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    Stylistic Devices

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    SYNTACTIC STYLISTIC DEVICES The sentence‚ as a unit of a certain level‚ is a sequence of relatively independent lexical and phrasal units (words or word combinations)‚ and what differentiates a sentence from a word is the fact that the sentence structure is changeable; it does have any constant length: it can be shortened or extended‚ complete or incomplete‚ simple‚ compound or complex. Besides‚ its constituents‚ length‚ word-order‚ as well as communicative type (assertion‚ negation‚ interrogation

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    Stylistic devices

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    CHAPTER 2. Peculiarities of translation of stylistic devices in the short stories by E.A.Poe 2.1. Main characteristics of translation of stylistic devices 2.1. Reproduction of simile in the short stories by E.A.Poe 2.2. Reproduction of metaphor in the short stories by E.A.Poe 2.3. Reproduction of epithets in the short stories by E.A.Poe 1.3.1. Simile . According to K. Ya. Lotots’ka simile is an imaginative comparison which is also called literary comparison.[27‚ p

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    present-day English Raymond Hickey Essen University 1 Introduction For several centuries English has been well known for its many cases of conversion‚ for instance it is used very frequently by Shakespeare‚ almost as a stylistic device of his. And to this day it has remained a prominent feature of the language. The standard definition of conversion (Bauer 1988: 90-2; Spencer 1991: 20) is a change in word-class without any alteration in form‚ i.e. zero-derivation (Cruse

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    Stylistic Devices

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    Simile - a kind of comparison in which two things are com¬pared be¬cause they have something in common though they are in all other respects different. The imagina¬tive compa¬rison is explicitly made with the help of like or as. She walks like an angel. / I wandered lonely as a cloud. This simile suggests /implies / illustrates that ... Metaphor - a comparison between two things which are basically quite different without using the words like or as. While a simile only says that one thing is

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    The Road Not Taken

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    “The Road Not Taken” by Robert Lee Frost is one of the most eminent as well as misunderstood pieces of American poetry. The speaker stands in the woods debating two splitting paths. This happens in a yellow wood (indicating the setting is autumn). Both paths are “worn about the same.” The speaker muses at the fork for a long while until he finally chooses the second road‚ saving for the first road for another day. In the future he will reminisce about his decision‚ claiming to have taken the road

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    The Road Not Taken

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    The Road Not Taken by Robert Frost Two roads diverged in a yellow wood‚ And sorry I could not travel both And be one traveler‚ long I stood And looked down one as far as I could To where it bent in the undergrowth; (5) Then took the other‚ as just as fair‚ And having perhaps the better claim Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same‚ (10) And both that morning equally lay In leaves no step had trodden black

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    Road Not Taken

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    Crystal Nelson English 2010 1 March 2017 The Interpretation Not Taken Poetry‚ by virtue of its figurative nature‚ is quite often misunderstood. However‚ there is no such poem more misinterpreted than Robert Frost’s 1916 work‚ “The Road Not Taken.” Generations of students‚ scholars and other readers of poetry are quick to take this poem at face value‚ placing superficial judgment without employing some of the most important devices available to the careful reader - reading between the lines and

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    Road Not Taken

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    the challenge of a life-altering decision. In “The Road Not Taken” by Robert Frost there are many metrical devices used to portray the poet’s major theme of decision making. Outline for “The Road Not Taken” I. Introduction A. Influence of decision making B. Problem faced by the character II. Body A. Theme of decision making B. Setting (1) Why is this symbolic? C. Title (1) What is the significance? D. Metrical devices used (1) Onomatopoeia (2) Imagery (3) Symbolism

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    The Road Not Taken

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    In Robert Frost’s poem‚ “ The Road Not Taken‚” he is telling a life lesson between the lines. He uses literary elements such as alliteration(line 8) and personification(line 8) to make his poem run more smoothly. He uses lines of imagery to help the reader understand the poem and visualize the scenes throughout the poem. The poem is an entertaining story but at the same time‚ it is teaching us a lesson about our life’s choices. Robert Frost writes this poem during a time when most poets were leaving

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    Road Not Taken

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    The Road Not Taken – Frost Critical Analysis. "The Road Not Taken"‚ written by Robert Lee Frost‚ is a poem that has four five-line stanzas with only two end rhymes in each stanza (abaab). Several kinds of literary devices can be found in the poem. One of the literary devices employed is antithesis. The first stanza of the poem describes a traveller comes to a split in a road through a "yellow wood" and wishes he could "travel both" routes‚ but at the same time he realizes that the thought

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