"Sturken and cartwright" Essays and Research Papers

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    Keeping the Skull… Alive. Fashion has way of recycling and reinventing itself‚ and like many fashion trends‚ there is a rich history in how the symbol of the skull has continued to renew itself in mainstream fashion. Whether you incorporate the skull in an outfit to express a gothic look or a classy style‚ or whether you chose to wear the skull stitched on the back of a cashmere sweater or embellished in funky jewelry‚ it is evident that the skull is a symbol in fashion that is attractive to a

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    (Sturken and Cartwright‚ 2009‚ p.363) I think the main themes of ‘The Truman Show’ is tell the people don’t trust the world and knowledge entirely and satirize certain religion. In the Truman’s world‚ Christof (executive producer of ‘The Truman Show’) is like a god

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    Hijack Your Emotions

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    References: Bryan‚ Wilson. 2008. “Signs and Symbols.” Artforum 48 (2): 1-3. Proquest. http://proquest.umi.com.dbgw.lis.curtin.edu.au (accessed August 11‚ 2010) Cartwright‚ Lisa‚ and Marita Sturken Creative Advertising for NGO. 2012. “To preserve nature‚ every signature counts – Fondation Nicolas Hulot.” Accessed March 8‚ http://www.ads-ngo.com/tag/fondation-nicolas-hulot/ Foundation Nicolas Hulot: 9/11 Nicolas Hulot Foundation

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    Gender And Gaze Analysis

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    In Chapter three of ‘The Practices of Looking’ Sturken and Cartwright examine the relationship between gender and the gaze. The chapter focuses on the work of feminist film theorist‚ Laura Mulvey. Mulvey’s main theory is first coined in her essay ‘Visual Pleasure and Narrative Cinema’ she discusses the ‘male gaze’‚ which is comprised of the outlook that the ‘camera is used as a tool of voyuerism and sadism’ and adopts the perspective of a heterosexual male viewer in order to objectify women. Mulvey

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    Looking is to actively make meaning of that world with a more involved sense of purpose and direction. From looking we interpret social interaction and meanings. Professors Marita Sturken and Lisa Cartwright explain all about these concepts in the pages of their book Practices of Looking. It is an interesting and appealing novel offers understanding visual culture. Filled with numerous illustrations‚ the book observes how images play a very significant role in our everyday lives. The concepts of

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    1.Lorraine Field: Alas‚ A series of Visual Laments is the striking 21 piece temporary exhibition taking place in Saint Mary’s University’s 2 room gallery space. Curated by Robin Metcalfe‚ this show features the photo prints of Lorraine Field. The prints are framed with a grey wooden trim that compliment the earthy themes prevented in the exhibition. This show is on view from January 14th - March 5th 2017 (SMU Art Gallery Website‚Feb 22nd 2017) 2. Alas is the a visual exploration of a widow’s sadness

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    Political Poster

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    believed this poster had an influence from the communist propaganda posters. Marita Sturken  believe the aesthetics of the political poster had “an historical relationship with Marxist culture.”  However‚ Sturken also stated the poster is ironic. The reason is‚ even if the poster had an overall  aesthetic of communism‚ the bottom of the portrait had the word “HOPE.” 5 Sturken believe that  the irony of the poster gave an appeal to the presidential portrait‚ which Sturken stated may be  the “new patriotic aesthetics.” In the terms of the word “hope

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    Literacy education primarily has been ruled by written language‚ which as a result has pushed the teaching of visual images and multimodal elements to the outskirts of the literacy curriculum. In today’s world it seems as though texts that focus primarily on written language are scarce in comparison to multimodal texts that include visual images and a variety of other design features. This is due to the rapid development in technology‚ which has impacted the way in which people communicate. Nowadays

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    CULTURAL APPROPRIATION IN ADVERTISING‚ GOVERNMENTS AND FASHION TABLE OF CONTENTS CONTENTS: Page LIST OF ILLUSTRATIONS i. INTRODUCTION 1. CHAPTER 1: Cultural ownership- taboo. 2. CHAPTER 2: Freedom‚ Liberty and war inside a government. 3. CHAPTER 3: Native American for just a day. 4. CONCLUSION 5. LIST OF SOURCES 6. LIST OF ILLUSTRATIONS FIGURE: Page Fig. 1. Howard Zieff‚ You don’t have to be Jewish to

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    Media Study

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    École de la Communication Introduction to Media Studies ICOE2005 Fall 2012 Mondays 14:45–16:45 Professor: Joseph Bender Course Description What is/are the media? Who produces and influences them and under what circumstances? How do the media represent reality? What effects do they have on the audience? To what extent are the media globalized or different across countries? What is new about the new media? The course considers the nature of mediated communication‚ historical transformations

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