Preview

Michelangelo's David Vs. Verrocchio

Good Essays
Open Document
Open Document
1044 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Michelangelo's David Vs. Verrocchio
Ninad Gokhale
Professor Trautrimas
English 120-05
6 November 2016

Michelangelo’s David vs. Verrocchio’s David
Michelangelo and Verrocchio both have incredible artistic talents and show it in each of their David sculptures, yet they both convey a different meaning of David in their own ideal and using their own medium. Michelangelo and Verrocchio both represent David in different ways through the meaning they convey, the skills and techniques they use, and the beauty that they each portray . Michelangelo and Verrocchio are both artists from the city of Florence, Italy. In this piece both artists were trying to portray the biblical scene of David fighting Goliath, and winning. Their backgrounds have a major influence on the way they
…show more content…
The biggest difference between the two is the variation of the medium. Michelangelo David uses the white marble, and Verrocchio uses bronze. Michelangelo had a deep understanding of the complexity of the human anatomy. Therefore, he was able to make it look anatomically correct. The detail in the body of Michelangelo’s David further shows his knowledge in human anatomy. He details the veins on the hands and adds depth in the pupils of the eyes to make the piece look realistic(Italian Renaissance5). He is able to show the muscular structure of David allowing the sculpture to look even more human. Verrocchio’s David, however, used bronze to capture the image of David. “To see first Donatello’s, then Verrocchio’s, then Michelangelo’s, one has a sense of the artistic tradition passed down through generations… Each artist tries his hand at the subject of his predecessor, simultaneously paying homage and trying to outdo the past master” (Charney2). Verrocchio is using bronze and trying to take his own spin on the works of Donatello's David. Verrocchio’s David differs from both of the others though, because his is clothed. Michelangelo challenges both Verrocchio and Donatello's skill thus, the use of marble, which was his primary medium. “The model for the statue was a young artist from Verrocchio's studio, Leonardo da Vinci” (Vincent Finnan). This technique is different because he is the only one of the three artist to use a live model according to legend. The techniques used by Michelangelo and Verrocchio allowed them to add more beauty to each of their

You May Also Find These Documents Helpful

  • Good Essays

    Christ is shown only wearing cloth around his waist. Both of the sculptures feature Mary and Christ with smooth skin, a remarkable touch considering the materials used and the techniques used to make the works. Although the pieces are very similar, there are differences between them in terms of material, style and degree of realism. Pieta created by Tilman Riemenschneider was made out of wood while Pieta made by Michelangelo was created out of marble stone.…

    • 550 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Merisi, Michelangelo (Caravaggio). David with the Head of Goliath, 1607 or 1609-10. Borghese Gallery, Rome.…

    • 1520 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Dutch Republic DBQ

    • 457 Words
    • 2 Pages

    Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…

    • 457 Words
    • 2 Pages
    Good Essays
  • Good Essays

    First, but probably least important, DaVinci and Michelangelo led very similar childhoods. Neither was encouraged in arts by their parents, and had originally wanted to be businessmen. They even had similar physical features, being short in stature, with long faces and a scruffy lengthy beard. More importantly, Michelangelo and DaVinci were skilled painters and artisans. They focused greatly on their works and often spent a great deal of time on projects. We can associate both artists with classical pieces, but many more people find it easier to connect DaVinci with the afamed "Mona Lisa". Each artist had their own personal tastes, but both frequently produced works of a religious connotation, striving with the ideals of the Renaissance and humanism, but Michelangelo usually only strived for accurate depiction of stories or tales, he painted, sculpted and depicted the human body, with an extreme accuracy, and attention to form,…

    • 679 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Art101 Comparison

    • 520 Words
    • 3 Pages

    Differences between Michelangelo’s David and Bernini’s David are abundant and clear. Bernini’s version of David is a more classical interpretation. It focuses on David’s muscularity and his bone structure. In this version David is clothed, but just barely, ensuring that the viewer can see the definition of David’s muscles, and yet not revealing too much. Bernini’s version also shows David in action, as opposed to Michelangelo’s still pose of David. Bernini chose to sculpt David right in the midst of battle believing this would showcase him the best. This is because Bernini’s version was sculpted during the Baroque period, a time when it was thought that artwork should evoke strong emotions. Whereas Michelangelo sculpted in the Renaissance style, which David in a pose that relayed he was still but ready to move. We can also see differences just within the face of each sculpture. Michelangelo’s version we find being deep in thought, perhaps contemplating his next move, which is typical of classical Renaissance art. Then we have Bernini’s version being tense and concentrating on his next move, as he is battling. This seems to be the classic battle of mind versus brawn. Yet another difference is the actual size of the sculptures. Michelangelo’s version, taking on the characteristics of Greek artists, which was typical during the classical Renaissance period, is oversized. Just as the Greek’s strived for perfection through the human form, so did Michelangelo. Therefore his version is over an extra head tall, whereas Bernini’s is scaled back to a life sized version, making him more relatable. Both sculptures do share the same medium, which is marble.…

    • 520 Words
    • 3 Pages
    Good Essays
  • Good Essays

    When I reviewed the pieces done by Michelangelo I mainly focused of the function and nature of each piece, which allowed me to see how his pieces reflect on the view of creativity. As a whole, most of know the many pieces of art and drawings connect the viewer and the artist on the feeling and thoughts each one of them has. When you look at the pieces done by Michelangelo, you would feel ambiguity, which would project the beauty of the piece and the many different aspects that occurred during his life. In Michelangelo’s pieces, you can see many different types of design elements, which helps express his creativity to his…

    • 296 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Verrocchio, who also designed a sculpture of David, was the most important and imaginative sculptor of the mid-fifteenth century. This figure of the youthful David is one of the most beloved and famous works of its time. In Verrocchio 's David, we see a strong contrast to Donatello 's treatment of the same subject. Although both artists choose to portray David as an adolescent, Verrocchio 's brave man "appears somewhat older and excludes pride and self-confidence rather than a dreamy gaze of disbelief" (Fichner-Rathus 334). Donatello balanced realistic elements with an idealized Classically inspired torso whereas Verrocchio 's goal was absolutely realism in minute details. The sculptures also differ in terms of technique. Donatello 's David is mainly a closed-form sculpture. The objects and…

    • 925 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Michelangelo Dbq

    • 315 Words
    • 2 Pages

    There were many great Renaissance artists such as Leonardo, Raphael, Michelangelo, Donatello, and many others but the greatest of these is Michelangelo. He was great at painting, sculpting, architecture, and poetry. He also had famous sculptures and paintings.…

    • 315 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Donatello’s David differs form Michael Angelo’s in that it is probably a more realistic depiction of what David actually looked like. David was young and inept in comparison to the soldiers who fought in the battle at Jerusalem. That’s why his defeat of Goliath was impressive. Donatello’s sculpture of David is a bronze sculpture of a young boy, he even looks a little feminine, standing on top of Goliaths head with an assured expression on his face. Donatello’s sculptures…

    • 574 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Michelangelo Buonarroti

    • 1223 Words
    • 5 Pages

    works included the "Pieta" and the "David." At the age of 24 he completed a…

    • 1223 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Art 101 Week 8 Checkpoint

    • 363 Words
    • 2 Pages

    Donatello’s and Michelangelo’s David are similar in many ways. Both sculptures being from the Renaissance, they share some characteristics in form. Each artist positioned the body of David in the contrapposto position. Their bodies are curved, relaxed and shown in the nude. This reflects the popular style of sculpture of the culture and relates the ideas about the human form. Donatello’s David is different from Michelangelo’s most in the physical attributes of the body. Michelangelo’s David has more of the sculpted bodies of the Greek gods. The sculpture is muscular, mature and his physical beauty is not to be overlooked at. Donatello’s David has the body of a young man still developing into his body. Instead of appearing strong and confident, David appears to have a young boy facing a task much harder and larger than him.…

    • 363 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Michelangelo choose one of the most famous story of David, facing a nine foot, bronze…

    • 1250 Words
    • 6 Pages
    Better Essays
  • Better Essays

    Caravaggio and Michelangelo’s techniques differed dramatically. Most artists working during the Baroque period earned their income through important fresco commands in churches or other public places, Michelangelo being a key example of this. Caravaggio, on the other hand, refused to paint in fresco and only painted oil on canvas for his entire career. Caravaggio focused on chiaroscuro, highlighting the light and dark of his paintings. He chose a dramatic, intense style. Michelangelo’s prior experience as a sculptor, managed to depict three dimensional figures in his artworks. He executed rough preliminary drawings on the canvas before painting in order to be certain of composition and proportions. Nevertheless, Caravaggio also chose to portray realistic figures, only deciding to paint straight onto the canvas rather than initial sketches.…

    • 2487 Words
    • 10 Pages
    Better Essays
  • Good Essays

    Michelangelo's David

    • 779 Words
    • 4 Pages

    Michelangelo's David is based on the artistic discipline of disegno. It is said that under this discipline, sculpture is considered to be the finest form of art because of how it mimics divine creation. Michelangelo worked under the premise that the image of David was already in the block of marble he was working on, in much the same way that the human soul is thought to be found within the physical body (Michelangelo's David).…

    • 779 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The painting itself with its dark dramatic lighting, earthly tones and realistic characters, is strikingly similar to the same scene paint by Caravaggio. The two paintings almost scream for a comparison. The expression of Vignon’s David seems to be one of intense contemplation. As if David is in deep thought and/or shock over the event that had just occurred. David’s facial expression gives the painting a somber and almost remorseful tone; rather than a victorious mood one would expect. Another aspect of Vignon’s painting is the way David is dressed. Draped in fabric obviously not true to the time, David appears both royal as well as somewhat feminine. However David’s feminine appearance could be a highlight of how amazing his accomplishment really was. The depiction of Vignon’s David conquering such a beast is more impressive than if David was portrayed in a more manly fashion. One of the most effective techniques is Vignon’s usage of light. The artist’s choice of lighting immediately draws the viewer’s eye towards David. The eye then follows the beam of light down to the massive visage of the lifeless Goliath; giving the work of art “flow.”…

    • 312 Words
    • 2 Pages
    Good Essays