Half Term Drama Coursework First Set I thought that this drama workshop was worth two hours of skipping any lesson that would help me on my work. The mentor Ms.Noah provides us a lot of good drama skills that can be used in our drama plays further on. The topic that we focused on in the workshop was Eye and Hand coordination ‚ we played games such as “Follow the Hand” ‚ “Up and Down” and “Listen the Leader” to get us moving in and practicing on the topic that we are suppose to learn. Out of these
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DRAMA ESSAY – BOAL/MEYERHOLD Chelsea Carrick-Donahoo The new and abstract philosophical beliefs of theatre practitioners Augusto Boal and Vsevolod Meyerhold have greatly influenced the creation of their theatrical practices. Boal’s context within Brazil’s oppressive regime in the twentieth century developed his goal to use theatre as a therapeutic means of showing audiences how they could overcome oppression in his Theatre of the Oppressed. Meyerhold
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Signature : THE EXCESS OF KOREAN DRAMA Korean Drama‚ who don’t know about it? Korean Fever is infecting the world. Korean dramas are very popular with good story‚ fun‚ and always make us curious. It could make the people who enjoyed drama infatuated with Korean Drama and can not wait to watch the sequel. Some people even become Korean addicted‚ they may watch Korean Dramas they like for many times without ever getting bored. Many of Korean Dramas have become popular throughout Asia and have
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Drama is written for live visual performance; it is more intense and reflects everyday life tensions more than poetry. Drama is observed right in front of you; there is color‚ lights for the setting‚ clothing and the scenes change. Drama allows you to see the characters personality developed as the drama unfolds on stage. Drama has two forms tragedy and comedy. “Riders of the Sea” is a drama of tragedy. The plot of the drama is central and foreshadowing and flashbacks are techniques used to show
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Elements Of Drama The dictionary definition of Drama is the activity of acting‚ or simply a play for theatre‚ the elements however that make up this intricate and diverse art form are far more complex than the concluding definition. The elements of Drama are essentially building blocks that culminate in the finality of this wholesome‚ rigorous activity. A simple way to understand a form as complex as Drama‚ is to look at it as a physical project‚ like building a house. The first and most important
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“The Ghost Sonata” represents an expressionistic approach to drama. Expressionist elements are obvious through Strindberg’s use of distortion of reality‚ “typing” of characters‚ and the use of musical pattern. In the lecture‚ we discussed that one of the elements of expressionistic drama was “extremism and distortion”‚ the lecture also mentioned how expressionistic drama can take the form of a dream to “capture inner feelings” of a character. Strindberg distorts external reality by creating scenes
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Jacobean drama (that is‚ the drama of the age of James 1-1603-1625) was a decadent form of the drama of Shakespeare and his contemporaries. The Elizabethan age was the golden age of English drama. But with the turn of the century the drama in England also took a turn. It does not mean that there were no dramatists left. There certainly was a large number of them‚ but none of them could come anywhere near Shakespeare. Just as after Chaucer poetry in England suffered a decline‚ similarly after Shakespeare
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* History of Drama * Spanish Period 1. Tibag * “to excavate” * St. Helena’s search for the cross 2. Lagaylay – Pilareños of Sorsogon get together during Maytime 3. Cenaculo – passion and death of Christ a. Cantada – chanted like pasion b. Hablada – rhythmic measure of words in a deliberate manner * Spanish Period 4. Panunuluyan – Mary & Joseph searching for refuge before Christ’s birth - presented before 12mn on Christmas eve 5. Salubong – during easter
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Elements of Drama 1. script: the written dialogue‚ description‚ and directions provided by the playwright. 2. plot: the events of a play or arrangement of action‚ as opposed to the theme. 3. exposition: the part of a play that introduces the theme‚ chief characters‚ and current circumstances. 4. rising action: a series of events following the initial incident and leading up to the dramatic climax. 5. climax: the point of greatest intensity in a series or progression of events in a play‚ often
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Medieval Drama Jugglers‚ folk- plays‚ pageants: The beginning of the Middle Ages started by the fall of the Roman Empire. The corrupt Roman drama had come to an end‚ and the actors became some disreputable jugglers and inferior minstrels who wandered all over the country. The performances of these social outcasts were crude and immoral. However‚ they continued for centuries‚ because they were the only source for dramatic spectacle. Other sources of amusement too can be found in the country
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