November 2009. http://en.thinkexist.com/search/searchQuotation.asp?search=vaudeville. “Pastor‚ Tony.” Encyclopedia Britannica. 2009. Encyclopedia Britannica Online School Edition. 5 November 2009. http://www.school.eb.com/eb/article-9058682. “Tap dance.” Encyclopedia Britannica. 2009. Encyclopedia Britannica Online School Edition. 5 November 2009. http://www.school.eb.com/eb/article-242810. “Tanguay‚ Eva.” Encyclopedia Britannica. 2009. Encyclopedia Britannica Online School Edition. 5 November
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Dance‚ Girl‚ Dance is a film from the Classical Hollywood period that presents a complicated reading when viewed through a feminist lens. The 1940 film was directed by Dorothy Arzner‚ one of the most notable female directors and the only prominent woman in Hollywood at that time. Arzner presents her audience with an array of female characters‚ the main characters being Judy O’brien and Bubbles/Tiger Lily White. Judy is a dedicated dancer‚ honing her talents as a ballerina. Bubbles‚ on the other hand
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Explain the importance of the chorus to Greek Theatre The structure of tragedy in Greek Theatre is determined by the chorus. The chorus is an instrumental feature which carries various important functions which engages the audience‚ in Greek Theatre. Some of these functions include: maintaining a grasp of ceremony and ritual‚ constitutes a lyric mood through rhythmic chanting and dance‚ strengthens the passion of the dramatic action‚ interact with the audience and actors by posing questions and
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Theatre and Development: Opportunities and Challenges in a Developing World Theatre. National Development. Theatre for Development. Theatre and Development ABSTRACT This paper is an attempt at espousing the pertinence of theatre in national development‚ especially in a developing African nation-state like Nigeria. In doing this‚ the paper identifies and discusses the exploitable opportunities that go along with the deployment of theatre in enhancing national development. The paper concludes that
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To what extent does stage design impact‚ influence‚ and enhance a traditional Kabuki theatre performance‚ more specifically‚ in the eighteenth century play Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees) written by Takeda Izumo II‚ Namiki Senryû I‚ and Miyoshi Shôraku? Table of Contents Title Page………………………………………..………………………………….....…….Page 1 Table of Contents………………………………………………………………...………….Page 2 Subject of Essay………………………………...………………………………..………Page 3-10 * Introduction………………………………………
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|Greek Theatre |The origins of drama started with hymns called ‘dithyrambs’ and were| |‘Drama’ comes from the Greek word ‘Dran’ meaning ‘to do’ |sung in worship of the god ‘Dionysus’. | |‘Theatre’ comes from the Greek word ‘Theatron’ meaning ‘the seeing |The hymns progressed to ‘choral’ (group of people) processions. This| |place’ |progressed
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The Jazz form of dancing actually relates to several dance styles that are related‚ such as ballet‚ tap‚ and the African-American rhythms-and-dance styles. This dance form originated in the late 1800s. The trend took time to catch on‚ but eventually did by the mid 1900s. Till the 1950s‚ jazz dancing was largely referred to as tap dancing‚ because of the routines set to jazz music. The Jazz Age was characterized by the popularity of dance forms such as the Cakewalk‚ Charleston‚ Jitterbug‚ Black
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Dance is an art‚ a creative portal‚ a form of expression; it is a sport. Atop all of the things that dance can be‚ it is also something physical. It takes work‚ power and effort. It takes stamina‚ grace and an extreme amount of muscle and flexibility. What do athletes need to have‚ all of those characteristics. When it comes to athletes‚ of any kind‚ dance can help with honing their skills. Something that most athletes do not seem to understand is that dance is just as much a physical and athletic
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Nov 5th 2010 Dance Critique “Beyond the Reflection” On Thursday October 28th at Cardinal Carter Academy of the Arts the grade twelve’s performed their ISU pieces in the theater. It was 3:30p.m after school hours. The piece I chose to critique was called‚ “Beyond the Reflection.” This piece was done to the song called Primavera. Adelaide Batuk‚ Julianna Bissessar and Jacalyn choreographed this piece. The dancers were Josephine Di Cosmo‚ P.J. Elisha‚ Melanie Ferrara‚ Lauren Paul and Chelsea
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Cassava‚ staged from Friday 28th March to Sunday 6th April‚ 2008 at the UWI Learning Resource Centre (LRC). Written in 1979 by Lester Efebo Wilkinson‚ Bitter Cassava is a well crafted full length play with music and dance. It was first produced in November 1979 for the Folk Theatre Festival component of the Prime Minister’s Best Village Trophy Competition. Interpreting the play for local audiences was director Louis McWilliams‚ Lecturer at The University of the West Indies‚ who has been an admirer
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