Exhibition - Shostakovich - Festive Overture - Copland - An Outdoor Overture - Beethoven - Symphony No. 1 - Dvorak - Symphony No. 1 - Bizet - Carmen Suite No.1 & 2 - Hanson - Symphony No. 2 Romantic - Strauss - Feierlicher Einzug Notable Wind Ensemble Repertoire Performed – - Holst – 1st Suite in Eb Notable Solo Repertoire Performed – - Hummel - Trumpet Concerto in Eb - Oscar Bohme - Trumpet Concerto in F minor - Vivaldi - Concerto for Two Trumpets in Bb (with Robert Souza) - Corelli -
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the jakhe (Indian origin)‚ the klong jin (Chinese origin)‚ and the klong kaek (Indonesian origin). Classical music Thai classical music is synonymous with those stylized court ensembles and repertoires that emerged in its present form within the royal centers of Central Thailand some 800 years ago. These ensembles‚ while being deeply influenced by Khmer and even older practices and repertoires from India‚ are today uniquely Thai expressions. Traditional Thai classical repertoire is anonymous
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Music‚ in itself‚ is its own language; for some it’s easy to understand‚ others take it to the next level and add choreographed movement to it‚ such as marching bands. An average marching wind ensemble practice begins with a simple stretch and review of the basic marching techniques. They begin one week before the fall semester starts. Normal “band camp” days involve basic technique practices on the field in the morning‚ rehearsal after lunch‚ and a combination of the marching and music after their
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Sac State University’s Department of Music performed a Latin Jazz Ensemble. They also had American Rivers Latin Jazz Ensemble‚ and California State University of Los Angeles’s Ensemble perform as well. The Sacramento State Ensemble played a range of Latin music styles like‚ merengue‚ cha-cha‚ mambo‚ Afro Cuban‚ and the rumba. CSULA performed some Afro- Carribean music such as Salsa‚ Timba‚ and Latin Jazz. American Rivers Ensemble performed songs from Latin Jazz and Afro-Cuban traditions. They played
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Claytronics Hardware 5. Millimeter Scale Catoms 6. Software Research 7. An Internet in a Box 8. Nodes 9. Seamless Ensemble 10. The Research Program 11. Programming Language for Claytronic Ensembles 12. Shape Sculpting in Claytronics 13. Localization 14. Dynamic Simulation of Claytronic Ensembles. 15. Application. 16. Challenges facing Claytronics. 17. Conclusion. 18. References. SEMNAR REPORT-2013
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You imagination distinctive visuals through the sense of sound‚ but how does one get these specific concepts? By timbre (tone color). Through the concepts of voice classification‚ instrument families and members‚ and ensemble type you can get a multitude of tone colors. With each tone color comes up a different idea. Timbre: otherwise known as “tone color”‚ is the quality of music that identifies a specific instruments sound. Different instruments differentiate by variety/contrast of “color. These
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portrays. The second concert I attend was right here at George Mason‚ in the Center for the Arts building. Performing was the Virginia Tech Wind Ensemble and
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Concert Winds “Winner and Winds” concert. West Michigan Concert Winds is a volunteer group that performs instrumental music to the community. This ensemble contains a wide range of musical talents from all different backgrounds. Some members are college students‚ some teachers. There was also many current or retired band directors apart of the ensemble. They performed all different genres of music from a Sousa march to an Irish wake by A.J. Potter. There was also a scholarship acceptance performance
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“Symphony NO. 7‚ Leningrad” from the Romantic era. The orchestra was a large ensemble (1) containing various instruments that contributed to the overall sound of the piece. Since the orchestra was a large ensemble‚ just like the instrumentation common in the Romantic era‚ the orchestra was able to perform in a lively‚ vigorous manner‚ probably vivace (2). The orchestra performed tutti (3)‚ in which all of the instruments of the ensemble played together. Every member of the orchestra played with exactness
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The interpretation of jazz style is crucial to the element of rhythmic groove in any jazz ensemble performance. Today‚ many written arrangements for both large and small jazz ensembles are well marked with articulations and expression markings. However‚ in some cases there is nothing to guide the instructor or student. This book addresses some of the articulation and style situations that are commonly found in jazz music. These situations can be generalized into a set of guidelines that can be used
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