scholars give about the woman of the nineteenth century. I will also exemplify the patriarchal fear of female sexuality by using two of the texts studied in the lectures; Dracula (1897) by Bram Stoker‚ and The Turn of the Screw (1898) by Henry James. I will especially focus on the characters of Mina and Lucy while dealing with Dracula‚ and the governess while dealing with The Turn of the Screw. Finally‚ I will finish this essay by summing up the content explained throughout the text. The end of the
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“Compare and contrast the presentation of female protagonists in Gothic Literature‚ in order to determine the validity of Gothic as a serious genre rather than the merely macabre” The three texts; Bram Stoker’s Dracula‚ The Bloody Chamber by Angela Carter and Selected poems by John Keats project images of female characters in very different ways. Much of the portrayal of females is in correlation to the attitudes and position of women within society at the time of writing. The preconception
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Shadow of the vampire essay Both Stoker’s Dracula and Mernau’s Nosferatu have been used to create a new text‚ with its own concerns‚ the new text being shadow of the vampire‚ and its concerns being that it needs to appeal to a postmodern audience. Shadow of the vampire is a new text representing new elements that resonate with a contemporary‚ post modern audience. Various elements of the gothic mode for example vampirism‚ immortality‚ sexuality‚ and the shadow motif have been appropriated‚ also
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role of women in the gothic genre is as victims always subjected to male authority’‚ compare and contrast to which this interpretation is relevant to your three chosen texts. By Kristina Addis Within My Last Duchess‚ The Bloody Chamber and Dracula‚ there is evidence to suggest that women within the gothic genre as portrayed as victims of male authority‚ as well as evidence to disprove this argument‚ instead suggesting that it is the women within the Gothic genre which makes themselves victims
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the vampire Dracula in literature Every flirtation begins with the stare... So let’s take sight of our dear vampire. Here’s a picture: you’re in a bar and you see a few meters away from you a tall man‚ clean-shaven save for a long white mustache and clad in black from head to foot without a single speck of color around him anywhere. His mustache is thick and heavy‚ his skin pale and sullen. (Stoker‚ ) Behold‚ staring back at you is the most enduring vampire icon in history: Count Dracula. Raymond
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Monsters have proven to be more than just the fiendish appearance or the evil within such creatures – their monstrosity symbolizes‚ more or less‚ the characteristics that define mankind and/or our innermost fears. Prior to this Exploration of the Humanities course‚ I have interpreted monsters for what they are: heartless and destructive creatures that generate fear. However‚ I never bothered what the true cause of such fear is – only associating the gruesome presence with a psychological reaction
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We currently live in a pop culture world that seems obsessed with vampires. From gothic vampire novels‚ to endless movies‚ television and art‚ the vampire archetype continues to grow in popularity and sophistication. What is behind this seeming obsession with vampires‚ in our western culture? Why does this archeype endure? What does the vampire have‚ or do‚ that makes him/her so attractive and compelling? When did the transformation occur‚ from foul miscreant to suave tragic hero? Who is the vampire
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the envelope. Many of the details King discusses in his book‚ such as a love for horror movies‚ I can relate to quite well. Dracula‚ werewolf‚ and haunting movies were great‚ however‚ as soon as the sun went down it didn’t take an expert to scare the wits out of me. My brother practiced on a daily basis at becoming an expert. Dracula films happened to be my favorites. Dracula only came out at night and could hypnotize even the most unwilling‚ capable of turning himself into a bat and flying away at
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Nosferatu was a silent film. In my opinion‚ the actors worked really well with using their body expressions in each scene. To watch F.W. Murnau’s ``Nosferatu’’ (1922) is to see the vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in clichés‚ jokes‚ TV skits‚ cartoons and more than 30 other films. The film is in awe of its material. It seems to really believe in vampires. Max Schreck‚ who plays the vampire‚ avoids most of the theatrical touches that
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Gothic novels often were set in Gothic-style castles and churches. Gothic fiction‚ which reached the height of its popularity in the late 18th to mid-19th centuries‚ was a genre of fiction that focused on the darker‚ irrational and more terrifying aspects of life. The Gothic novel was a reaction against the Enlightenment‚ which saw the world and humans as ordered and logical. Gothic conventions have remained popular and are still found in novels‚ music and film. 1. Conventions of Setting o "Gothic"
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