Haydn Piano Sonata in Bb Major Haydn’s Piano Sonata in Bb major has three clearly defined sections: the exposition‚ the development‚ and the recapitulation. In the exposition‚ the thematic statement from measure 1 through 10 is more or less the introduction followed by a theme in parallel period from measures 11 to beat two of 22. Up to this point we are in the key of Bb major‚ ending on a half cadence. Though it stays in this key‚ E is tonicized with a five of four in measures 11 and 16.
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in Beethoven’s Waldstein Sonata (#21‚ Op 53) As the length of sonatas grew under pens such as Beethoven‚ the free exercise of many layers of musical contrast kept the longer works fresh and palatable. This sonata doesn’t have as bold of contrasts as Beethoven’s later works‚ but they still exist. The first movement starts with a quiet intro that swells with excitement at measure 11‚ only to calm back to a quiet simmering two measures later. As a middle period sonata‚ the dynamics do not switch
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This sonata was composed around 1802‚ a point at which Beethoven experienced the crisis of encroaching deafness. From then on‚ the composer started to introduce innovative and bold ideas within classical framework in his musical composition to expand the expressiveness of his music. His novel approach was evident in his formal and harmonic arrangement in the first movement of Sonata Op.31 No.1. Distinctive harmonic departure from the classical sonata form convention fills the movement with drama
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Viva Voce A piano sonata is a sonata of course written for a solo piano. Piano sonatas are usually written in three or four movements‚ although some piano sonatas have been written with a single movement (Scarlatti) two movements (Haydn)‚ five (Brahms’ Third Piano Sonata) or even more movements. The first movement is generally in sonata form. This Pathetique song was Beethoven’s eighth Piano Sonata written in 1797 and was published in 1799. This sonata was written during his early period
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Baroque Music (ca. 1600-‐1750) IV! DEADLINE TODAY! DEADLINE TODAY! Henry Purcell. “When I am laid” from Dido and Aeneas. (also known as Dido’s Lament)(1689) hDp://www.youtube.com/watch?v=kEaLviMEJls&feature=related (starRng 1:00) Listen: Ground bass -‐ repeaRng bass line used throughout a work‚ oUen with a disRnct rhythmic paDern
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The changing family values in contemporary Japan as represented in Tokyo Sonata (2009). Preface: 《Tokyo Sonata》‚ as the name said‚ this film’s structure is familiar with Sonata form. There is an Exposition that includes the four main roles and the internal problem of this family as film’s First Tonal Area and Second Tonal Area; a Development that we can see the First and Second Tonal Area occurs simultaneously and being more and more exciting‚ and it adds some new elements into this part to
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Critically discuss the changing family values in contemporary Japan as represented in Tokyo Sonata (2009). <<Tokyo Sonata>> is a realist film about a Middle Class Family of Japan. This film have not mention about the warmth of a family‚ unlike other Japanese Drama ‚they prefer another way to present the most common situation of Japanese family – dull diary life. Inside of Sasaki’s family‚ they have perform a typical personality of normal Japanese family: a father being concerned
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A Look into Different Interpretations of the First Movement of Moonlight Sonata: The Piece that Portrays an Assortment of Emotions by Lauren Mora Music History 70: Beethoven Section 1G Ludwig Van Beethoven ’s Quasi Una Fantasia‚ later named and more famously known as The Moonlight Sonata‚ is a piano piece that can be portrayed and analyzed in a multitude of ways. The piece was published in 1801‚ during a period of great experimentation in Beethoven ’s music. This can help
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The Shoe-Horn Sonata by John Misto The opening scene‚ with Bridie demonstrating the deep‚ subservient bow‚ the kow-tow‚ demanded of the prisoners by their Japanese guards during tenko‚ takes the audience straight into the action. As the interviewer‚ Rick‚ poses questions‚ music and images from the war period flash on the screen behind Bridie‚ and the audience realises they are watching the filming of a television documentary. The time is now‚ and Bridie is being asked to recall the events of fifty
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When listening to Beethoven’s “Moonlight Sonata‚” many different emotions envelop through my body. The first movement‚ Adagio Sustenato‚ made me feel like I was in a wooden rowboat‚ drifting peacefully along on a crystal clear lake. I felt as if the air was brisk‚ yet serene‚ like a calm before the storm. I envisioned beautiful white swans floating carelessly along side the shore line‚ as the water lapped the outer banks. As the movement progressed‚ it got more aggressive‚ making me feel as if the
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