Stylistic Analysis of the Poem "Meeting at Night"

Topics: Poetry, Madrid Metro, Rhyme Pages: 4 (957 words) Published: April 23, 2013
The Love Song of Hair Dyal
Rudyard Kipling

Alone upon the housetops to the North
I turn and watch the lightnings in the sky--
The glamour of thy footsteps in the North.
Come back to me, Beloved, or I die.

Below my feet the still bazar is laid--
Far, far below the weary camels lie--
The camels and the captives of thy raid.
Come back to me, Beloved, or I die!

My father's wife is old and harsh with years,
And drudge of all my father's house am I--
My bread is sorrow and my drink is tears.
Come back to me, Beloved, or I die! 
Stylistic Analysis of the Poem "Meeting at night"
“Meeting at Night”
Robert Browning

The gray sea and the long black land;
And the yellow half-moon large and row;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed I’ the slushy sand.

Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro’ its joys and fears,
Than the two hearts beating each to each!

]  The Theme of the Poem
            This poem written by Robert Browning is a poem of love that describes clearly the man’s sailing on the sea to the bay on the beautiful night to go to the girl she loves and meets her at night. In here, it is said that the readers can feel the excitement and happiness of the couples on their meeting at night. It is very clear at the end of the poem that the woman is somehow nervous and afraid while waiting for the man she loves. But, upon hearing the man’s tap on the window pane, she is very happy and relieved to see him, which only shows how deep their love and missing is.  

]  Linguistic Analysis of the Poem by Liu Yueqin
            Liu Yueqin has presented five linguistic presentation of the poem. Here is the following linguistic analysis he had in this poem of Robert Browning:

a.      Phonological...
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