The earliest times in jazz had been looked more of an art because of the new techniques more expansive harmonies‚ expansive harmonies‚ and more. Breaking through the swing era‚ modern jazz became an outbreak with its complex harmonies one would actually say that modern jazz was influenced by the drastic changes in the swing era. Expecting the role of entertainment African Americans dominated jazz even with racism boiling and hate crimes trending white bands would still manage to incorporate African
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a new type of music‚ Jazz ‚ Afro-Cuban Jazz. 2. What was the significance of “Machito and His Afro-Cubans”? They Created Afro-Cuban Jazz. They were kind of like the bridge between worlds finding success with white people also. 3. How did Dizzy Gillespie incorporate Latin music into his music? He invited a player named Chano who was from Cuba and they worked together. 4. What was the Palladium? Located in mid-town Manhattan‚ once a dance studio but transformed into the home of the Mambo.
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Burt Bacharach was born on May 12‚ 1928 in Kansas City‚ Missouri. Although being born in Kansas City‚ Bacharach did most of his growing up in New York. Bacharach never had any interest in music growing up‚ instead he wanted to be a football player but that was a dream he wasn’t physically adapted to do. Bacharach’s dreams were crushed‚ that was until his mother taught him to play the piano at the age of twelve. Bacharach enjoyed playing piano very much but he never really planned on making a musical
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emphasize the African roots of their music in their name. They went on to become a largely popular band and took their music to new heights‚ becoming a sort of “bridge between worlds” for the fast growing Latin American community. 3. How did Dizzy Gillespie incorporate Latin music into his music? Answer: He asked his friend Mario Bauza to introduce him to someone who could infuse Afro-Cuban rhythm into his jazz band. He then met Chano Pozo‚ the congo player‚ whom he asked to remain a permanent member
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of Ben Webster and Charlie Parker. Swing Street reference to 52nd street which hosted major jazz clubs during the swing and the bebop era. Minton’s Playhouse a Harlem jazz club that saw the emergence of bebop and hosted artists such as Dizzy Gillespie‚ Charlie Christian. the house band included Thelonious Monk on piano‚ Joe Guy on trumpet‚ Nick Fenton on bass‚ and Kenny Clarke on drums. Billy Strayhorn famous for his collaboration with Duke Ellington. Billy Berg’s jazz club in Hollywood
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Afro-Cubans helped create salsa music and Cubop as well as redefined Afro-Cuban Jazz. The group made great recordings in their time and after his death‚ Machito’s son become the leader of The Machito Orchestra. 3. How did Dizzy Gillespie incorporate Latin music into his music? Gillespie was a prime mover in the creation of Afro-Cuban-jazz ( or Cubop )‚ a style that brought Cuban folk and popular idioms into a jazz context his interest being sparked by Cab Calloway’s lead trumpeter Mario Bauza
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Bud Powell falls into the category of the jazz style of bebop. This style began in the 1940s and was something totally unexpected. It had really fast tempos‚ which were unusual for jazz at the time.”This was not dance music‚ and it was never really intended to be popular. It was jazz for the artists themselves and for the true jazz lovers.”(Hopkins Lesson 7). But become popular it did. Not only that but it “established the primacy of virtuosic solo improvisation” (Hopkins Lesson 7). In this sense
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Charlie Parker. He is considered one of the most brilliant musical figures in the twentieth century due to his unique ways of selecting and accenting notes. His music influenced many saxophonists in the future including Woody Herman’s and Gillespie. Dizzie Gillespie was the first and most important bebop trumpeter. The control he had over his instrument’s high register was extraordinary. Through his combos and big bands many players also went on to play in groups of their own. Thelonious Monk was a
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Charles Mingus‚ a man who had made many contributions to the jazz world‚ which had included the introduction of the stand-up-bass as a lead instrument where it normally was used to keep time. He is known for composing the second largest amount of pieces just second to Duke Ellington2. He had mainly focused on collective organization when writing is charts that were similar to old school New Orleans street jazz bands‚ and his peers had once called him an organizational genius for this. Mingus’s
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wowed the audience. She then went on to win the first place prize of twenty-five dollars. “Once up there‚ I felt the acceptance and love from my audience‚” Ella said. “I knew I wanted to sing before people the rest of my life.” While on tour with Dizzy Gillespie’s band in 1946‚ Ella fell in love with bassist Ray Brown. The two were married in 1947 and eventually adopted a son birthed from Ella’s half-sister‚ Frances whom they named Raymond “Ray” Brown Jr. They divorced in 1952 because of their busy
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