Explication of Sharon Old's Poem, "Late Poem to My Father"

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Sharon Olds' poem "Late Poem to My Father" exposes the profound effect that childhood

trauma can have on someone, even in adulthood. The speaker of the poem invokes sadness and

pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause

and effect relationship between the abuse he endured as a child and the dependence he develops

on alcohol as an adult. The idea of emotional retardation caused by childhood experiences is not

uncommon, especially in our modern world of prevalent substance abuse, dysfunctional families,

and child abuse. However, Olds' poem is a moving testament to this tragic loss of innocence due

to the powerful imagery she weaves throughout the first half of the poem. In addition, Olds

skillfully uses figurative language and deliberate line breaks throughout the poem to develop the

dismal sorrow her speaker feels while reflecting on the childhood of her father.

The poem opens with the speaker experiencing an epiphany while contemplating on her

father's childhood, and later in the poem we learn that this contemplation is more specifically

focused on the causes of her father's dependence on alcohol. In the first seven lines of the poem

she uses descriptive details to establish a dark, foreboding image of the setting. For example, in

lines two and three she describes the house with "unlit rooms" and a "hot fireplace". She goes on

to portray her father as "a boy of seven, helpless, smart,..." which reinforces his innocence in this

imagery of darkness. It is interesting to note how the speaker distinguishes these details, yet in

lines three and six, she refers to her father's father only as "the man". She intentionally refers to

him in this flat way so as to convey to the reader that he is unworthy of any characterization. She

also omits characterization in line six when she writes, "there were things the man did near you,"

purposely emphasizing "things" with no other explanation. This leads to the assumption that some

actions are too abominable to convey in words, thus leaving us with a vast array of uncomfortable

possibilities to consider. The description of the "sweet apples picked at their peak...rotted and

rotted,"in lines nine and ten establishes a comparison between her father's loss of innocence, and

the ripe fruit being left to waste. In line eleven she writes, "past the cellar door the creek ran and

ran" which is a contrast to the apples being trapped within the cellar (like the child in the house),

and the creek being on the outside, where the idea of escape exists. The silent actions of the

apples and the creek are parallel to each other as well.

The realization the speaker comes upon during her pondering is stated in lines twelve and

thirteen, "something was not given to you, or something was taken from you that you were born

with,". This line is crucial because not only does it present the overall theme of the poem, but

also the line breaks are placed after "something was" in each line, which presents the idea more

vividly to the reader. This placement of line breaks is prevalent throughout the poem, and often

Olds ends a line in mid-sentence to draw emphasis to the particular image or action she wants

acknowledged. Another good example of this is in line seventeen when the line ends after "the

poison to help you" and the next line continues with "drop down unconscious". It is possible she

is conveying to the reader that her father truly viewed the alcohol as a means of "help", but in the

next line she uncovers what its actual purpose served.

Olds goes beyond literal imagery with her use of figurative language, namely metaphors, to

introduce key ideas in a more dramatic manner. The most significant example of this is in lines

twenty-two through twenty-five in which she writes, "the tiny bones inside his soul twisted in...
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