"Sculpture of benin" Essays and Research Papers

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    Humanity ’s Relationship and the Ten Commandments A glass covered case holding the ten tablet sculpture was chosen for the art piece at the entrance of the new Christian and Jewish Interfaith Cultural and Historical Center. This sculpture demonstrates the importance of the Judeo-Christians complying with the rules set forth in assisting with finding peace within one’s own self. The team writing this paper believes that the ten tablets reflect upon the Jewish and Christian concepts

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    new vice-consul for the Benin river section Captain Henry Gallwey visited Benin and signed a treaty which made Benin a British protectorate‚ but as far as the British were concerned the treaty proved disappointing and by 1896 many British traders and officials were calling for military intervention‚ although the foreign office seemed reluctant to do this. On January 2nd 1897 the acting consul-general of the protectorate James Phillips set off without permission for Benin accompanied by a large armed

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    What was West Africa like in the 1500’s? Benin was a city that dated back to the eleventh century – and no relation to the West African nation of Benin of the twentieth and twenty-first centuries. Benin was a large city for its time – a walled city several kilometres wide in a forested region inland from where the Niger River emptied into the Atlantic. In the mid-1400s the ruler of Benin‚ Ewuare‚ built up his military and began expanding. Captives taken in battle he traded to the Portuguese. Benin’s

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    furthest reach of the southern peninsula of South Africa that are 75 000 years old. Rock painting‚ Herdsmen‚ African art history‚ Algeria A study of African art history indicates the earliest sculpture forms found come from Nigeria and are dated around 500BC. The basic subject is the human figure and strong formal qualities were exhibited with strong design features creating balance and harmony. These formal design qualities combined with a powerful

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    Ife is a subcommunity of Yoruba community that is found in Nigeria and in the Republic of Benin. They are also found in other part around the world. It is rightly regarded as the corner stone of some of the greatest achievements in art and culture of Africa‚ combining both technical and strong aesthetic appeal to their art. Ife community was powerful and a wealthy city state in the early centuries in west Africa. It was a center of trade that was influential interms of trade. It connected extensively

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    father to Benin City at a very tender age; he attended Baptist primary school in Oke Eruvbi‚ a river Valley‚ in the rural area of Benin City (and now‚ only a few kilometres to Ugbowo campus of the University of Benin). He had his Standards 3-6 education in Sapele; later‚ he returned to Benin City in 1947 and attended Western Boys High School‚ where he was taught art‚ among other subjects‚ by Edward Ivehivboje. Onobrakpeya also attended drawing classes at the Art Club of British Council in Benin City;

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    | | |Early history of Nigeria | |Early Nigerian history relates to the period of history in Nigeria prior to the common era. Recent archaeological | | |research has shown[who?] that people were already living in Nigeria (specifically the Iwo-Eleru) as early as 11‚000 | | |BC and perhaps earlier at Ugwuelle-Uturu (Okigwe) in south-eastern Nigeria.[1] Microlithic and ceramic industries |F| |were

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    actions in Benin. The British culture‚ as raised in the text‚ was one of fairness and playing a straight bat. We see this in the text “…the white man landed with plenty of boys‚ but they had no guns or arms to fight with.” The interpretation being that the British had come in peace‚ without bearing arms. However another interpretation could be that even though they did not carry arms‚ they had come in great numbers as a show of force. The text also interprets the Benin natives as

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    worked to ensure peace and order. He expanded Mali’s borders westward to the Atlantic Ocean. He also promoted religious freedom. (Document 4) Hausa sculptures were thought of as wonderful because of all the different materials used to make them. A Hausa artisan used clay‚ wax‚ copper‚ zinc‚ and led to make a bronze sculpture. The bronzes of Benin were created using a lost-wax technique. In this technique an object was sculpted in wax‚ then covered in clay and baked. The wax was then filled with

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    This paper focuses on the metaphysical interpretation of kindred notions of Yoruba tribal arts. The region of West Africa that today includes the countries of Nigeria‚ Benin‚ and Togo is the land of the Yoruba people‚ whose art is an essential and integral element in their way of life (see image 1 for the Map of Yorubaland‚ showing major towns). The Yoruba are among the oldest and most influential of all African cultures and today make up one of Africa’s largest ethnic groups. More than 25 million

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