Fordham Law Review Volume 80 | Issue 2 Article 12 2011 The Intersection of Tort and Environmental Law: Where the Twains Should Meet and Depart Mark Latham Victor E. Schwartz Christopher E. Appel Recommended Citation Mark Latham‚ Victor E. Schwartz‚ and Christopher E. Appel‚ The Intersection of Tort and Environmental Law: Where the Twains Should Meet and Depart‚ 80 Fordham L. Rev. 737 (2011). Available at: http://ir.lawnet.fordham.edu/flr/vol80/iss2/12 This Article is brought to you
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Drew Thornton From the opening scene until the end of the movie the amount of racial notions that were made are mind blowing. The start of the movie a Mexican woman is rear ended by an Asian lady. Which they were both conversing with the officer remarks like “Mexicans can’t drive” and “Asians cant even see over the wheel” where made. The once that could be debated is the fact that the white woman got cold when she saw the two black guys. This could be debated because she did that as soon as she
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>cases State Farm: Dangerous Intersections >Abstract State Farm‚ the nation’s largest auto insurer‚ distributed a list of the 10 most dangerous intersections in the United States based on crashes resulting in claims by its policyholders. What started as a study to reduce risk turned into an ongoing study that directs a major public relations effort: State Farm provides funds for communities to further research their dangerous intersections and initiate improvements based on the research. This
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Crash: Illustrations of Racial Issues Have you watched the film Crash directed by Paul Haggis? It is a marvelous film which consists of sensational and emotional realistic scenes‚ and was played by professional actors. Moreover‚ it is directed by a well-known writer whose works have won several Academy awards‚ and Crash is one of them. In this film‚ Haggis tends to represent major issues that occurred in a city of diversity by exposing different kinds of social and multicultural differences. The
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We may not see it‚ but consciously we know it is there. In contribution to this‚ the movie "Crash" written and directed by Paul Haggis shows individuals‚ such as‚ family members‚ business people‚ working people‚ and strangers say the most harmful and violent thing to each other. Every character in the movie have their own scenario or irony facing a range of prejudice: gender‚ class‚ and‚ above all‚ race. Crash is not just a matter of colliding cars against each other but also an indication of culture
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Hypothesis: If a car is involved in a crash‚ a domino effect of reactions will occur. Background: The modern day automobile is a very complex piece of machinery that has a lot to do with the world of physics. Like every great invention‚ there was a beginning. For the automobile this beginning was in 1769. Nicolas Cugnot‚ a Frenchmen inventing for the French Army‚ came up with was first self-propelled‚ steam engined‚ three wheeled cart that was said to go as fast as walking speed. The next
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dictionary as something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings. The motion picture Crash for example is an art form because it satisfies the definition of art. An individual took the time to write the story which was then turned into a screen play. The plot of the screenplay Crash evinces bits and pieces of racism that takes place on a daily basis in the city of Los Angeles‚ CA. The flick captures racial stereotypes by divulging
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The negative psychological effects of racism in the world are significant. Racism poisons our society through the unnecessary and recessive hate and ignorance it brings upon us. The movie “Crash”‚ directed by Paul Haggis‚ shows us how racism can sneak up on you and subconsciously affect your decisions and the way you act throughout day-to-day life. Even the best of people can incidentally succumb to racism‚ as exemplified by Officer Tommy Hansen‚ played by Ryan Phillipe. Officer Tommy shoots Larenz
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Racial Motives Crash exposes viewers to clashes between social and cultural differences. This clash of differences is what sets Crash into motion. The movie Crash seems to aim for a realistic every day exposure of racial interactions. Crash focuses mainly on the racial interactions between two or more characters. These interaction are usually driven by some racial stereotype or prejudice. What makes Crash unique is that you get to see from both race perspectives on how these interactions come
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cultural upbringing (16). Individuals experience an event and interpret it according to their social expectations determined by cultural background (Devine 245). The result is conformity of stereotypes within a culture. Cameron Thayer‚ a black movie director in Crash‚ forms a stereotype that white police officers are corrupt through the interpretation of an event. The cultural precedent that is established within the black culture is voiced literally by his wife‚ and shapes the formation of his stereotype
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