The key research question of the thesis is to clarify the identity of Super Normal in driving a good and sustainable type design together with its corresponding visual manifestations. In addition to the literature review‚ for this research‚ case studies of ten Super Normal Latin typefaces‚ namely the most timeless and frequently employed types‚ are selected to generate an analytical comparison to investigate how normality visually communicates and operates through a relatively long time period‚ from
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• Legibility Counters: open and wide. x-height: high (61%)‚ especially for a serif typeface. Width and weight: Compared with other serif typefaces‚ Garamond is relatively a narrow (103%) and light (18%‚ 7%) type‚ which likely contributes to its being so eco-friendly when printed. The result is that it fit more letters on a page and the page will still look light. Distinctions: the original Garamond was created using a brush‚ and this is apparent in letterforms. It is easy to see there is a great
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In order to accomplish the purpose of the analysis - to anatomize the visual elements of the Super Normal typefaces‚ I came across an approach to look at those typefaces as combinations of both letterforms and dynamic forms that keep adapting with the times. Since the two parts can cover all the mentioned aspects of Super Normal‚ I began to study more about their origins‚ visual characteristics and improvements to generate a methodology. As far as I am considered‚ the methodology in this chapter
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Name=Baskerville Old Face Category=Serif Characteristics= Baskerville Old Face is a Serif (Antiqua) Modern Style font. Baskerville Old Face Standard font attributes include 1700s‚ roman serif‚ Baskerville‚ Didone‚ elegant‚ English‚ formal‚ modern style‚ legible‚ neutral‚ sensible‚ static‚ feminine‚ valuable. Original Use= Baskerville Old Face Standard Font was designed by Isaac Moore‚ (John Baskerville) in 1768. The original designs for Baskerville type were rediscovered in 1953 and then
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Bodoni is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since.[1][2] Bodoni’s typefaces are classified as Didone or modern. Bodoni followed the ideas of John Baskerville‚ as found in the printing type Baskerville—increased stroke contrast reflecting developing printing technology and a more vertical axis—but he took them to a more extreme conclusion. Bodoni had a long career and his designs changed and
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Anatomy of Type / Type Glossary Ampersand 2 Comments A stylized character of the Latin et used to represent the word and. Definition: The typographic symbol used to designate the word and (& ) is the Latin symbol for et which means and. The name‚ ampersand ‚ is believed to be derived from the phrase “and per se and.” On a standard English layout... Anatomy of Type / Type Glossary Aperture 2 Comments The partially enclosed‚ somewhat rounded negative space in some characters. Definition:
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face was appropriately named “Elephant.” The fat face type was bold and had serifs; it was the first kind of attention-grabbing typeface for Advertising. Boldface type‚ also allowed for a bold‚ distinctive appearance that created visual
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level serifs and with emphasis on the contrast of light and heavy lines”. His style went on to influence fonts such as Didot in French and Bodoni in Italy (Columbia Electronic Encyclopedia). In this way‚ Baskerville and other classic typefaces continue to inspire modern typographers
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SRI SAI UNIVERSITY PALAMPUR HP [pic] SUBMITTED TO : SUBMITTED BY: ER. SAURABH SHARMA VED BHUSHAN INDEX: |Sr. No |Experiment |Date |Remarks | |1 |The Integrated Development Environment |13/08/12 | | |2
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Overview Frutiger is a humanist sans serif20 typeface named after its designer‚ Adrian Frutiger‚ who designed the typeface in 1975. During that time‚ the designer believed that the most popular sans serif typefaces such as Helvetica was becoming dated. Therefore‚ he sought a renewed approach to create a typeface of high legibility and distinctiveness even at a distance or at small text sizes. Initially for the signage at Charles de Gaulle Airport‚ Frutiger is perceived as warm‚ friendly and approachable
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