In these panels, Spiegelman illustrates himself as a man with a mouse mask over his face, which is the animal that has been representing Jews in the novels. This particular page is only about Spiegelman’s struggles with relating to his father’s experience. The juxtaposition of the large pile of dead mice at the bottom of the page next to Spiegelman highlights the gap between Spiegelman, who is a second generation that didn’t experience the Holocaust, and the mice in the pile, those who personally experienced the event. It shows how one cannot wholly understand an event such as the Holocaust without personally experiencing it. This page also portrays post-memory. Spiegelman is clearly struggling to accept the suffering that happened to his father and those in his
In these panels, Spiegelman illustrates himself as a man with a mouse mask over his face, which is the animal that has been representing Jews in the novels. This particular page is only about Spiegelman’s struggles with relating to his father’s experience. The juxtaposition of the large pile of dead mice at the bottom of the page next to Spiegelman highlights the gap between Spiegelman, who is a second generation that didn’t experience the Holocaust, and the mice in the pile, those who personally experienced the event. It shows how one cannot wholly understand an event such as the Holocaust without personally experiencing it. This page also portrays post-memory. Spiegelman is clearly struggling to accept the suffering that happened to his father and those in his