Michael’s neighbourhood looks untidy‚ there are graffiti on the walls. There are no trees or vegetation‚ it is very bleak. There are unemployed youths hanging around‚ smoking or playing cards. It is not a safe and good place for a young person to grow up in. The lighting used is dark and dim‚ with grey and dull colours Tuohy’s neighbourhood has manicured lawns‚ kids selling lemonade‚ big houses‚ mum walking with a baby in the pram and bike riders The setting emphasised that it is a good and safe
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Scary Kerri Many people say that there are several reasons why people are annoying to them. However‚ there is always that one person who always seems to show up when people are around our other friends. Well‚ I have this friend named Kerri‚ and she is annoying. I am annoyed that Kerri is an attention seeker‚ a “one upper”‚ and she cannot shut up. First of all‚ she is an attention seeker. For example‚ she always needs to be the center of everyone’s attention‚ and the conversation always needs to be about
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Katz. Since the beginning all Junior had talked about is how bad his life was. He talked about his extra teeth‚ his brain damage‚ his lopsided vision‚ his seizures‚ and how he was referred to on the rez as a retard. Therefore leading him to get beat up. Not once did Junior ever complain though. He took the beating and the name calling that was giving to him day by day by others on the rez‚ but never once told. He demonstrated the characteristic that Katz explained in the unyielding rules in “How Boys
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to do‚ and other experiences such as daily social interaction‚ the narrator helps setup the next scene in which Harold displays something he never has‚ which is the urge of desire and want. The scene begins with a medium shot of Ms. Pascal locking up her bake shop for the night. The camera is housed inside the bake shop with the the viewer looking out of the windows while the camera tracks right following Ms. Pascal. This shot helps to reveal the bright colors of her shop‚ which comes in to play
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the head and the bottom of the frame is just below the waist. Most natural shot allowing the viewer to relate to the character. Often used to introduce the character for the first time. Close Up Top of the frame just above the head and just below the chin. Used to reveal character’s feelings. Extreme Close Up Used to reveal feelings without dialogue or to focus the viewer’s eyes on specific details. Point of View Shot (POV) A scene that is shot as if the viewer is looking through the eyes of the
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2011‚ pg. 9).” In chapter 9‚ 00:05 of Gladiator a blatant show of formalism is in this scene‚ which starts by showing the dessert nothing but rock that has a little light and no sign of life. Then in a brief moment Maximus’ face is shown in a close-up shot‚ where he appears to be floating as if ethereal or maybe in the after life. The shot changes quickly to a wall white with a closed wood door‚ the shot fells sorrowfully because of the color trend the color change is drastic from the bright reds
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pretend that I was not lost‚ but home. But that only led to a lonely life accompanied by only the last words of the already-dead‚ so I came here looking for a Great Perhaps‚ for real friends and a more-than-minor life. And then I screwed up and he screwed up and we screwed up and she slipped through our fingers. And there’s no sugar-coating it: She deserved better friends. I just finished reading a book that my girlfriend (we’ve actually been dating for exactly a year‚ so yay!) loaned me - Looking For
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directions and his lack of dialogue‚ as a character who has completely given up and assumed a pose of indifference before the world. He has distanced himself from his family through dependently drinking alcohol and is reduced to a daily‚ almost mechanical‚ search for “the click” which brings him peace. As a reader‚ we don’t see a reason for his characteristics until later on in the play. At the end of Act 1‚ Williams has built up tension with the audience about the mysterious identity of Skipper and Brick’s
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scene – the composition of a scene or shot eg the Elliot’s kitchen details‚ lighting tell a lot about the family life Establishing sequence – the opening moments of a film – introduces themes‚ characters‚ setting mood Reaction shot – generally a close-up of a character reacting to someone or something Proxemic range: Intimate distance (extreme close shots): ranges from skin contact to about eighteen inches away. This is the distance of physical movement – of love‚ comfort‚ and tenderness between
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Topic 2 : Levelling How levelling is conducted In the figure below the height (or reduced level) of A is known and the heights of B and C need to be estimated. To determine the height of point B a level is set up at position I1 is between A and B. staff readings R1 and R2 are taken. Since the reduced level of A is known (RLA) the height of the line of sight or height of the plane collimation (HPC) at I1 is: HPC at I1 = RL A + R1 To obtain the reduced level at B (or RLB): RLB = HPC
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