way as she wanted ‘people to know what it is they’re looking at. But at the same time‚ the closer they get to the painting; it’s like going back into childhood. And it’s like an abstract piece... it becomes the landscape of the brush marks rather than just sort of an intellectual landscape’ this way of working is prominent in the painting ‘Rosetta 2’. The formidable scales of the paintings are awe-inspiring and really capture the eyes of the viewer. Using oils‚ she makes highly pigmented work‚ employing
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When we examine three paintings from the American Abstraction and Pop Art style we can see the impact of media and process on style and meaning. Jackson Pollock’s “Blue Poles”‚1952 is an action painting from the Abstract Expressionism movement which could be showing what was happening in America in the 1950’s. Mark Rothko in “Number 10” wanted to involve the viewer in experiencing basic human emotions. Roy Litchenstein’s “Hopeless” was trying to create relatable futuristic images that make fun of
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Essay on Three Paintings by Michael Marino-157897 Paintings give us a feeling of despair‚ disgust‚ hope‚ rebellion‚ splendor‚ love and beauty among other emotions. Each artist had something the artist believed important to say‚ some message the artist needed to communicate when creating the painting. This is an essay describing‚ comparing and contrasting three different paintings by three different artists. We will examine The Heart of the Andes by Frederic Edwin Church‚ Battle of the Amazons
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Amira Baloney Professor Eugene First Year Writing Collage 14 October 2015 Abstract–the kitchen stove is a Cubist collage by Australian artist Eric Wilson painted in 1943. Even though it was produced roughly thirty years after the Cubist collage movement‚ it is still constructed in the way that presents it as if it was created during that time period. Abstract is presented in the form of a Synthetic Cubism piece where images are built up from outside elements and shapes. Wilson uses shapes and colors
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the subject’s bright red dress with gold sleeves‚ it was one of the brightest colored images in the gallery. It is about three feet tall and two feet wide‚ it is an oil on canvas painting. As I approached the image‚ I was still intrigued as the image she is holding is of a naked man facing away‚ the subject in the painting seems to get enjoyment from this. To me this piece of art makes me curious‚ I want to know who this woman was and why she is holding that image. The artist seems to be communicating
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It’s rare that a single work of art can change the course of art history in such a concrete and dramatic way. Marcel Duchamp’s painting "Nude Descending a Staircase (No.2)" is one rare piece that has perplexed and awed many critics. It was widely regarded as a Modernist classic and has become one of the most famous of its time. In this essay‚ this piece of work will be analyzed‚ not only for its famous creator‚ but also for its form as well as its foundations of cubism and futuristic aspects. When
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What is the first thing you think of when modern art is declared? Random paints scattered on a blank canvas? While this is a picture-perfect example of modern art‚ there is more to it than just random paintings: the artist has a goal. Wherever man exists‚ there is art‚ because art is anything made or done by man that affects or moves us so that we feel and see beauty. Man uses his mind to discover a unique beauty in which the artist sees his feelings and inspiration effects on how he will express
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фреска statue — статуя bust [bʌst] — бюст sculpture — скульптура b) genre [ʒa:nr] — жанр landscape — пейзаж seascape — морской пейзаж‚ марина still life — натюрморт battle piece painting — батальная живопись genre painting — жанровая живопись mural painting — настенная живопись portrait painting (= portraiture) — портретная живопись с) artist — художник painter — художник‚ живописец engraver — гравер landscapist — пейзажист seascape painter — маринист animal painter
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While walking through the Guggenheim Museum you walk past several different works of art. A nice painting here‚ a cool sculpture there‚ some interesting lights‚ it’s all pretty neat. You then walk into a room with two seemingly opposite types of art. On one side of the room you see a rock pile and a few pictures of some big rocks. The other side has some odd looking sculptures and several paintings that don’t look like much at all. You think that maybe the curator of the museum got mixed up and
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really made an impression on me. It is a 25 x 30 ¼ in. oil on canvas. The reason this painting caught my eye is because it has two especially unusual qualities. First‚ Doughty rarely painted seascapes‚ and his paintings usually focused on the lyrical aspects of nature rather than the threatening ones. Shipwreck was composed in the artists studio from elements borrowed from different locations. The painting is symmetrical with trees blowing in harsh winds on either side. The swaying trees seem
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