RADIO PLAY/DRAMA The English word ‘drama’ derives from the Greek word ‘dran’ meaning ‘to do’. Thus a drama is a story performed or ‘done’ by people on stage‚ radio‚ film‚ TV‚ on the street. A drama involves a chain of events and describes a web of relationships involving one or more persons. It could be fiction or non-fiction. The main Components/ELEMENTS of a RADIO drama: I. Plot_____________________________________________________ The chain of events or actions in which the characters
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------------------------------------------------- DRAMA Origin of Greek tragedy and comedy Drama‚ in the western world‚ begins with ancient Greece‚ where the two major forms of drama ……….. tragedy and comedy ………..were an aspect of religious ritual. Greek tragedy is believed to have begun in the sixth century B.C. with Thespis who introduced the first actor on the stage. The first dramatic dialogue lies in the conversation of this actor with leader of the satiric chorus. The dramatic element
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represents the goal and effort of the original author. Each translator aims at a maximal realistic authenticity‚ including both the inner (author’s and director’s notes) and outer language of the drama. “Translation‚ the surmounting of the obstacle‚ is made possible by an equivalence of thought which lies behind the different verbal expressions of a thought. No doubt this equivalence is traceable to the fact that men of all nations belong to the same species. When an Englishman is thinking of
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’s part of a ballad by William Blake (1757-1827). I have written the letters a‚ b‚ and c to mark the end rhymes. The Maiden caught me in the Wild‚(a) Where I was dancing merrily;(b) She put me into her Cabinet‚(c) And Lockd me up with a golden key.(b) Poem types - write a ballad! Topic ideas: A time you fell in love at first sight... or thought you did. A car accident. A time you received bad news. Don ’t tell the reader how you felt about the news. Instead‚ show the details of the place
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The performative nature of fashion does not define any one person. According to Stephen Greenblatt‚ author of A Renaissance Self-Fashioning‚ performative gender defines the stereotypical male or female. For something to be authentic‚ it must come from a person’s own self without external influences. The performative differences between men and women’s fashion proves that clothing is not authentic. Performative nature usually has to do with recurring gender norms. At the same time‚ the term performative
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UNIVERSITY OF GAZIANTEP ENGLISH LANGUAGE AND LITERATURE SPRING 2013 ELL 246: RENAISSANCE DRAMA Tuesday 15:30-17:20 / Friday 15:30-16:20 Instructor: Hivren Demir-Atay Office Hours: M 9:30 / T 15:30-17:30 / W 16:30-17:30 Office: Y 212 Course Description: In an attempt to identify the fundamental characteristics of English Renaissance drama‚ this course will provide the students with an overview of Shakespeare’s contemporaries. Starting with the changes that the Italian Renaissance
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Dramas are serious‚ plot-driven presentations‚ portraying realistic characters‚ settings‚ life situations‚ and stories involving intense character development and interaction. Usually‚ they are not focused on special-effects‚ comedy‚ or action‚ Dramatic films are probably the largest film genre‚ with many subsets. See also melodramas‚ epics (historical dramas)‚ or romantic genres. Dramaticbiographical films (or "biopics") are a major sub-genre‚ as are ’adult’ films (with mature subject content).
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That is it. That was Drama 10. The four unit “fundamentals of movement‚ speech‚ theatre games‚ and improvisation” course‚ has come to an end. I must say that this class truly flew by at the speed of light. One day we are learning about improvisation and the next day we are performing our final scripted scenes. Although this may be true‚ I have been‚ through my time in this class‚ thrown into a pool full of theatre knowledge; including the terms‚ phrases‚ and an opportunity to witness a full theatre
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The China Incident As a contemporary Australian Drama‚ The China Incident‚ directed by Daniel Evans and performed at The Cremorne Theatre on the 13th of February‚ 2013‚ replicates modern day realities in a humorous demeanour. The play‚ driven by success‚ fear and family‚ explores modern day issues in which it is told that success is deemed to be important in society‚ and a person is either successful with their family or in their career. The China Incident successfully communicates these themes
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DRAMA ESSAY – BOAL/MEYERHOLD Chelsea Carrick-Donahoo The new and abstract philosophical beliefs of theatre practitioners Augusto Boal and Vsevolod Meyerhold have greatly influenced the creation of their theatrical practices. Boal’s context within Brazil’s oppressive regime in the twentieth century developed his goal to use theatre as a therapeutic means of showing audiences how they could overcome oppression in his Theatre of the Oppressed. Meyerhold
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