The San Bernardino Symphony has been Inland Southern California’s longest running professional orchestra. It was originally founded by nationally recognized conductor James K. Guthrie in 1929‚ and has provided world-class symphonic music for audiences around the region for 87 years. On Saturday‚ May 28‚ 2016 they performed their season closing “Finale Bravura”‚ which featured Wolfgang Amadeus Mozart’s “Magic Flute Overture”‚ Pyotr Ilyich Tchaikovsky’s “Rococo Variations”‚ David Popper’s “Hungarian
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Symphony No.5/Eine kleine Nachtmusik Two names that were prevalent during the Classical era of music were Ludwig van Beethoven and Wolfgang Amadeus Mozart. These two composers have written many pieces of music‚ but two that stand out are Beethoven’s “Symphony No. 5” and Mozart’s “Eine kleine Nachtmusik”. Both of these pieces were composed within twenty years of each other‚ and parallels between the two pieces of work can be noticed. Even though the two pieces are similar in terms of structure
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I attended the EIU Wind Symphony concert on December 4‚ 2015. It started seven in the evening and was in Dvorak hall in the Doudna Fine Arts center on Eastern’s campus. Alicia Neal was the conductor of the symphony. It was a symphony composed of some of Eastern’s best music majors and it showed their skill throughout the entire performance. The symphony was composed of woodwinds‚ brass‚ and percussion. On the woodwinds‚ they had piccolos‚ flutes‚ oboes‚ bassoons‚ clarinet‚ bass clarinet‚ alto saxophone
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The symphony orchestra‚ Peter and the Wolf by Sergei Prokofiev is a story based concert with a variety of instruments. Sergei Prokofiev constructed this orchestra to help teach young children about what certain instruments sound like together and by themselves. A narrator instructs the audience what instruments represent each character or mood. The concert begins with a lento and mezzo-piano type of mood because the string family starts playing first. These elements combined with the beautiful blend
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The Stony Brook Symphony Orchestra and Fady Deeb Saturday‚ October 6‚ 2012 Lontano by György Ligeti This piece has an eerie and dissonant aura throughout the piece‚ without having much musical resolve in its sounds. The entire orchestra was included in this piece‚ except for the percussion section. These polyphonic sounds of this piece were played extensively‚ reflecting no noticeable tempo or rhythm‚ therefore creating ambiguous sounds. However‚ the dynamic range was wide enough to create
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emotional experience while offering a technical structure intelligent enough to sate most musicologists. This can especially be seen in Movement One of Brahms’ Third Symphony‚ where he clearly uses a specific pattern to encapsulate both of these aspects. First and foremost‚ it is important to understand that Brahms’ symphonies (as well as much of his music) fits the definition of absolute music. This is similar to composers of earlier times in the romantic
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during the classical era of music‚ but his compositions led to the end of that period and to the start of the romantic era. He helped greatly to develop tonal music. One of the amazing things about Beethoven was that he was deaf. At his last symphony‚ “Ninth Symphony”‚ he had to turn around and look at the audience to see if they were clapping. He was greatly influenced by the composers Haydn and Bach. He greatly influenced his music with the power of romanticism.  Beethoven’s father‚ Johann Van Beethoven
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Beethoven’s use of Sonata form in his 1st Symphony Beethoven‚ in common with his predecessors Haydn and Mozart‚ uses the Sonata form in the first movement of his first symphony. This was Beethoven’s first attempt at the symphonic form having composed chamber music and two piano concertos. Beethoven made the sonata form more expressive through his use of dynamics and more extreme key relations. Beethoven started this piece with a slow introduction. It is not unknown
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since the composer decided not to continue the work on this piece while he was still alive. James M. David: AUTO ’66: for Solo Clarinet and Wind Ensemble I. Lamborghini Miura; II. Mini Cooper S; III. G.T.O. This clarinet concerto is scored for Piccolo‚ 2 Flutes‚ 2 Oboes‚ 2 Bassoons‚ Contrabassoon‚ 4 Clarinets in B-Flat‚ Bass Clarinet‚ B-Flat Contrabass Clarinet‚ 2 Alto‚ Tenor and Baritone Saxophones‚ 3 Trumpets in B-Flat‚ 4 Horns‚ 2 Tenor Trombones‚ Bass Trombone‚ Euphonium‚ 2 Tubas and 5 Percussions
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Spectacular at the Sioux City Symphony Orchestra. I have thoroughly enjoyed each and every event I have attended at the Sioux City Symphony Orchestra. They seem to always do an excellent job. I come from a small town in eastern Iowa‚ so it is incredible to have such amazing resources to enjoy from such a short drive away. To see a symphony like this from my hometown‚ I would have to drive over an hour‚ and the symphony still would not be as high quality as the Sioux City Symphony Orchestra. I think more
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