The comparative analysis of Shakespeare’s “Richard III” circa 1591 and Al Pacino’s 1996 docudrama “Looking for Richard” (LFR) reveals the capacity of these texts to transcend their timeframes due to their exploration of ideas perennially relevant to human nature. As humans‚ there is an innate desire of us to exert our ideals and beliefs on others as well as an underlying ambition for power‚ hence these texts explore the way in which art can be used to shape and reshape historical perceptions as well
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Good morning/afternoon Throughout my comparative study of texts and context‚ I have explored various connections shared between William Shakespeare’s ‘Richard the 3rd’ and Al Pacino’s ‘Looking for Richard’. As both of these items are based on the same character‚ King Richard the 3rd‚ they share a lot in common. The connection that I have chosen to concentrate on though is the idea of power‚ and how both texts explore this theme. William Shakespeare is an extremely famous English
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Shakespeare’s ‘Richard III’ and Pacino’s ‘Looking for Richard’ ground the evil of Richard differently in their respective texts. Shakespeare’s Richard is not merely an ambitious villain‚ but the personification of a metaphysical evil – a Machiavellian prince whose vice-like character is derived from the medieval morality play. Broad contextual shifts have resulted in Pacino recreating a villain for our times‚ emphasising mainly the political characteristics of a tyrant-king rendered recognisable
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in Shakespeare’s 1592 play ‘King Richard III’ and Pacino’s 1996 docudrama‚ ‘Looking for Richard’. Despite the different contexts of the Elizabethan Era and the post-modern world respectively‚ the texts share the universal themes of Richard’s pursuit of power and the effect of political power on one’s morality which broadens our understanding of the adverse effect of power. “The ends justifying the means” is a principle in ‘King Richard III’ where the protagonist Richard‚ a Machiavellian leader‚ lusts
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Richard III To an extent‚ surly there are other characters in the play that show poor characters‚ perhaps even worse than Richard himself. However‚ it’s not the same characteristics the share that make them so “bad”. For example‚ Anne’s lack of restraint and weakness towards losing her position makes her weaker than Richard which on some sense is “worse. But overall‚ Richard the third is by far the worst character throughout the play. Richard is in every way the dominant character
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- Drama Essay Question: In Richard III Shakespeare prresents to his audience a villain not a tragic hero to what extent do you agree. Richard III is categorised as one of the best historical plays written by William Shakespeare where Richard III is no doubt a fascinating character and an entertaining villain. In this play Shakespeare moulds Richard into the main character that he is. Malicious‚ power-hungry‚ and bitter about his physical deformity‚ Richard begins to aspire secretly to the
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1- Richard III‚ The Protagonist “Yet neither can his blood redeem him [Richard III] from injurious tongues‚ nor the reproach offered his body be thought cruel enough‚ but that we must still make him more cruelly infamous in Pamphlets and Plays.” (1617—William Cornwallis. From Essays of Certaine Paradoxes) Richard III is written in 1591-1592. Richard III is the dominant character of the play as that he is both the protagonist of the story and its major villain
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In Shakespeare’s play “Richard III‚” the character Richard is crafted as a representation of of the id‚ ego‚ and superego of psychology. The concept of the id demands immediate satisfaction‚ an impulsive component of human qualities. The ego is concerned with devising a realistic strategy to obtain pleasure‚ which tries to avoid consequences and seek social acceptance. On the other hand‚ the superego is based on moral values‚ where the individual is aware of their rights and wrongs. Throughout Richard’s
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Analysis of Richard III Members: Natalia Molina Melisa Ocanto Melina Pustilnik Vanesa Verna Licenciatura en Lengua Inglesa Universidad Nacional de San Martín RICHARD III 1) Richard III: hero or villain. 2) Analyze women in the play. 3) Analyze the use of dramatic irony in the play. 4) Analyze the opening soliloquy in Richard III. 5) Which is Richard ’s hamartia? When does it occur? 6) Where do you find the climax of the play? 7) Where do you find the catharsis and where
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Essay- Richard III “Through exploring connections between texts‚ a deeper understanding of each text emerges. Discuss this statement with reference to King Richard III and looking for Richard.” The way a text’s central values and themes are portrayed to an audience can be greatly influenced by the context in which it is set‚ although many of these themes can carry on through the time in which it was set in and still be relevant to a modern audience. William Shakespeare’s “King Richard III” is a
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