3 THE THEORY OF TRANSLATION OF A DRAMATIC TEXT In general‚ translation is “rendering the meaning of a text into another language in the way that the author intended the text.” (Newmark 1988‚ p.5) However‚ the mission of a translator of a dramatic work is slightly different from any other literary piece. A dramatic text is written in order to be performed on stage. The translator of such a text has therefore to bear in mind that the readers (i.e. the audience in this case) shall not
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1. As the novel begins we find Tyler Durden holding a gun inside the Narrator’s mouth. Tyler tells the Narrator that the first step toward eternal life is death. The Narrator mentions that he and Tyler used to be friends and that people were always asking him about Tyler. Tyler assures the Narrator that they won’t really die‚ but that they will become legends. 2. The Narrator reveals that the building they are standing on‚ the Parker-Morris building‚ will be demolished in ten minutes. A bomb
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Poetry 1. SIEGFRIED SASSOON (Blighters; They; The Hero; The General) - Siegfried Loraine Sassoon (8 September 1886 – 1 September 1967) was an English poet and author. He became known as a writer of satirical anti-war verse during World War I. He later won acclaim for his prose work‚ notably his three-volume fictionalised autobiography‚ collectively known as the "Sherston Trilogy". Siegfried Sassoon was born on 8th September 1886 at Weirleigh‚ near Paddock Wood in Kent. After Marlborough College
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tone‚ quality and form explores historical‚ contemporary‚ regional and social differences in language and style combines a highly individual and fascinating selection of poems from the canonical to the fringe‚ among them an Old English lament‚ a haiku and a poem by Benjamin Zephaniah includes a selection of suggestions for project work has a comprehensive glossary of terms John McRae is Special Professor of Language in Literature Studies at the University of Nottingham. He has been at the forefront
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Early American and Colonial Period to 1776 American literature begins with the orally transmitted myths‚ legends‚ tales‚ and lyrics (always songs) of Indian cultures. There was no written literature among the more than 500 different Indian languages and tribal cultures that existed in North America before the first Europeans arrived. As a result‚ Native American oral literature is quite diverse. Narratives from quasi-nomadic hunting cultures like the Navajo are different from stories of settled
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IndholdsfortegnelseSide1. Indledning..…………………………………………………………………………………....22. En navnløs hovedperson………………………………………………………………………23. Tematik3.1 Kapitalisme og forbrugerisme……….…………………………………………33.2 Maskulinitet i forfald………………………………………………………….44. Stil (virkemidler)4.1 Voice over - et magtfuldt redskab…………………………………………….54.2 Elliptisk og rytmisk Montageklipning…………………………………………64.3 Lyd og musik…………………………………………………………………..64.4 Ironi ……………………………………………………………………………74.5 Mise-en-scene…………………………………………………………………
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Name________________________ Class Hour_______ CHAPTER 1-Understanding Religion STUDY QUESTIONS (Pages 1-29) Group A 1. What are some of the questions religion seek to answer? List some of the human needs served by religion? 2. Discuss a theory on origins of religion by one of the thinkers in the reading (Tylor‚ Frazer‚ Freud‚ James‚ Otto or Jung) that makes sense to you at the present time. 3. List and describe the eight elements that are developed in varying degrees in most religions?
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Shakespeare’s Sonnets William Shakespeare The Sonnet Form A sonnet is a fourteen-line lyric poem‚ traditionally written in iambic pentameter—that is‚ in lines ten syllables long‚ with accents falling on every second syllable‚ as in: “Shall I compare thee to a summer’s day?” The sonnet form first became popular during the Italian Renaissance‚ when the poet Petrarch published a sequence of love sonnets addressed to an idealized woman named Laura. Taking firm hold among Italian poets‚ the sonnet
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if Hitler asked You to Electrocute a Stranger would you? In the beginning‚ Stanley Milgram was worried about the Nazi problem. He doesn’t worry much about the Nazis anymore. He worries about you and me‚ and‚ perhaps‚ himself a little bit too. Stanley Milgram is a social psychologist‚ and when he began his career at Yale University in 1960 he had a plan to prove‚ scientifically‚ that Germans Philip Meyer © Philip Meyer. Originally published in Esquire‚ February 1970. artwork © Michael Leonard
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TCA Reference Extension Key: doc_core_tca Language: en Version: 4.6.0 Keywords: forAdmins‚ forDevelopers‚ forIntermediates Copyright 2000-2011‚ Documentation Team‚ This document is published under the Open Content License available from http://www.opencontent.org/opl.shtml The content of this document is related to TYPO3 - a GNU/GPL CMS/Framework available from www.typo3.org Official documentation This document is included as part of the official TYPO3 documentation. It has been approved by
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