"Caravaggio and gentileschi" Essays and Research Papers

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    Peter Paul Rubens perfectly represents artistic traditions and philosophical beliefs of the Baroque period because of Ruben’s techniques and subject matter. These techniques include the strong contrast between light and dark‚ the usage of rich‚ flamboyant colors which is offset by a dark background‚ the depiction of motion and facial expressions‚ the rendering of high detail‚ the naturalistic rather than ideal figures‚ the enlarges sense of space‚ the aim to create a dramatic effect‚ the theme of

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    John Ruskin said‚ “I always said that no woman could paint.” This quote from John Ruskin is nonsense. If women can give birth and raise their children to live their own lives‚ women could do everything anyone else can. In this era‚ some of the most powerful positions in governments are being held by women. Maybe I have an untrained eye‚ but if no description for a work of an artist is provided‚ I would not be able to tell if a piece of art was created by a man or a woman. Art or all entertainment

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    Baroque one big misshapen pearl STYLE ARTISTS and IMAGES VOCAB HISTORICAL NOTE Baroque art falls into the period of Counter-Reformation led by the Catholic church against the Protestants. Much of the Baroque art‚ especially in Italy‚ reflects reaction to Mannerism‚ but also the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear‚ intelligible subject realistically interpreted in order to stimulate piety. This was part of the reason

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    the Hunters. 1565. Flanders. Northern Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque. Italy. 22-23. Diego Velázquez. Las Meninas (The Maids of Honor). 1656. Spain. Baroque. 22-28. Peter Paul Rubens. The Raising of the Cross. 1610–1611

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    Baldacchino. St. Peter’s‚ Rome. 1624-1633. Italian Baroqu6. pg.673. 2.Bemini. Ecstasy of St. Theresa. Comaro Chapel. 1645-1652. ItalianBaroque. pg. 675. 3. Caravaggio. Conversionof St. Paul. c. 1601. ItalianBaroque. pg. 683. {e 4. caravaggio. calling of St. Matthew. c.1597-1601. Italian Baroque. pg. 681. {( + * 5. Artemesia Gentileschi. Judith Slaying Holofernes. c. 1614-1620. Italian Baroque. pg. 683. 6. Josd de Ribera. Martyrdom of st. Philip. c.1639. spanish Baroque. pg. 688. T.Yelazquez

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    phenomenally graphic and realistic art‚ much of it being gruesome and bloody toned. Art is always an interesting record of humans perceptions of what is happening around them. For example‚ I enjoyed reading about Michaelangelo Merisi‚ better known as‚ Caravaggio who was at the forefront of the painting world in the seventeenth century. He typically paints religious inspired pieces which reflects he was religious himself and in his beliefs‚ as well as living in a religious world. His painting The crucifixion

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    Judith Leyster‚ she completed “The last Drop” in 1609. The style of the painting is Dutch style‚ which takes place in the European region‚ and it also reflects the origins on what her art style really is. Leyster’s style painting was adapted to Caravaggio‚ giving her a moralistic themed painting. But due to the strict laws that women can’t attend to the art school‚ she wasn’t being given the credit for‚ instead people

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    This term is used to describe the emotional and ornate art and architecture of the 1600s. [pic] a. Romanesque [pic] b. Gothic [pic] c. Classical [pic] d. Baroque status: correct (1.0) correct: d your answer: d feedback: Correct. [pic] 2 The colonnaded piazza added to St. Peter’s is the achievement of this architect. [pic] a. Borromini [pic] b. Michelangelo [pic] c. Bramante [pic] d. Bernini status: correct (1.0) correct: d your answer: d feedback:

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    Holofernes. 1625 About the painting Judith and Maidservant with the Head of Holofernes‚ circa 1625‚ is one of several paintings depicted by numerous authors about Judith‚ the fearless widow from The Book of Judith in the Old Testament. Artemisia Gentileschi herself painted four scenes of Judith’s story. Judith was an attractive Jewish princess‚ chosen by God‚ to save the Israelite town of Bethulia from an army siege commanded by Assyrian General Holofernes. Judith‚ accompanied by her maidservant

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    1) Chapter 21: The Renaissance in Quattrocento Italy a. The Early Renaissance in Italy (1400-1500) 2) Chapter 22: Renaissance and Mannerism in Cinquecento Italy a. The High and Late Renaissance in Italy (1500-1600) 3) Chapter 20: Late Medieval And Early Renaissance Northern Europe a. The Renaissance in Northern Europe in the 15th century 4) Chapter 23: High Renaissance and Mannerism in Northern Europe and Spain a. The Renaissance in Northern Europe in the 16th century 5) Chapter 24: The Baroque

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