"Painting analysis" Essays and Research Papers

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    Art- Painting Movements

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    For each art movement listed‚ discuss how it was a product of a certain history and culture. List the most important formal art elements of each movement. Choose a painting from the movement on the museum website. Point out the important formal qualities of the painting (how is it an example of the movement?) There is a grid for each movement on the pages below. Neoclassicism‚ Impressionism‚ and Abstract Expressionism art all contrast each other and are three very important eras in art

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    For this painting Johannes Vermeer used charcoal‚ chalk‚ tempera‚ white lead‚ red and yellow ochre‚ vermillion and oil paints in various tones most of which he grinded up himself daily. No one knows how Johannes Vermeer made the initial drawing for this painting but it is thought that preliminary drawing on the canvas was to act as a guide during the painting and also intended to fix the significant contours of the composition. Once the initial outline drawing was finished he began the underpainting

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    The Harbor of La Rochelle is a 50.5 x 71.8 cm oil on canvas painted by Jean Baptiste Camille Corot in 1851. In this painting‚ the artist depicted a picturesque scene of the everyday life in a placid harbor city in a sunny warm day. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting. His work simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. The

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    Thesis statement: Whereas there is no proven connection‚ in my opinion the lone white Iris flower in the “Irises” painting represents the need for individuality in Gogh and even people in society‚ given that there is no other white iris flower like it in this powerful painting. In "Irises‚" there is a war being pursued: one of franticness competing with quietness. Writhing and anguished lines in the leaves firmly stand out from the peaceful‚ etched brushstrokes found in the petals. Dispossessed of

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    Dan Rebok Art History 100 3/2/2010 Compare/Contrast Paintings at Palmer The Sacrifice of Jephthah’s Daughter 1650 by Pietro Vecchia is a rather unusual painting. The premise is that he must sacrifice his own daughter because of a deal with God. In the painting she has her arms across her chest covering her naked self and is bent over almost in a ball. This cowering is a stark difference to‚ Giovanni Baglione’s St Sebastian healed by an Angel 1603. Sebastian is in repose with his hands behind

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    Art101-Painting Styles

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    Painting Styles Neoclassicism Neoclassicism was an art movement closely associated with the era beginning from the end of the 17th century through the 18th-century. The Neoclassicism art movement came from a combination of the last half of Baroque art to the burgeoning scientific interest in classical Greek and Roman antiquity (Sayre‚ 2010). This new found art of Neoclassicism led to the cause in a rapid growth of collections of antiques (Sayre‚ 2010). In addition‚ during the Neoclassicism art

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    image. This is exactly what Artemisia Gentileschi has done with oil painting mediums. Known as one of the famous female Baroque artist‚ all of her works are perfectly painted with great detail and colors. When one looks at her works‚ one can see the excellence in her skills that are portrayed in her paintings. Oil painting has been around since the 7th century AD in Asia; during this time‚ unknown artists‚ in order to create painting in the caves of Bamyan‚ Afghanistan‚

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    Oil Paintings During Romanticism Times And Cubism In cubist paintings‚ objects are broken up‚ analyzed‚ and reassembled in an abstracted form‚ instead of depicting objects from one viewpoint‚ the artist depicts the subject from a multitude of viewpoints to present the piece in a greater context. Often the surfaces intersect at what seems like random angles presenting no coherent sense of depth. In Romanticism artwork exalted individualism‚ subjectivism‚ irrationalism‚ imagination‚ emotions and

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    Persian Miniature Painting

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    Persian Miniature Painting Within the Potter’s House; The Rubaiyat of Omar Khayyam (Unknown) Persian Miniature painting: Gouache on paper Late 19th- Early 20th century Bequest of Helene Brosseau Black (Class of 1931) MH 1991.4.50 I. Discussion of the Image This miniature is a beautiful example of later Persian book painting that displays adaptations of the classical style to suit a more global viewership in the late 19th- early 20th century‚ the era of British colonialism (see figure

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    Description An expressionist figure painting of a nude woman using oil paint on linen Head leaning back and sitting comfortably in her arm-chair‚ the woman’s left arm is slung over her chest and her right arm supporting her leaning into the armrest. She has her right leg relaxed and her foot gently touching the floor. Her left leg is folded up‚ pushing hard against the edge of the seat. There are no recognizable objects other than the woman and the arm-chair. The artist uses a primary color scheme

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