Which is why being able to pick out the nitty gritty imperfections. Solo and Ensemble is a mere 2 weeks away‚ and practicing the correct skills to fix and critique songs seems appropriate. I listened to two young men playing the same song‚ “Carl Stamitz Clarinet Concerto NO. 3 - 1. Mov.”‚ both are high school students yet both played the song differently. Both boys did well‚ as I evaluated them using the Solo and Ensemble rubric. The first version I listened to was performed by Cesar Augusto‚ he
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I did something wrong‚ I need to be responsible. When facing tough situations‚ I must be resolute in my beliefs. My grandfather’s words soon became my personal vision. In secondary school‚ I was appointed as the Vice President of my CCA – Guitar Ensemble. As it was my first time having a leadership role with a huge
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John Westbrook Music 378 Jazz Performance 4/25/14 Brad Mehldau Trio On April 17th‚ I was able to attend the Brad Mahldau Trio in the Loeb Playhouse‚ with two friends of whom I am in a band with. I was excited to see what this new experience could do to inspire us in a different way. Although I have seen guest speakers numerous times at Loeb Playhouse‚ this was my first musical show at this venue and I was extremely impressed. Brad Mahldau Trio is a trio outing with pianist Brad Mahldau
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West Side Story No 10: Tonight (Ensemble) Maria‚ Tony‚ Anita‚ Riff‚ Bernardo‚ Jets and Sharks In this number‚ all the participants talk about the eventful evening they feel is ahead‚ each with their own thoughts on what will happen. There are three trains of thought: 1 Riff and Bernardo - thinking (in terms of their own gangs) of the fight arranged for later that evening 2 Anita - thinking about her ’nocturnal activities’ with Bernardo after the fight 3 Tony and Maria - more romantic love‚
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For my music review I saw the MDC Jazz Band & Jubilation Dance Ensemble. The conductor was Matt Bonelli and the dance coordinator was Michelle Grant Murray. The concert was held in the McCarthy Auditorium Room 6120 on Tuesday‚ October 28 2012. The concert started at 7:30 pm and ended at 8:40 pm. There were five jazz performances and four dance performances happening mostly simultaneously. The first piece‚ "Wind Blues‚" had a very harsh sound and was hard to listen to‚ partly because it was very
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My undergraduate thesis topic was “Analysis the transport properties of graphene using Ensemble Monte Carlo Simulation” in which I studied electrical conductivity‚ effect of temperature on graphene by varying temperature‚ effect of electric field on drift velocity‚ effect of scattering on mobility‚ observed its some mechanical properties like
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from direct cultural assaults‚ the Maranao tradition has been flourished. One of their performances in their musical tradition is the playing of kulintang ensemble. This kulintang performance varies according to the occasion and location. A Maranao gathering with kulintang is also known as kalilang. Generally‚ where there is a kalilang‚ there is a kulintang performance. Kalilang may occur to occasions such as the annual welcoming of the pilgrims returning from Mecca‚ the different stages of a marriage
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the bossed gongs played among the Islam and animist groups in the Southern Philippines. Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines‚ along with its varied accompanying ensembles. Different groups have different ways of playing the kulintang. Two major groups seem to stand-out in kulintang music. These are the Maguindanaon and the Maranaw. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from
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Philippine Music Kulintang Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines‚ along with its varied accompanying ensembles. Percussive bossed gong ensembles without a melodical gong rack‚ known as Agung‚ are played throughout most of the islands by indigenous groups (such as the Mangyan‚ Lumad‚ Batak‚ Tagbanwa and Aeta) as well as historically by low-land groups such as the Bisaya‚ Bicol and Tagalog‚ yet the kulintang ensembles themselves are only
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traditionally used for storytelling‚ celebrating life-cycle events‚ and occasions such as a harvest. It was once used as a form of long-distance communication.[183] In East Malaysia‚ gong-based musical ensembles such as agung and kulintang are commonly used in ceremonies such as funerals and weddings. These ensembles are also common in neighbouring regions such as in the southern Philippines‚ Kalimantan in Indonesia‚ and Brunei. Malaysia’s cuisine reflects the multi-ethnic makeup of its
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