ZENITH International Journal of Multidisciplinary Research Vol.1 Issue 4‚ August 2011‚ ISSN 2231 5780 THE NEED OF ‘720 DEGREE PERFORMANCE APPRAISAL’ IN THE NEW ECONOMY COMPANIES ANUPAMA*; MARY BINU T.D.**; DR. TAPAL DULABABU*** *Asst. Professor‚ The Oxford College of Business Management‚ No.32‚ 19th Main‚ 17th „B‟ Cross‚ Sector IV‚ HSR Layout‚ Bangalore 560102. ** Asst. Professor‚ The Oxford College of Business Management‚ No.32‚ 19th Main‚ 17th „B‟ Cross‚ Sector IV‚ HSR Layout‚ Bangalore
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An analysis of the opening sequence of Stanley Kubrick’s ‘Eyes Wide Shut’ focusing on the use of generic conventions We frequently consider films in terms of their genre‚ a French word meaning ‘kind’ or ‘sort’. It is a very complex term‚ not only used in film but also in other creative areas such as music‚ art‚ and literature. However‚ it is often considered through various conventions including iconography‚ similar themes and their stylistic features‚ as Bordwell and Thompson (2006:357) suggest
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nonreligious style of rationality and life‚ as some predicted they would‚ [turn-of-the-century] citizens kept inventing protean ways to pursue their spiritual questions (Marty 2).” Protestant denominations amassed with schisms among the Baptists‚ Disciples of Christ‚ Methodists‚ and several new religious movements including Pentecostalism‚ Seventh-day Adventism‚ Christian Science‚ New Thought‚ Mormonism‚ Spiritualism‚ and Theosophy. Many eastern religions also took foothold in American culture‚ such
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from the absence of internalized rules and regulations‚ criminal behavior is governed by the justice system (Lilly‚Cullen‚ & Ball‚ 2011). Stepping deeper into the recent gang activities‚ that have prevailed in society within Chicago‚ former Gangster Disciple Harold Ward‚ speaks of the corruption among leaders in the city and their approval of the cartels from Mexico who have taken over their society as a whole (Pundit‚ 2013). Whether people agree or disagree‚ social disorganization among their neighborhoods
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Madden 1 Sarah Madden 18 November 2012 Film Review: Angels with Dirty Faces‚ USA 1938 The film I have chosen to review and analyse under the theoretical frame Genre is Angels with Dirty Faces‚ a gangster film directed by Michael Curtiz starring James Cagney and Humphrey Bogart. In Andrew Tudor’s book “Theories of Film”‚ he argued that genre is “what we collectively believe it to be”. I believe that when Tudor says “we” he means the audience. Audiences have an expectation of what they assume
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Gangster’s Sacrifice The aim of this paper is to shed light on the personal struggles of the American gangster in Little Caesar and The Godfather‚ and their incapability to balance true relationships with a life of organized crime. I will focus on the sacrifices made by these gangsters in order to achieve a life of power and wealth‚ the American dream. It is nearly impossible for a true gangster to have a traditional family. I will specifically examine the relationships and personal characteristics
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Francis Ford Coppola’s The Godfather (1972) is among the best films ever produced. Consistently ranked as one of the top three films by the American Film institute‚ this gangster film sits among the likes of Citizen Kane (1941)‚ Lawrence of Arabia (1962)‚ and the more recent Schindler’s List (1993) (American). When it was released‚ The Godfather was nominated for ten Academy Awards‚ and won three: Best Picture‚ Best Actor (Marlon Brando)‚ and Best Adapted Screenplay. The film was adapted from the
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American Dream. This sub culture was dominated by the Italian Mafia and gangsters. During the Prohibition era these gangsters became increasingly popular and influenced America as well as the fashion of the 1920s fashion. The most notorious gangster of this time was Al Capone‚ infamously known for his style as well as the Valentines Day massacre. Much like the other fashion trends of the 1920s such as the flapper girls‚ the gangsters fashion showed the rise of organised crime in America during the Jazz
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Scorsese’s film GoodFellas (1990) not only provides an unparalleled glimpse into the gangster lifestyle of New York’s Italian mafia. Scorsese separates his classic gangster film from other works by following the character progression from teenagers to middle-aged men. The film constantly reinforces the image of masculinity from domestic affairs down the each character’s clothing. Each aspect of the gangsters’ lives centers around asserting their masculinity. Scorsese helps GoodFellas secure its
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