Preview

The Divergent Worlds of New Media: How Policy Shapes Work in the Creative Economy

Powerful Essays
Open Document
Open Document
8765 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Divergent Worlds of New Media: How Policy Shapes Work in the Creative Economy
543

The Divergent Worlds of New Media: How Policy Shapes Work in the Creative Economy1
Susan Christopherson Cornell University Abstract
“New media” workers have joined the creative economy as digital designers, web page designers, and producers of entertainment products. Like many creative commodity producers, their work lies at the intersection of the technical (in this case code writing) and the expressive (through design). It reflects the tensions inherent in this intersection and the conflicts common to many creative workers who produce commodities but whose work also reflects some element of personal expression or authorship. The ways in which these tensions are resolved is central to the formation of new occupational and professional identities. Cultural economy perspectives offer us insights into the subjective experience of the tensions associated with creative work. They become more powerful, however, when combined with an understanding of the policy context in which new media has evolved. Drawing on both cultural economy and policy analysis approaches, I argue that while new media work emerged in conjunction with new technologies and reflects the tensions between technical applications and design, it also is a product of changes in broader regulatory frameworks that have shaped the work-world of new media. The “regulatory difference” has produced considerable variation in the occupational identities of new media workers among advanced economies. In some economies, new media work is evolving in a form that is closer to that of the professional, whereas in the United States it is better described as an entrepreneurial activity in which new media workers sell skills and services in a market. To make this argument I examine findings from the growing body of international work on new media but focus on the particularities of the United States case. What this evidence indicates is that the character of new media occupations is defined as much by the policy



References: Amman, J. (2002). Union and the new economy: Motion picture and television “Unions offer a model for new media professionals.” Working USA (Fall), 112–130. Augusstson, F., & Sandberg, A. (2004). Interactive media, work and organisation in Sweden. Paper presented at an International Workshop: Studying New Forms of Work: Concepts and Practices in Cultural Industries and Beyond, Freie Universitat Berlin, March 26–27. Batt, R., Christopherson, S., Rightor, N., & Van Jaarsveld, D. (2001). Net working: Work patterns and workforce policies for the new media industry. Washington, DC: Economic Policy Institute. Betzelt, S., & Gottschall, K. (2004). Publishing and the new media professions as forerunners of pioneer work and life patterns. In J. Z. Giele & E. Holst (Eds.). Changing life patterns in Western Industrial societies (pp. 257–280). London: Elsevier. Brail, S. (1998). New media in old urban areas: The emergence and evolution of Toronto’s multimedia cluster. PhD dissertation, University of Toronto, Canada. Christopherson, S. (1996). Industrial relations in an international industry, film production. In L. Gray & R. Seeber (Eds.). Under the stars, industrial relations in the entertainment media industries. Ithaca: Cornell University Press. ———. (2002a). Project work in context: Regulatory change and the new geography of media.” Environment and Planning A, 34, 2003–2015. ———. (2002b). Why do national labor market practices continue to diverge in a global economy. Economic Geography, 48, 1–20. Croteau, D., & Hoynes, W. (2001). The business of media, corporate media and the public interest. Thousand Oaks: Pine Forge Press. DeFillippi, R. J., & Arthur, M. (1998). Paradox in project-based enterprise: The case of film-making. California Management Review, 40, 125–139. du Gay, P. (1996). Consumption and identity at work. London: Sage. ———. (1997). Organizing identity: Making up people at work. In P. du Gay (Ed.) Production of culture/Cultures of production (pp. 2–20). London: Sage. European Commission. (1997). Youth in the European Union. Brussels: Author. Feigenbaum, H. B. (1998). Regulating the media in the United States and France. Journal of Arts Management, Law and Society, 27(4), 283–285. Gill, R. (2002). Cool, creative and egalitarian? Exploring gender in project-based new media work in Europe. Information, Communication & Society, 5(1), 70–89. Grabher, G. (2002). Cool project, boring institutions: Temporary collaboration in social context. Regional Studies, 36(3), 205–214. Hall, P., & Soskice, D. (2001). Varieties of capitalism, the institutional foundations of comparative advantage. Oxford: Oxford University Press. 558 Susan Christopherson Indergaard, M. (2002). The bullriders of Silicon Alley: New media circuits of innovation, speculation, and urban development. In J. Eade & C. Mele (Eds.). Understanding the city: Contemporary and future perspectives (pp. 339–362). Oxford: Blackwell. Katz, H., & Darbishire, O. (2000). Converging divergences, worldwide changes in employment systems. Ithaca: Cornell University Press. Kotamraju, N. (2002). Keeping up: Web design skill and the reinvented worker. Information, Communication & Society, 5(1), 1–26. Laepple, D., Thiel, J., Wixforth, J., Menze, A., & Rathjen, J. (2002). Chancen und risken in neuen arbeitsfeldern der informations-gesellschaft: das beispiel der multimediabranche. [Chance and risk in new work fields in the information society: the case of multi-media] Zwischenbericht: Hamburg. Lash, S., & Wittel, A. (2002). Shifting new media: From content to consultancy, from heterarchy to hierarchy. Environment and Planning A, 34(11), 1985–2002. Leicht, K., & Fennel, M. (2001). Professional work, A sociological approach. Oxford: Blackwell. Mayer-Ahuja, N., & Wolf, H. (2004). Work and knowledge in the Internet industry: The German case. Paper presented at an International Workshop: Studying New Forms of Work: Concepts and Practices in Cultural Industries and Beyond, Freie Universitat, Berlin, March 26–27. McChesney, R. (1999). Rich media, poor democracy. New York: New Press. McRobbie, A. (1998). British fashion design: Rag trade or image industry? London: Routledge. ———. (2002). From Holloway to Hollywood: Happiness at work in the new cultural economy. In P. DuGay & M. Pryke (Eds.). Cultural economy (pp. 97–114). London: Sage. Powell, W. W. (1990). Neither market nor hierarchy: Network forms of organization. In B. M. Staw & L. L. Cummings (Eds.). Research in organizational Behavior 12 (295–336). Greenwich, CT: JAI Press. Pratt, A. (2000). New media, the new economy and new spaces. Geoforum, 31. Rantisi, N. (2002). The local innovation system as a source of variety: Openness and adaptability in New York City’s garment industry. Regional Studies, 36, 587–602. Ross, A. (1998). Jobs in cyberspace. In Real love, in pursuit of cultural justice. New York: New York University Press. Sandberg, A. (1998). New media in Sweden. Stockholm: National Institute for Working Life. ———. (2002) Interactive media in Sweden: The second interactive media, Internet and multimedia industry survey. Stockholm: National Institute for Working Life. Scott, A. (1998, March). Multimedia and digital effects: An emerging local labor market. Monthly Labor Review, 30–37. ———. (2000). The cultural economy of cities. London: Sage. Staber, U. H., & Sydow, J. (2002). Organizational adaptive capacity: A structuration perspective. Journal of Management Inquiry, 11(4), 408–424. Stone, K. V. W. (1992). The legacy of industrial pluralism: The tension between individual employment rights and the new deal collective bargaining system, The University of Chicago Law Review. ———. (2001). The new psychological contract: Implications of the changing workplace for labor and employment law. UCLA Law Review, 48(2), 519–659. Sydow, J., & Staber, U. (2002). The institutional embeddedness of project networks: The case of content production in German television. Regional Studies, 36(3), 215–227. Sydow, J., & Windeler, A. (1998). Organizing and evaluating interfirm networks: A structurationist perspective on network processes and effectiveness. Organization Science, 9(3), 265–284. Urey, G. (2002). Labour and new media. In L. Lievrouw & S. Livingstone (Eds.). The handbook of new media. London: Sage. Van Jaarsveld, D. (2003). Labor policy and new media. Dissertation, Cornell University School of Industrial and Labor Relations, Ithaca, New York. Windeler, A., & Sydow, J. (2001). Project networks and changing industry practices: Collaborative content production in the German television industry. Organization Studies, 22, 1035–1060. Copyright of Review of Policy Research is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder 's express written permission. However, users may print, download, or email articles for individual use.

You May Also Find These Documents Helpful

  • Good Essays

    The Australian culture has been forever changing and Australia is seen as a multicultural country, however, Australia has always leaned towards becoming Americanised. This can be largely contributed to the evolution, introduction and utilisation of new media. New Media is a broad term that evolved in the latter part of the twentieth century. Most technologies described as ‘new media’ are digital. For example, the Internet, including websites, CD-ROM digital televisions etc. New Media is also considered as interactive forms of communication that use pod casts, blogs, virtual worlds and social networks. For example, facebook, MySpace and Twitter have become common forms of communication for not only individuals but also businesses and groups. By calling New Media ‘new’, it can be seen that the term is in relation to ‘old media’ forms such as magazines, newspapers and film.…

    • 867 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Hum/176 Week 6 Assignment

    • 259 Words
    • 2 Pages

    Film and television were the dominant international media of mass visual culture of the last century. People and society are continually influenced by the films they go to see and programs they watch at home. The movie industry became not only a part of the lives of millions, but it also spawned creative innovation and cinema was established as an industrial and technological process in many countries. Television, in comparison to film, has often been seen as the poorer relation in terms of cultural significance and quality, yet TV continues to influence the daily lives of the millions who watch it. Despite threats from new media and the internet to make film and television redundant forms of entertainment, movies and TV shows still dominate internet content. Without these two media forms the internet would arguably not hold the attention of the audiences it does. In the twenty-first century film and television still hold sway in a range of global media leisure pursuits, enjoyed and celebrated in different kinds of spaces: in the cinema, at home on TV, video recording and DVD sales, and the internet. They remain popular forms of entertainment, yet also offer artistic and oppositional views of the world. At Portsmouth you will study the history of film and television as mass entertainment. You will consider their creators and directors, their production regimes and audience markets. You will employ a range of critical approaches to reading film and television texts and debate the dynamic relationship between screen theory, video production and screenwriting as creative…

    • 259 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Analytically describing digital technology, he says it has enabled a third and broader category of media. Apart form one-way public (broadcast) media like movies and two-way private (communication) media such as the telephone, civilization now has two-way media operating from private- to public- scale. The author insightfully describes digital as bridging broadcast media and communication media, enabling public to private information movement and vice-versa. Shirley then describes the new media as involving significant economic change. Because no one owns the Internet infrastructure, the Internet is just a set of agreements that bound data movement. With its contents easily accessible to all and the costs low, the Internet has enabled much social and creative behavior, says the…

    • 646 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    dzango

    • 2664 Words
    • 7 Pages

    Virtual art is the product of long-standing traditions in art merged with revolutionary technological advances. With innovations emerging almost as fast as end-users can test and master new systems, technology has dramatically altered our daily lives and changed our thought processes. Like many technological advances, virtual and cyber realities have been embraced, and often created by, artists that experiment with the myriad of possibilities that technology can offer. While there have been many works of art inspired and created by means of digital advances, the medium has yet to be defined and its boundaries have not yet been identified. Since technology and virtual art are just beginning to be explored, the medium is in its infancy and thus cannot be judged based upon traditional mores of art. Before virtual art can achieve prominence and respect within the art world, many barriers of tradition must first be abolished. Virtual and digital technologies are rampant in American culture and thoroughly utilized in entertainment mediums like television, movies, magazines, and video games. Our capitalist economy creates a fertile environment for these mediums to prosper by feeding off the public 's hunger for entertainment. Because these industries are in such high demand and accrue billion dollar revenues, new technologies are often conceived in and funded by these trades: "For, in essence, all socially relevant new image media, from classical antiquity to the revolution of digital images, have advanced to serve the interests of maintaining power and control or maximizing profits" (Grau 339). That being the case, new technologies "hardly ever…advanced solely for artistic purposes" (Grau 339). Because "power" and "profits" are the central means of motivation in our culture; art, in the classical sense, is often an afterthought. In an age where entertainment and art intertwine, however, distinctions between the two based upon their creation are impossible. With…

    • 2664 Words
    • 7 Pages
    Powerful Essays
  • Satisfactory Essays

    Maurizio Lazzarato defines immaterial labor as “activities involved in defining and fixing cultural and artistic standards, fashions, tastes, consumer norms, and, more strategically, public opinion.” Immaterial labor 2.0 however, refers to what is happening on social media networks, similar to how Lazzarato describes it, but much more intensly. In my opinion, the greatest significance of digital media is my ability to readily access the news, whether it is political or personal. Personal news within my friend and family circle can be helpful in keeping up with how the ones I care about are doing. Political and economic news, however, are the ones I care most about. It is the easiest way to get our news, and keep ourselves informed. This allows…

    • 151 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Cities are now turning into a constellation of computers that calls for a new way of understanding the “urban life”. There are new forms of segregation that arise from the reconfiguration of the city through electronic connections. A new category of inequality has been constructed around a ‘digital divide’ whereby those who are unconnected to the Internet are further socially and economically marginalized.…

    • 478 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Digital Media Analysis

    • 483 Words
    • 2 Pages

    Current digital media is having a positive impact on society because it has improved workplace productivity. Digital media having a positive impact on society help’s set up a successful environment, at a school, work, or in the area where the person is using the digital media. The use of digital media is huge, it touches everything in society. Sarra Bean believes that “Digital media now touches almost every aspect of a typical organization, from how talent is sourced and deployed, to how work gets done, to how the business connects with employees and customers.”(Sara Bean). What Sara Bean is explaining is, digital media impacts almost everything we do at work, from where we can get our sources and information, to how work gets done, and how people can communicate or talk to employees, friends, and customers. The improvement in workplace…

    • 483 Words
    • 2 Pages
    Good Essays
  • Best Essays

    Campaign Essay

    • 2280 Words
    • 10 Pages

    Rorrison, T. (2011) Social Media and the Public Sector: 5 Mini Case Studies. Viadeo Blog, [blog] 31 January , Available at: http://blog.viadeo.com/en/2011/01/31/social-media-and-the-public-sector-5-mini-case-studies/ [Accessed: 15 Oct 2012].…

    • 2280 Words
    • 10 Pages
    Best Essays
  • Powerful Essays

    Mandiberg

    • 109829 Words
    • 440 Pages

    References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. Library of Congress Cataloging-in-Publication Data e social media reader / edited by Michael Mandiberg. p. cm. Includes bibliographical references and index. ISBN – – – – (cl : alk. paper) ISBN – – – – (pb : alk. paper) ISBN – – – – (ebook) ISBN – – – – (ebook) . Social media. . Technological innovations—Social aspects. I. Mandiberg, Michael. HM .S . ' —dc e following work bears Create Commons Attribution (CC BY) license: “Sharing Nicely: On Shareable Goods and the Emergence of Sharing as a Modality of Economic Production” by Yochai Benkler e following works bear Create Commons Attribution ShareAlike (CC BY-SA) license: “ e People Formerly Known as the Audience” by Jay “REMIX: How Creativity Is Being Strangled by the Law” Rosen by Lawrence Lessig “Open Source as Culture/Culture as Open Source” by “Your Intermediary Is Your Destiny” by Fred Von Lohmann Siva Vaidhyanathan “On the Fungibility and Necessity of Cultural Freedom” “What Is Web . ?” by Tim O’Reilly by Fred Benenson “What Is Collaboration Anyway?” by Adam Hyde, “Giving ings Away Is Hard Work: ree Creative Mike Linksvayer, kanarinka, Michael Mandiberg, Marta Commons Case Studies on DIY” by Michael Mandiberg Peirano, Sissu Tarka, Astra Taylor, Alan Toner, and “Gin, Television, and Social Surplus” by Clay Shirky Mushon Zer-Aviv “Between Democracy and Spectacle: e Front-End and “Participating in the Always-On Lifestyle” by danah boyd Back-End of the Social Web” by Felix Stalder…

    • 109829 Words
    • 440 Pages
    Powerful Essays
  • Powerful Essays

    Interactivity

    • 3719 Words
    • 15 Pages

    that one begins to suspect that there is much less to it than some people want to…

    • 3719 Words
    • 15 Pages
    Powerful Essays
  • Powerful Essays

    Cartoon Effects

    • 1750 Words
    • 7 Pages

    Marx argued that it is the consciousness of man that determines society. On that basis, has the power to be the agent of social change providing that change can be imaginated. Increasingly, however, it would seem that it is our media consciousness that determines our social culture and social position within the global economy. The predominance of information based industry requires cultural knowledge and not just financial resources. Moreover, the proliferation of information technology in the twenty first century has the potential to undermine international relations of the state and power…

    • 1750 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    (1) Analyzing Policy: Choices, Conflicts, and Practices, 2000, Michael C. Munger, Norton (denoted as “Policy”), available for purchase at Sac State Bookstore or on web at Amazon.Com;…

    • 2401 Words
    • 10 Pages
    Powerful Essays
  • Powerful Essays

    Bibliography: MARTIN LISTER, JON DOVEY, SETH GIDDINGS, IAIN GRANT, KIERAN KELLY, 2003. New Media : A Critical Introduction. London ; Routledge…

    • 11427 Words
    • 46 Pages
    Powerful Essays
  • Powerful Essays

    The elements of Facebook’s organizational culture and the work organization, which has been generally considered as the uneasily copyrightable competitive advantages were presented as the main problems and were strongly criticised. The study revealed certain dysfunctions in the organization’s smooth running. The comments of the employees challenged the idea whether Facebook really is the best place to work at. According to Dr. Sullivan (2013) “the physical space encourages openness, collaboration and innovation” but his view can be also challenged as a mere ‘’utopian idea of post-bureaucratic precedents which comes into focus as potentially a set of prejudice and incompetence” (Grey, 2005, p. 86) as a result of a war against bureaucracy which can be considered to be “the death of all sound work” (Einstein, 1921).…

    • 2479 Words
    • 10 Pages
    Powerful Essays
  • Satisfactory Essays

    This paper looks at the Internet, rather than computer-mediated communication as a whole, in order to place the new medium within the context of other mass media. Mass media researchers have traditionally organized themselves…

    • 403 Words
    • 2 Pages
    Satisfactory Essays