clear‚ direct‚ and simple‚ and why is such phrasing so effective? How would you describe the tone of this passage? How might the tone easily have been quite different? For instance‚ how could it have been highly emotional and melodramatic? Why

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    All these devices leave a very vivid description of the students’ anticipating such an unpleasant inevitability as the exam. By means of the author’s language our imagination depicts a distinct and colorful picture proving the effectiveness of the stylistic devices in Gordon’s description. It’s hard to believe but suspense is even growing from one paragraph to another turning just an investigation of a man’s knowledge into judgment day. And to my mind this allusion is chosen nonrandom but to emphasize

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