The same insecurities are enunciated in Parker and Shakespeare’s versions but through different means due to the medium. Following Brabantio’s accusations‚ cutaway shots to Venetian men gossiping reveal the tainting of Othello’s public image and the judgemental response of Venice. These shots underscore the Venetian mentality that form assumptions founded on how things appear before Othello can provide his own account. It is this social infrastructure that breeds the villain‚ Iago‚ and allows
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on the brink of war between the Venetians and the Turks‚ a city lacking leadership‚ logic‚ and reason. Venice represents all that is true and pure as it is portrayed as a city of beauty‚ honor‚ logic‚ and reason. Anters vast & deserts idle are represented as a barbaric land of the unknown‚ a place in which purity‚ honor‚ and beauty are not known‚ and ultimately serve as a representation of the character Iago. When Othello is talking to the Duke within the Venetian senate‚ he speaks of the “anters
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GEOINFORMATICS EA Midterm REPORT Population Growth and Problems of Ageing and Urbanization in Asia Pacific Name: ALDARAH‚ Jasem Ahmed A ID No 12409147 Contents: 1. Introduction 2. Population growth in Asia Pacific in 1990-2009 and now 3. Demographic trends and Issues ‚related to rapid population growth in region: a. Ageing b. Urbanization 4. Conclusion :Some solutions and recommendations to the demographic related
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Othello is the protagonist of the play; he is a highly respected general of the Venetian army. Othello is not a Venetian though; he is a moor‚ which means he is from North Africa. This puts Othello in a very unusual position; he is one of the most important people in the Venetian army and very respected but is also an outsider because he is a black man. I perceive Othello’s character at this point in the play to be Naïve‚ honorable and honest; he really has nothing to hide. His naïveté’s will cause
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An Antiquity of Imagination: Tvillio (Tullio) Lombardo and the Venetian High Renaissance Sculpture at NGA Paper One: An Antiquity of Imagination: Tvillio (Tullio) Lombardo and the Venetian High Renaissance Sculpture at NGA Tullio Lombardo‚ one of the most gifted sculptors of all time‚ brought his art alive by integrating classical antiquity and contemporary Renaissance Venice in all his works. People appreciated his creativity because he took the risk of stepping out from the culture of
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Othello‚ begins as the General of the Venetian army‚ but after a series of deceiving thoughts from his “honest” friend Iago‚ he goes from General to dead within a few nights. This major consequence is caused by Othello losing his confidence both physically and mentally. We see that his inner and outer strength disappearing really drives the plot. From the beginning of the play‚ Othello’s confidence plays a key role in this drama. Being the general of the Venetian army‚ he earns the respect of many
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the painting tradition‚ uses Venus as an incarnation to depict this worldly woman. This painting represents a new peak of the combat between the humanism and the medieval religious ideologies. Venus of Urbino exhibits Venetians enjoying rich and happy worldly lives‚ and the Venetian artists’ craving and praise for the human beauty. Painted by one of the most famous artists of the Renaissance era‚ Venus of Urbino has a lot of artistic devices. “The play of light on the girl’s body and Titian’s chiaroscuro
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Antonio and Shylock’s religion and inclusion within society. Shylock as a Jewish moneylender‚ is excluded from Venetian society both because of his religion and his career choice. He is often called “dog’” (1.3.138) by people who are his equals in terms of wealth and property‚ like the wealthy merchant Antonio. He internalizes his resentment of his treatment by the Christian Venetians. For example‚ when we see first see Shylock encountering Antonio he says‚ “I hate him for he is a Christian” (1
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Othello’s autobiographical speeches in act 1‚ scene 3‚ it shows that Othello has no knowledge of his own to counter this insider’s generalizations about Venetian wives. He knows nothing of Venice apart from the few months’ residence during which his courtship took place. A soldier since boyhood‚ he is unused to any peacetime society. Although he is a Venetian by association and allegiance‚ whatever he knows of the customs and assumptions of Venice is learned‚ not instinctive. At line 81 he apologizes because
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